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West Bromwich Albion has denied any wrongdoing regarding the EFL's financial rules, despite growing fears of a points deduction that could significantly impact their relegation battle in the Championship. The Daily Telegraph reported that the EFL's Club Financial Reporting Unit (CFRU) had filed a compliance report against West Brom, alleging a breach of the loss limits for the 2024-25 season under the profitability and sustainability rules (PSR). If a points penalty were imposed, it would affect West Brom in the current campaign, with the club currently sitting 20th in the Championship, just two points above the relegation zone. West Brom responded by stating, “The club considers that it has fully complied with the rules.” They emphasized their commitment to cooperating with the EFL and resolving the matter, while also thanking fans for their support. Under PSR rules, Championship clubs are required to keep losses under £39m over a three-year assessment period. Certain expenditures, such as investments in infrastructure, youth, and women’s football, are ‘added back’ in the PSR calculation. West Brom, having competed in the Championship last season, was required to submit their annual accounts for 2024-25 by December 31. The EFL has declined to comment on the matter, and decisions on sanctions by the Club Financial Reporting Panel (CFRP) are typically published after discussions between the club and the EFL remain confidential.

Sam Neill, the veteran actor celebrated for his memorable performances on screen, is set to answer readers' questions in an upcoming interview with The Guardian. Neill's iconic roles include his portrayal in Jurassic Park, where he famously removes his sunglasses and gazes at a towering Brachiosaurus, a scene that has become etched in cinematic history.Born in Northern Ireland and raised in New Zealand, Neill's diverse filmography showcases his versatility as an actor. He has appeared in a range of films, from period dramas like My Brilliant Career to thrillers such as Dead Calm, which is set to be released in 4K later this year. His recent projects include Godzilla x Kong: Supernova, alongside Kaitlyn Dever and Matthew Modine.Neill's career has been marked by his ability to take on idiosyncratic, director-led projects, often playing characters with a unique blend of gruffness and warmth. His performances in Sweet Country and Rams have been particularly noted for their depth and nuance.In addition to his film work, Neill has also made headlines for his memoir, Did I Ever Tell You This?, in which he openly discusses his experience with stage-three blood cancer and his journey towards remission. When asked about his mortality, Neill expressed a pragmatic view, stating, “I’m not afraid to die, but it would annoy me”.Readers are invited to post their questions for Sam Neill by 6pm BST, Thursday 16 April, and The Guardian will publish his answers in their reader interview series. This provides a unique opportunity for fans to engage with one of cinema's most beloved actors and gain insight into his life and career.

The highly anticipated Coachella 2026 festival has officially revealed its lineup, with Sabrina Carpenter and Justin Bieber set to take the stage. While specific details about the performances and festival schedule are yet to be disclosed, fans are eagerly awaiting more information about the event.The Coachella Valley Music and Arts Festival, commonly known as Coachella, is an annual music and arts festival held in Indio, California. It is one of the most popular and highly regarded music festivals in the world, attracting thousands of attendees each year.

Britney Spears, one of the most iconic pop artists in US history, has taken a significant step towards recovery by voluntarily entering a rehabilitation centre after her arrest in March for driving under the influence (DUI). The arrest occurred in Ventura County, California, where Spears was stopped by police for driving erratically. The tests revealed the presence of drugs and alcohol in her system, leading to her brief detention. Her manager at the time described her actions as 'completely inexcusable' and emphasized that Spears would take the necessary steps to comply with the law and make overdue changes in her life. This recent development marks another chapter in Spears' journey, which has seen her step back from her music career in recent years. Her last album was released in 2016, and her most recent chart success was in 2022 with 'Hold Me Closer,' a collaboration with Elton John that reached the US and UK Top 10. In 2024, Spears expressed her intention to never return to the music industry, stating a preference for ghostwriting for other artists. Additionally, in January, she mentioned that she would never perform again in the US, though she hoped to perform in the UK and Australia. Spears has also made headlines with her memoir, 'The Woman in Me,' published in 2023, which is currently being adapted for the big screen. Her career has not been without challenges, including a conservatorship arrangement in 2008 that lasted until 2021, which significantly impacted her personal and financial independence. Spears' decision to seek rehab is seen as a proactive step towards addressing her challenges and regaining control over her life. The journey ahead will likely be closely followed by her fans and the media, given her status as a cultural icon.

