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The LeadAs we celebrate Miles Davis's centenary, his 1957 film soundtrack "Ascenseur pour l'Échafaud" is being repackaged with restored audio, offering a fresh look at the jazz legend's innovative approach to film scoring and improvisation. This mostly improvised soundtrack, created over one night in a Paris studio, showcases Davis's unique harmonic openness that would later influence his masterpiece "Kind of Blue."The Creative Process Behind the SoundtrackComposed by Davis from little more than a handful of chords, this music was mostly improvised straight to a screen showing budding New Wave director Louis Malle's crime thriller "Ascenseur pour l'Échafaud" (Lift to the Scaffold), over one long night in a Paris studio in December 1957. His fine local quartet included expat New York bebop drummer Kenny Clarke, and their harmonic openness created a spacey, ethereal soundworld for a story following two lovers who think they've committed the perfect murder of an inconvenient husband, and the mishaps, farces, ecstasies and fears that populate the long night of their undoing.The Musical Landscape of NoirDreamily sensual sounds mirror misplaced hopes; there are car-chase scurries (Miles's fast-bop horn virtuosity was formidable in this period), desolately bluesy accompaniments to actor Jeanne Moreau's confused wandering in search of her partner, bar-room clamour in the trumpet/tenor-sax counterpoint between Miles and saxist Barney Wilen – but all the music stands alone, without images. A quiet slow-burn, but simmering with all of Miles Davis's timelessly extraordinary light and heat.Jazz Tributes and Contemporary ConnectionsThis month marks Miles's centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the "Picasso of jazz" for the many styles he explored. Alongside the reissue of "Ascenseur pour l'Échafaud," other artists are paying tribute: Norwegian guitarist Hedvig Mollestad's power-trio Weejuns nods to Miles Davis' 1969 "Bitches Brew" with "Bitches Blues"; guitarist Jeff Parker unveils fascinating ways of emerging from minimalism to lyricism; and Jason Miles, a former Miles Davis keyboardist, revisits that groove-centric era in his own personal way.The Legacy of ImprovisationWhen Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player began playing homages to Miles' voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music. The reissue of "Ascenseur pour l'Échafaud" continues this legacy, showing how Davis's approach to improvisation and harmonic openness continues to influence musicians today.

The Lead: A Bold Re‑imagining of Garland’s Final YearsThe Guardian’s review opens by noting that Drag Race star Jinkx Monsoon brings her celebrated Judy Garland impersonation to a new narrative context—a love triangle set in 1960s London. The revival of Peter Quilter’s 2005 play shifts focus from Garland’s early exploitation to her later struggles with addiction and a fraught personal life.The Production’s Narrative Twist: Love, Addiction, and Queer IconographyMonsoon’s Garland is caught between steadfast pianist Anthony (Adam Filipe) and opportunistic suitor Mickey (Jacob Dudman).The script juxtaposes private hotel scenes with public performances at Talk of the Town, highlighting the clash between fame and personal decay.Queer themes surface through Anthony’s admiration and Mickey’s homophobic contempt, underscoring Garland’s status as a queer icon.Musical Direction and Visual Design: Orchestrating EmotionMusic direction by Nick Barstow and arrangements by Leo Munby anchor the drama, with Garland’s torch songs—"Just in Time" and "You Made Me Love You"—serving as emotional pivots.Designer Jasmine Swan creates a stark white‑curtain stage, while lighting designer Prema Mehta introduces a Technicolor‑inspired transition that mirrors Garland’s cinematic legacy.Critical Reception: Performance Nuances and Structural FlawsMonsoon’s vocal performance is praised for its dynamic range, capturing both triumph and fragility.The review notes repetitive hotel scenes that, while authentic to addiction’s grind, can feel grindingly static.Supporting characters are deemed functional, serving more as narrative devices than fully fleshed personalities.Future Outlook: Potential for a One‑Woman ShowcaseThe critic suggests that Monsoon’s talent hints at a possible solo rendition of Garland’s story, which could amplify the intimate connection she already establishes with the audience. The show runs at Soho Theatre Walthamstow until 21 June, offering theatre‑goers a chance to experience this layered homage before any further developments.

