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The Lead Two journalists in the Maldives have been jailed for reporting on an alleged affair involving President Mohamed Muizzu. The journalists, Mohamed Shahzan and Leevan Ali Nasir, were sentenced to 15 and 10 days in jail respectively for violating a gag order. The Event Details The case centres on a documentary titled Aisha, which was released on Adhadhu's social media accounts on March 28. It featured an anonymised interview with a woman who claimed to have had a sexual relationship with Muizzu, 47, a married father of three. Muizzu has dismissed the allegations as 'baseless lies'. The documentary was released days before a constitutional referendum that delivered a stinging midterm rebuke to Muizzu, with 69 percent of voters rejecting a government proposal on April 4 to align the presidential and parliamentary election cycles. The Data Analysis The journalists, who work for the news website Adhadhu, were sentenced by the criminal court in the Maldivian capital, Male, on Tuesday. Shahzan received 15 days in jail and Nasir 10 days. The Impact Analysis The case has intensified concerns about democracy and media freedom in the Maldives, a Sunni Muslim nation whose luxury resorts attract tourists from around the world. Parliament passed a media law in September giving a commission stacked with government loyalists powers to fine, suspend and shut down outlets while Muizzu's allies overhauled the Supreme Court last year, removing three judges in moves the former judges said were politically motivated. The Prediction News media freedom groups, opposition leaders and legal experts have disagreed with the government's actions, calling for the release of the journalists and an end to judicial harassment of their news outlet. The Maldives Journalists Association called the sentences 'unprecedented in the Maldives's democratic history' and argued that the court's gag order failed the constitutional tests of legality, necessity and proportionality.

A Novel of Female Defiance"Yes, you will leave this place," the chorus of child protagonists in a community of sex workers say at the start of Tahmima Anam's incantatory and fiery new novel of female defiance, Uprising. "This story will save your life," we were told three times in Deepa Anappara's 2020 debut, also featuring precarious children dwelling in the margins. What is the distance between imagination and action, lived realities and dreams? How can solidarities be forged in such circumstances? Uprising holds within its pages some answers and a deep conviction – for a better life, a more just world – and then reaches out and fights for it.The Island Community and Its OppressionAs a journalist, Anam visited the infamous "floating brothel" Banishanta in Bangladesh; her new novel, set on an isolated island "at the end of the country, in the middle of a river that emptied into the sea", fictionalises the island's community and ecological precarity. Here, a generation of daughters grow up watching their mothers trapped in sex work – "we knew that the work was something that was paid for in money, and also in bodies" – and wish a different life for themselves. The women are controlled by the cruel Amma, who was once herself sold into sex trafficking. The victim becomes the perpetrator – and the children are discerning enough to know that their mothers are "not here because they had done something bad, but because something bad had been done to them". The first lesson of the island? No one is coming to save you – and living here changes you, as inexorably as the rising tides.The island is a prison. The mothers are ghosts of their former selves. The children, witnessing the "sexing", are all too grown up, stripped of their innocence. By the time they are born, their mothers' memories have faded "like paint in the sun"; they live on the island "tied to" their daughters. What, or who, will it take to break free from these chains?Feminism and Climate Crisis in LiteratureWhen the waters rise, customers stay away. The mothers speculate: "the swirling river was keeping the smaller boats from making the journey"; "the land was cursed". In a last-ditch attempt to lure men back for business, Amma sends for a new girl. Little does she know that Kusum Khan's arrival will signal the beginning of the end. A girl from the city with a history of participating in protests against the Dictator, she doesn't acquiesce to the island's rules, as the others have been conditioned to; instead, she sows the seeds for what will grow into a life-altering act of resistance. The children start to believe that she is their saviour – maybe even Bon Bibi, a legendary guardian of the forest. A different life seems graspable, just beyond the island's shore. When the titular uprising at last arrives, it summons an all-consuming storm, washing over the island. And the reader, too, is ready to join the revolution – their fist in the open air.Uprising is a feminist novel ("here they were: a wall of women") and a protest novel ("The moment Kusum entered the protest, she felt as if she was becoming a small organ in a living, breathing thing"). It is a coming-of-age novel, and a response to the climate crisis; a story of sisterhood protecting, and failing to protect; of structural inequality and the rotten core of patriarchal corruption; of unlucky women in an unfair world. "When the men came to reclaim the island, we stood rooted in place with our eyes closed, unable to watch. We stood rooted in place with our eyes open, unable to stop watching." While the mothers and daughters in Anam's fictional world are victims of specific generational violence, this observation can be applied to humanity at large: we are all watching – frozen, complicit – as injustices rise the world over.The Power of Rage and Radical HopeThrough her unwaveringly political and unflinchingly forthright novel, Anam shows the power of rage and radical hope. A new world can burn bright from the fires of injustice – and here, it's the mothers that hold the match.