Scotland staged a late comeback to beat Wales 27‑22 in what was hailed as the best match of the opening weekend of the Women’s Six Nations, played at Cardiff’s Principality Stadium. The game attracted 10,569 spectators, the highest ever attendance for a Wales‑Scotland women’s clash on Welsh soil, though the venue’s 74,500‑seat capacity meant the atmosphere fell short of the stadium’s potential. Wales, led by head coach Sean Lynn, fought back from a 24‑12 halftime hole, narrowing the gap to five points in the closing minutes. Despite a valiant effort from their own try line, a mishandled line‑out in the dying seconds denied them a first Six Nations win since their 22‑20 victory over Italy in 2024. Scotland’s triumph was especially significant for new head coach Sione Fukofuka, who secured his inaugural win since taking the reins in December. Fly‑half Helen Nelson, named player of the match, praised the team’s defensive resilience and the blend of experienced and emerging talent. The match formed part of the Welsh Rugby Union’s strategy to showcase the women’s game in the national stadium, with plans to host at least one fixture there each season, hoping larger crowds will follow. Across the tournament, England set a new attendance benchmark with 77,120 fans at Twickenham for their 33‑12 win over Ireland, while upcoming fixtures promise further milestones: Scotland will play a standalone game at Murrayfield before heading to Dublin, and France, after a strong second‑half display against Italy, now sit atop the table on points difference. Looking ahead, Wales will face France at Cardiff Arms Park, where two of the three stands are already sold out, as the team aims to build on the “fight and character” displayed in Saturday’s encounter.

Joz Norris' latest show, 'You Wait. Time Passes', is a thought-provoking exploration of artistic character and the choices that define a creative life. In this maverick confection of a show, Norris takes on the role of an unhinged, self-absorbed guru figure, imparting life lessons with a healthy dose of silliness.The show delves into Norris's career as a comedian, actor, and magician, as well as his bid to become Google's number one Joz. Through snippets of his career and interactions with his erratic AI girlfriend, Norris presents a picture of himself as a complex, multifaceted artist.At its core, the show poses big questions about the futility of the niche creative's life and whether weird artists are truly weird or just trying to express themselves in a different way. While some moments feel a bit strenuous or for-its-own-sake, the show's extreme dottiness is backed up by good jokes, twisty philosophy, and a highly energetic performance.Ultimately, 'You Wait. Time Passes' constitutes a curiously rousing defence of experimental art-making in a conformist, capitalist world. The show is a must-see for fans of comedy and experimental art, and it will be touring after its run at the Lowry in Salford.

Manchester City delivered a commanding 3‑0 win at Stamford Bridge on April 12, 2026, a result that brings them within a single game’s reach of the league leaders, Arsenal. The victory, part of City’s impressive April record of 19 wins and 4 draws from 23 matches, underscores Pep Guardiola’s reputation as a spring‑time title avenger. The opening goal arrived in the 10th minute when Nico O’Reilly headed a close‑range effort past the Chelsea keeper, a moment described as a “free header” that ignited the Etihad‑like atmosphere among the travelling fans. Within the next 17 minutes, Marc Guéhi and Jérémy Doku added their names to the scoresheet, exposing a Chelsea defence that resembled a “shop‑worn bead curtain”. Guardiola’s side now sits six points behind Arsenal with a game in hand. A win at the Etihad next Sunday would reduce the deficit to three points, and a subsequent victory at Burnley could see the two clubs level on points, with City holding the superior goal difference. Arsenal, meanwhile, are grappling with a dramatic slump. After a nine‑point lead that seemed unassailable, the Gunners suffered a home defeat to Bournemouth, leaving them vulnerable to a potential “quadruple collapse” over the next sixteen days. City’s recent form has been nothing short of dominant: in their last three fixtures they have beaten the league leaders, the title‑holders, and the Club World Champions, scoring nine goals while keeping a clean sheet. The squad’s depth is evident, with five different scorers contributing to the tally. In contrast, Chelsea’s performance highlighted the widening gulf at the top of the table. Manager Liam Rosenior, still finding his footing after a mid‑season appointment, has yet to secure a win against the league’s elite, having lost to Guardiola, Luis Enrique and Mikel Arteta. Guardiola, ever the seasoned tactician, appeared composed even when Chelsea showed brief bursts of energy. His sideline attire—a practical anorak and brown shoes—mirrored his methodical approach, while midfield dynamo Bernardo Silva moved with the poise of a “captive prince” amid the chaos. As the season edges toward its climax, City’s blend of experience, tactical flexibility, and spring‑time confidence positions them as genuine title contenders. The next few weeks will determine whether Guardiola’s “alpha‑dog” energy can finally translate into the Premier League crown, or if Arsenal can rally to retain their lead.