English Heritage has finished a 7‑metre‑high, £1 million reconstruction of a 4,500‑year‑old Neolithic hall, called the Kusuma Neolithic Hall, near the Stonehenge visitor centre. The structure is slated to open to the public this summer and will later serve as an immersive educational hub for schools. Recreating a 4,500‑Year‑Old Neolithic Hall at Stonehenge The hall is based on the archaeological footprint of Durrington 68, a “square‑in‑the‑circle” building discovered two miles from Stonehenge. Excavations first began in 1928 by Maud Cunnington and were revisited in 2007 by the Stonehenge Riverside Project. The reconstruction features a horseshoe‑shaped ring of post holes and four massive internal roof‑support pillars, mirroring the original layout. Experimental archaeologist Luke Winter oversaw the design, using Neolithic carpentry studies and pollen data to ensure authenticity. Every timber was shaped with replica stone tools, and the frame was aligned with the winter solstice – the shadow of the central post falls precisely on the midsummer sunrise. £1 Million Investment and Volunteer Workforce Cost: £1 million Construction period: nine months Volunteer involvement: >100 volunteers contributed hand‑crafted timber work Opening: Summer 2026 Future educational capacity: aim to serve nearly 100,000 students annually by 2031 Educational and Cultural Impact on Heritage Tourism The hall forms the first phase of English Heritage’s broader educational expansion, which will also include the Clore Discovery Lab and Weston Learning Studio, scheduled for completion by the end of 2026. By offering a free, hands‑on experience – from making prehistoric cheese to shaping pottery – the project is expected to boost visitor numbers and deepen public engagement with Neolithic heritage. Curator Win Scutt emphasizes that the reconstruction highlights the communal spirit of Neolithic societies, providing a tangible illustration of how ancient peoples built collective monuments as expressions of social identity. Future Role in Neolithic Research and Learning Beyond tourism, the hall serves as a living laboratory for researchers. The experimental construction process has already shifted expert confidence from a 50 % to a 75 % likelihood that the original Durrington 68 structure was roofed. Ongoing studies will use the hall to test hypotheses about building techniques, seasonal alignments, and social organization. As the site opens to schools, it will become a model for immersive archaeology, potentially inspiring similar reconstructions across the United Kingdom and informing curriculum development for the national education programme on the Neolithic period.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June

The Record-Breaking Quarter Nvidia has announced record quarterly profit and revenue amid explosive demand for its advanced AI chips. The US tech behemoth said on Wednesday that profit soared to $58.3bn for the February-April period, up 37 percent from the previous quarter and more than 200 percent year-on-year. Revenue jumped to $81.6bn, up 20 percent from the prior quarter and 85 percent compared with the same period in 2025. Nvidia forecast revenue for the current quarter to hit $91bn, more than most analysts' estimates. The AI Chip Surge Nvidia's data-centre business was the main driver of growth, with quarterly revenue surging 92 percent year-on-year to $75.2bn. The Santa Clara, California-based chip giant's hardware unit racked up revenue of $6.4bn, up 29 percent from the previous year. In a sweetener for shareholders, the world's most valuable company said it would buy back an additional $80bn in shares and raise its quarterly cash dividend from $0.01 a share to $0.25 per share. Nvidia CEO Jensen Huang hailed the "extraordinary" results as proof of the growing utility of AI. "Demand has gone parabolic," Huang said in a conference call with investors and analysts. "The reason is simple. Agentic AI has arrived," Huang said, referring to the advent of semi-autonomous AI models. "AI can now do productive and valuable work." Market Expectations vs Reality Despite once again blasting past analysts' expectations, Nvidia's latest results received a muted market response. Shares in Nvidia fell nearly 1.3 percent in after-hours trading, an indication of the sky-high expectations attached to a company whose blistering growth since 2022 has lifted its market capitalisation to more than $5 trillion. "Expectations are very high, and when a company like Nvidia has been doing as well as it has for so long, it takes a lot for people to get excited," Jay Goldberg, a senior analyst for semiconductors and electronics at Seaport Research, told Al Jazeera. "That's just kind of the nature of Wall Street." "All these stocks have run a lot this year, but a lot of it is driven by press releases," Goldberg said, adding that tech firms have yet to demonstrate a "broad-based consumer case" for AI. The AI Valuation Debate Nvidia's spectacular rise and the sky-high valuations of other tech giants, such as Microsoft and Amazon, have stirred discussion about whether AI is overhyped and creating a massive market bubble. William Rhind, the CEO and founder of New York-based investment firm GraniteShares, said the muted reaction showed that expectations had "caught up to fundamentals." "Nvidia is no longer beating a high bar – it is the bar," Rhind told Al Jazeera. Rhind said the bullish case for Nvidia nonetheless remains strong, pointing to the dividend hike and share buyback scheme as signs of a company with "more cash than it can possibly redeploy into the business". "When the marginal use of capital starts shifting toward buybacks and dividends, you're watching a hypergrowth story begin to mature in real time," he said. "That's not bearish – it's a different kind of bullish." Future Outlook John Belton, a portfolio manager at Gabelli Funds, said Nvidia's latest results should not "dramatically shift the story one way or another". "Overall, another solid earnings," Belton told Al Jazeera, saying the results mirrored the "strong numbers" of previous quarters "albeit without any new earth-shattering developments." As Nvidia continues to dominate the AI chip market, the company faces the challenge of maintaining its extraordinary growth trajectory while navigating increasing scrutiny about whether current valuations reflect sustainable business fundamentals or speculative enthusiasm.