The Unparalleled Experience of CannesNothing prepares you for the shock that is the Cannes film festival: the adrenaline, the fatigue, the elation and the emotion, but also the hunger, the anger, the magic and the ridicule. For young cinephiles, and for almost everybody who works in the film industry, it is the mecca of cinema and has been so for nearly eight decades. Anyone going for the first time this week, as I did 25 years ago, should not listen to the old grognards – Cannes' battle-worn veterans – who will lament that the festival has become an abominable circus and swear this year will be their last. It is a circus, and you can bet they will be back for as long as their knees can take it. For there is nothing quite like it.From Resistance to Global Cinema HubBorn to counteract Benito Mussolini's Venice film festival, its first edition was planned for September 1939, but Adolf Hitler had other plans. The previous year, under pressure from Berlin and Rome, the Venice film festival's top prize, the Coppa Mussolini, was handed to Leni Riefenstahl's propaganda film Olympia, prompting the French, British and American delegates to walk out. Hence Cannes, conceived as the festival of the "free world". More than 80 years later, for all its sins, it has remained faithful to that founding promise.The Expansive Scale of Modern CannesOver the decades, Cannes has mutated into an ever-hungrier mammoth, needing more space, and more venues, as it attracts an increasing number of journalists and professionals. A purpose-built Palais des Festivals had to be erected in the 1980s. "The bunker", as we have come to call it, is not exactly beautiful but brutally efficient at managing Cannes' mind-boggling crowds. This year, about 40,000 accredited festival-goers are descending on the French Riviera from 140 different countries, with dozens of films selected across all sidebars. At the same time, the Marché du Film, running alongside the festival since the late 1960s, is gathering about 16,000 participants, with thousands of films and projects up for sale. Cannes is both a summit for the cinema elite and a giant film bazaar.Three Worlds Colliding at La CroisetteFor 11 days in May, three different worlds lead parallel lives – critics, deal-makers and red-carpet royalty – colliding almost by accident on the seafront boulevard known as La Croisette. Hundreds of critics watch multiple films a day with monastic discipline. When they give in to parties, they bitterly regret it the next morning. You can spot some of us sleeping through entire screenings; how some colleagues manage to review films is a mystery. I remember a well-known French critic who had such vivid dreams in the darkness that he became convinced they were scenes in the films. His reviews were full of brilliant analysis of moments that did not exist.We critics rush between screenings, press conferences, interviews, our desks and the bunker's free espresso machines, often forgetting to eat or even pee. Downstairs, in the bunker's basement, and in hotel suites and rented apartments, the film market runs day and night: buyers juggle numbers, producers charm, directors and screenwriters fight for their vision. Above them floats Cannes' top layer – stars and "talent" spending hours in hair and makeup before climbing the 24 steps of the red carpet in borrowed couture and jewellery. When people in the industry groan, "oh God, it's Cannes again", it is this collision of financial anxiety, choreographed glamour and sheer exhaustion they are bracing themselves for.The Magic and Meaning Behind the GlamourThese worlds sometimes collide in the most poetic or grotesque ways. One morning, rushing to my first screening at 7.30am, I was walking along the Croisette when I saw, coming towards me, slightly dishevelled in a tuxedo, Jack Nicholson on his way back to his hotel after a long night. I smiled, he smiled back. He was alone, no bodyguards, no chaperones. Those were the days. I also shared a lift with Takeshi Kitano in full samurai attire, and I will never forget turning into a hotel corridor and finding myself nose to nose with Max von Sydow – Ingmar Bergman's medieval knight from The Seventh Seal. My cinephile heart skipped a beat.One of my favourite sidebars in Cannes, alongside the competition where you watch the year's best crop of films, is Cannes Classics, showing restored world masterpieces and documentaries about cinema. I always start the festival there: it is the best way to reset and begin afresh. Then I am ready for the 10-day onslaught of motion pictures, and for the magic moment that precedes each Cannes screening – the festival's own jingle, a palm ascending the red carpet from underwater and then into the sky, lifted by the ethereal arpeggios of Camille Saint-Saëns's Carnival of the Animals.Cannes: Enduring Symbol of Cinematic ResistanceIn 1955, Cannes gave its first official Palme d'Or to Delbert Mann's Marty; half a century later I found myself befriending its wonderful star, Betsy Blair, on the Croisette. I had the joy of seeing Ken Loach twice climbing those steps to collect the Palme, escorted by police outriders from Nice airport as if he were a head of state. I watched Iranian directors Jafar Panahi and Mohammad Rasoulof showing films at peril to their lives. For all the craziness of the red carpet and the samurai outfits, Cannes never forgets that it was founded as a gesture of resistance. That, as much as the glamour and the exhaustion, is why we keep going back.