Former President Donald Trump and Secretary of State Marco Rubio arrived at Miami’s Kaseya Center shortly after 9 p.m. on Saturday to watch a UFC card, joining UFC president Dana White and several members of the Trump family. Seated nearby were U.S. ambassador to India Sergio Gor, rapper Vanilla Ice and former FBI deputy director Dan Bongino. The crowd greeted Trump enthusiastically as a Kid Rock track blared, and he exchanged handshakes and smiles with fans and the broadcast crew, which included podcaster Joe Rogan. While the fights unfolded, Vice‑President JD Vance told reporters that the diplomatic mission in Pakistan aimed at ending the conflict with Iran had broken down. He noted that Iran’s refusal to renounce its nuclear ambitions remained the chief obstacle, stating, "We need an affirmative commitment that Iran will not seek a nuclear weapon or the tools to achieve one quickly." Despite the diplomatic setback, Trump appeared focused on the cage action, occasionally leaning toward Rubio to discuss matters on his phone. After the co‑main event victory of Paulo Costa over Azamat Murzakanov, the champion approached the former president for a handshake. Trump’s family members at the venue included his children Ivanka, Tiffany and Donald Jr.; Ivanka’s husband Jared Kushner was in Pakistan with Vance for the failed talks. UFC has long been a platform that bolsters Trump’s appeal among young, male audiences. The promotion recently announced a special event at the White House slated for 14 June—coinciding with Trump’s 80th birthday—to commemorate the United States’ 250th anniversary. According to White, a bout featuring Josh Hokit was added to the June card at Trump’s request, with both White and Rogan confirming the arrangement. Vance emphasized that the United States remains committed to securing a binding Iranian pledge against nuclear weapon development, framing it as the core objective of the administration’s foreign policy agenda.

Regents Opera's production of Strauss's Salome has been billed as 'Strauss's most dangerous opera', and it's clear that the company has risen to the challenge. The production, directed by Mark Ravenhill, features a modern-ish take on the classic tale, with a cast that brings righteous fury and dynamic clarity to the performance.The orchestra, led by conductor Ben Woodward, provides a 24-piece ensemble that, despite its relatively small size, delivers a surprisingly clear and balanced sound. The use of a custom arrangement by Nigel Shore and a runway-style stage that protrudes into the audience adds to the overall sense of intimacy and immediacy.The cast is led by Kirsty Taylor-Stokes in the title role, who brings a lush soprano and thrilling low notes to the performance. Her portrayal of Salome is both persuasive and compelling, and her Dance of the Seven Veils is a highlight of the production.The supporting cast is equally impressive, with Freddie Tong bringing a Wagnerian-scale voice to the role of Jochanaan and James Schouten delivering a rich and warm tone as Narraboth. The production's use of space and staging is also noteworthy, with the cast making dynamic use of the entire space in the opening scenes.Overall, Regents Opera's production of Salome is a must-see for opera fans, with its dynamic clarity and righteous fury making for a compelling and disturbing performance.