Mauritania has turned to an unconventional counter‑terrorism tool: women trained in Islamic scholarship who work in schools, prisons and community centres to undermine extremist narratives. Since the Ministry of Islamic Affairs launched the mourchidates programme in 2021, the country has avoided the large‑scale attacks that have ravaged its Sahel neighbours. The State‑Backed Religious Guidance Model The mourchidates are certified by the state, receiving formal training in Quranic interpretation, Islamic jurisprudence and social counselling. Their role mirrors Morocco’s programme launched after the 2003 Casablanca bombings, but Mauritania has expanded their deployment to every region of the country. Training includes theological study and community‑engagement techniques. Guides operate under the Ministry of Islamic Affairs, ensuring official backing. They address both extremist ideology and the socio‑economic factors that fuel radicalisation. Prison as a Battleground for Ideas In Mauritanian prisons, mourchidates sit with detainees linked to Sahel armed groups, challenging the theological justifications for violence point‑by‑point. By offering alternative readings of Islamic texts, they create space for detainees to reconsider violent paths. Preventive Outreach in Communities Beyond prisons, the guides travel to schools, youth centres, mosques and markets, delivering lessons on tolerance, charity and accountability. Their presence aims to intercept radicalisation before it takes root, especially among unemployed youth vulnerable to extremist recruitment. Impact on Regional Stability While exact metrics are scarce, Mauritania’s relative calm compared with Mali, Burkina Faso and Niger is widely attributed to this holistic approach. Analysts cite the programme as a case study in combining intelligence, community trust and religious reform to blunt extremist growth. Future Outlook and Replicability Critics note limited resources and question whether the model can be exported to other Sahel states where state‑society trust is weaker. Nonetheless, the success of the mourchidates suggests that investing in credible, female religious leadership could become a cornerstone of non‑military counter‑terrorism strategies across the region.

Lead: A Climate Champion Turns Policy ReverserWithin weeks of taking office, Mark Carney—once celebrated for his 2015 Bank of England speech on climate‑related financial risk—has abandoned the consumer carbon price, weakened methane rules, and opened the door to new oil‑and‑gas infrastructure. The rapid policy reversal has left climate‑concerned voters feeling betrayed and has sparked a national debate over Canada’s environmental direction. Carney’s Immediate Dismantling of Canada’s Climate FrameworkAmong his first actions, the prime minister:Scrapped the nationwide consumer carbon price.Rebranded the climate agenda as a “Climate Competitiveness Strategy” focused on investment rather than regulation.Delayed clean‑electricity mandates from 2035 to 2050, allowing new gas‑powered plants.Weakened methane regulations and postponed their implementation.Cancelled the planned oil‑and‑gas emissions cap that had been under consultation for years. Quantifying the Policy Reversals: Carbon Pricing and Emission TargetsThe federal‑Alberta agreement reduces the industrial carbon price from the projected $170 per tonne by 2030 to $130 per tonne by 2040, effectively rendering the tool “virtually irrelevant.” The removal of the consumer price and the delay of zero‑emission‑vehicle mandates have already triggered a “dramatic drop‑off” in EV sales, according to recent market data. Domestic and International Repercussions of Canada’s Climate ShiftThese moves have multiple layers of impact:Domestic emissions: Weakening of carbon pricing and the fast‑tracking of LNG and pipeline projects are expected to raise Canada’s total greenhouse‑gas output.Provincial politics: The deal appeases Alberta’s separatist‑leaning faction but alienates climate‑focused voters nationwide.Global credibility: Canada’s commitment to the 2050 net‑zero goal is now described by the Canadian Climate Institute as “firmly out of reach,” undermining its standing in international climate negotiations. What Lies Ahead for Canada’s Climate AgendaAnalysts warn that without a coherent carbon‑pricing mechanism, Canada may struggle to attract private investment in clean‑energy projects, while Indigenous groups have signaled readiness to block new fossil‑fuel infrastructure. The government’s reliance on a sovereign‑wealth‑fund model to subsidize these projects mirrors a “mirror opposite of Norway’s successful fund,” raising questions about fiscal sustainability. If the current trajectory continues, Canada could see both higher domestic emissions and increased downstream carbon leakage as exported oil and gas feed global markets.