The Media Revolution The news industry is once again experiencing a revolution, one that is reshaping news for a new generation of consumers. This disruption transcends all news brands, impacting all journalists and all journalism, everywhere. The Shift in Consumer Behavior We're witnessing a significant shift in how consumers access news. TV news audiences have declined by nearly 4 million people in the past five years, while YouTube has seen a trebling of its news audience and TikTok a 10-fold increase. This shift is not just about platforms; it's about the rise of independent journalists and personalities. The Rise of Creator Journalism Independent journalists like Joe Rogan, Piers Morgan, and Emily Maitlis have built massive audiences on platforms like YouTube and Substack. Joe Rogan has 20.9m subscribers on YouTube, while Piers Morgan's Uncensored YouTube channel has gained significant traction. This creator journalism is not a sideshow; it's becoming the main event. The Data Analysis The global podcast market is projected to grow from $32bn to $114bn by 2030. The UK is Substack's second-largest and fastest-growing market, with over half a million people paying subscriptions directly to writers. The Impact Analysis This revolution matters because it's driven by commentary and conversation, and the established media has yet to break into this new world at scale. The challenge is clear: will we wake up to the existential nature of this great shift in our industry, or will we be left behind? The Prediction The established news media has everything it needs to succeed in this new world, including talented journalists, experienced experts, and brands that have meaning for audiences. However, success is conditional on whether the established media is willing to deploy those assets to win and not be left behind. The priorities are clear: restore trust, reconnect through authenticity, and reinvent the newsroom.

Turness Calls Creator Journalism an Existential Threat to Traditional Broadcast NewsIn a lecture to the Sir David Nicholas memorial audience, former BBC News head Deborah Turness warned that the industry is at a "profound moment of disruption" as audiences abandon conventional television news for personality‑driven content on digital platforms.Audience Migration: TV News Viewership Declines While Creator Platforms ExplodeTurness highlighted a four‑million drop in people sourcing news from TV over the past five years, even when accounting for streaming. At the same time, she noted a trebling of news consumption on YouTube and a ten‑fold increase from TikTok.TV news audience loss: ~4 million (5‑year period)YouTube news audience: up 3×TikTok news audience: up 10×Financial Stakes of the Shift to Creator‑Led NewsThe migration threatens advertising revenue tied to traditional broadcast slots. As advertisers follow audiences to creator platforms, broadcasters risk losing premium ad rates, while creator‑centric channels command higher engagement metrics at lower production costs.Broadcasters’ Strategic Responses: From Sky News to Global OutletsIn the UK, Sky News is piloting a talent‑first strategy, launching podcasts and exclusive content from journalists with large followings. Similar experiments are emerging worldwide as legacy outlets attempt to replicate the direct‑to‑audience model while preserving impartiality.Looking Ahead: How the Industry Might Adapt to the New News EcosystemTurness predicts that survival will depend on broadcasters “liberating their talent” and meeting consumers where they are—on short‑form video, newsletters, and subscription‑based creator platforms. Failure to act swiftly could leave traditional broadcasters as “the proverbial frog in boiling water.”

