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Amazon Prime's latest action thriller, Pretty Lethal, brings a unique twist to the genre by featuring a group of young ballet dancers who use their skills to take down bad guys in Eastern Europe. The film, directed by Vicky Jewson, offers a fresh take on the action genre with its blend of ballet and combat. The story follows a group of American dancers, including Lana Condor, Maddie Ziegler, and Millicent Simmonds, who are on their way to a competition in Budapest when their bus breaks down in the middle of nowhere. They soon find themselves facing off against a group of ruthless henchmen, led by Uma Thurman's character, Devora. With a runtime of less than 90 minutes, Jewson keeps the action fast-paced and thrilling, making use of the dancers' skills to create a unique and entertaining fight choreography. While the script may feel a bit basic at times, the film's energy and tenacity make up for it. Pretty Lethal is not trying to be a high-brow film, but it does offer a refreshing change of pace from the usual nihilistic and smug action films. The young actors, including Condor, Ziegler, and Simmonds, deliver convincing performances as they learn to fight on the job. Uma Thurman, as the villain Devora, brings a level of hammy humor to the film, but her performance feels somewhat underutilized. Overall, Pretty Lethal is a fun and entertaining action thriller that is worth checking out.

Ofcom, the UK's broadcasting regulator, has reversed its decision not to investigate complaints of climate change denial on television and radio. This move comes after a letter from the Good Law Project (GLP) in January, which requested an explanation for the rejections. Ofcom will now reassess the complaints, which include comments from TalkTV and TalkRadio guests who made misleading statements about climate change. The complaints in question include a TalkTV guest who claimed climate change was a 'deliberate effort to create fake anxiety' and another guest who described Labour's energy policies as 'suicidal' and 'driven by pseudoscience'. Ofcom's reassessment led to the conclusion that its approach to 'due impartiality' in the broadcasts required reconsideration. Campaigners have welcomed Ofcom's decision, with the GLP spokesperson stating that 'rightwing channels have been allowed to spout dangerous climate lies, unchecked, for too long.' The GLP awaits the conclusion of the investigations, vowing to hold Ofcom accountable if it fails to take action against Talk's misinformation. Ofcom's broadcasting code states that factual programmes and that . The regulator has opened investigations into whether the TalkTV and TalkRadio programmes breached these rules. This development marks a significant shift in Ofcom's approach, as it had previously rejected over 1,000 climate-related complaints since 2020 without investigation. The regulator's decision comes amid increasing scrutiny from campaign groups and politicians, who argue that Ofcom is to deal with the scale of climate misinformation in the media.

Huw Edwards, the former iconic BBC newsreader, has publicly denounced Channel 5's forthcoming dramatization of his downfall. In a lengthy statement, Edwards expressed his disapproval of the drama, stating that mental illness is often misunderstood and should not be used as an excuse for criminal behavior. Edwards has been open about his struggles with persistent mental illness over the past 25 years. However, his decision to use this as an explanation for his actions has been met with criticism, particularly given the severity of his condition and the conviction for possessing multiple indecent images of children, including category A images. The drama, titled 'Power: The Downfall of Huw Edwards,' stars Martin Clunes as Edwards and has sparked controversy over its portrayal of Edwards' actions. Edwards has questioned the production values of the drama and suggested that it will not accurately convey the reality of his situation. He also expressed concerns about the allegations made against him and whether those involved were paid for their contributions. Edwards' statement has been seen as an attempt to shift the focus away from his own actions and onto his mental health struggles. Critics argue that this approach downplays the severity of his crimes and the impact on his victims. The drama is part of a larger trend of 'true story' dramas that have become increasingly popular in recent years. Marina Hyde, the author of the article, criticizes Edwards for not taking responsibility for his actions and instead using his mental illness as an excuse. Hyde also questions Edwards' motives, suggesting that he is trying to rehabilitate his image and portray himself as a victim.