Why “Hen” Stands Out in Contemporary Animal‑Centric CinemaThe Guardian’s review frames Hen as a rare mainstream entry from director György Pálfi, whose oeuvre usually leans toward avant‑garde pastiche. In a market saturated with CGI‑heavy animal protagonists, the film’s reliance on real poultry and a trained fox gives it an authentic, almost documentary texture while delivering a surprisingly uplifting survival narrative.György Pálfi’s Unconventional Storytelling in “Hen”Pálfi, known for works like Final Cut: Ladies and Gentlemen and Taxidermia, applies his surrealist‑formalism to a plot that follows a hen from a Greek battery farm to a rundown seaside restaurant. Key storytelling beats include:Escape from a battery farm where the hen is a lone black speck among yellow chicks.Near‑death encounter with a trucker planning to turn her into dinner.Chase by a real trained fox that ends in a classic “cross‑the‑road” moment.Co‑habitation with an elderly restaurateur (Yannis Kokiasmenos) and exposure to human trafficking subplot.The film balances dark themes—human trafficking, animal cruelty—with a light tonal touch, avoiding overt anthropomorphism.Box‑Office and Distribution SnapshotWhile specific revenue figures are not disclosed, the review notes the film’s release schedule:UK and Irish cinemas from 22 May 2026.Limited theatrical run, typical for art‑house European titles.Given the niche appeal and festival‑circuit pedigree, expectations center on critical acclaim rather than blockbuster returns.What the Film Says About Human Exploitation and Animal AgencyBeyond its quirky premise, Hen mirrors human suffering through animal experience. The hen’s survival instincts parallel the plight of refugees hidden in the restaurant’s dark rooms, underscoring a thematic link between animal and human exploitation. The film’s disclaimer—no animals were harmed—reinforces a humane production ethic that resonates with contemporary audience sensitivities.Future Prospects for Animal‑Led Narratives in European FilmThe positive critical response suggests a growing appetite for stories that place animals at the narrative core without resorting to CGI. Pálfi’s success may encourage more European directors to explore:Real‑animal training techniques to achieve authentic performances.Hybrid storytelling that blends social commentary with animal perspectives.Distribution strategies targeting art‑house circuits and streaming platforms seeking distinctive content.If the trend continues, we can anticipate a richer, more diverse slate of animal‑centric films that challenge both cinematic form and ethical storytelling.

The Lead: Hutchinson’s Debut Secures Women’s Prize ShortlistDebut author Marcia Hutchinson has been shortlisted for this year’s Women’s prize for fiction with her novel The Mercy Step, a raw yet witty portrayal of a young Black girl growing up in 1960s Bradford.Bradford’s Windrush Legacy Shapes the StoryHutchinson was born in late 1962 to Jamaican parents in Bradford, a city that welcomed thousands of Windrush migrants from 1948.The novel reflects the racism, hostile weather, and inadequate housing that many Caribbean families faced during post‑war reconstruction.Bradford’s mill‑town backdrop provides the socioeconomic pressure that fuels the narrative’s tension.Linguistic Fusion: Jamaican Patois Meets Yorkshire DialectThe author blends Jamaican patois, Yorkshire dialect, and a “Speaky‑Spokey” RP, creating a distinctive voice that mirrors Mercy’s mixed cultural identity. This linguistic collage is highlighted in a pull‑quote praising Hutchinson’s seamless mix of language.Abuse, Resilience, and Early Political AwakeningThrough Mercy’s eyes, the novel depicts domestic abuse, coercive control, and hospitalisation, yet it never sinks into despair. A pivotal moment occurs when Mercy and her classmates assert their Black identity, echoing the 1968 Olympic Black Power salute.Critical Reception and Prize ImplicationsShortlisted for the 2026 Women’s prize for fiction, positioning Hutchinson as a notable new voice in British literature.Published by Cassava Republic at a price of £10.99.Review notes occasional “odd similes” and “vignette‑like” sections but praises the tight timeframe and empowering conclusion.Future Outlook for HutchinsonWith the shortlist boost, Hutchinson is poised for greater visibility, potential translation deals, and a stronger platform to explore further stories rooted in the Windrush experience and Black British resilience.