On the fourth anniversary of Shireen Abu Akleh's death, her colleague Ali al‑Samoudi recounts the May 11, 2022 shooting that left her dead and himself wounded, underscoring how the absence of justice has paved the way for a surge in Israeli assaults on the press.Eyewitness Account of the May 11, 2022 ShootingAl‑Samoudi, a medic for Al Jazeera, described being shot in the back while trying to protect his colleague. Both journalists were wearing clearly marked press gear in the Jenin refugee camp when Israeli soldiers opened fire without warning. He noted that Abu Akleh was hit in the neck, a location that “was not an accident or a coincidence.”Location: Western edge of Jenin refugee camp, West BankVictims: Shireen Abu Akleh (killed), Ali al‑Samoudi (injured)Context: Israeli raid, journalists unarmed and visibleHundreds of Journalists Killed, Over Ten U.S. Citizens AffectedSince the Abu Akleh killing, press‑freedom monitors record Israel as the world’s top killer of journalists. The article cites:Hundreds of journalists killed in Gaza, Lebanon and the West BankMore than 10 U.S. citizens killed in the same conflictsAt least 40 Palestinian journalists currently detained without chargeDespite these figures, no arrests or criminal charges have been filed in any of the cases.Implications for Press Freedom and U.S.–Israel RelationsThe lack of accountability, according to al‑Samoudi and experts such as James Zogby and Martin Roux, has created a “template of denying, lying and obfuscating” that emboldens further attacks. The United States, which provides Israel with billions in military aid and diplomatic cover, has opened investigations that remain stalled, reinforcing the perception that U.S. levers are unused.Key points:U.S. military aid: billions of dollars annuallyU.S. investigations into Abu Akleh and other U.S. citizen killings have produced no public reports or chargesIsraeli narrative shifts from denial to “accidental” explanations, then to delayed investigationsFuture Outlook for Accountability and Media SafetyAnalysts warn that without concrete U.S. pressure—sanctions, conditional aid, or diplomatic censure—the cycle of impunity will likely continue, increasing risks for journalists covering the conflict. Calls for an independent international inquiry and stronger protective mechanisms for the press are growing, but implementation remains uncertain.Until accountability mechanisms are enforced, the “coverage continues” ethos expressed by al‑Samoudi suggests that journalists will keep documenting the conflict, even as they face heightened danger.

The Lead: Barcelona's Title TriumphBarcelona secured their second consecutive La Liga title with a commanding 2-0 victory over bitter rivals Real Madrid in a highly-anticipated El Clasico match. The triumph, celebrated by thousands of fans in Plaza Catalunya, demonstrated the Catalan club's consistency while exposing Real Madrid's disappointing season with no major silverware.The Event Details: Decisive Victory at Camp NouPlaying at home, the football giants sealed their second consecutive Spanish league title with a 2-0 win over bitter rivals Real Madrid in a highly-anticipated El Clasico on Sunday. The iconic Camp Nou stadium carried an air of anticipation as fans chanted "Campeones, campeones (champions, champions)" throughout the match and well past the referee's full-time whistle.The Celebration Analysis: Fan Reactions and TraditionsThousands of Barcelona fans, draped in club flags with their faces painted blue and maroon, celebrated their team's crowning as La Liga champions under the glow of flares lighting up the night sky at the famous Plaza Catalunya. The Canaletas fountain at one end of Las Ramblas, Barcelona's famous thoroughfare, where fans traditionally gather to celebrate victories, was closed off for works on Sunday but remains part of Barcelona folklore dating back to the 1930s.The Rivalry Impact: Barca's Win or Real Madrid's Loss?For some Barcelona fans, their joy at winning La Liga was slightly muted, with Adrian Fabregat noting, "It is great that we have won the title of course, but strangely it has not been so emotional or exciting as it was last year." Meanwhile, Real Madrid faces a summer shake-up after firing manager Xabi Alonso mid-season and failing to secure any major silverware for a second successive season.The Expert Analysis: Assessing Barcelona's PerformanceSpanish football expert Graham Hunter believes the title win does not make for a "good season" for the Catalan club. "In objective terms, Barcelona have gone backwards this season," he stated, noting they were knocked out in the Champions League quarterfinals and King's Cup semifinals. However, Hunter highlighted standout performances from Lamine Yamal, whom he called "a genius," and goalkeeper Joan García, who "played blindingly well."The Future Outlook: What Comes Next for Both ClubsWith the title secured, Barcelona will celebrate with an open bus parade through the streets on Monday. Meanwhile, Real Madrid will look to regroup during a summer shake-up, with Alvaro Arbeloa also expected to be ousted. Alberto Martínez, a football journalist for Barcelona-based newspaper La Vanguardia, noted that "Barcelona's continuity, with the manager and players, were key to their victory" as they pounced on the opportunity presented by the crisis at Madrid.

The Legacy of a Journalistic IconShireen Abu Akleh was more than just a journalist; she was an icon who anchored the Palestinian cause firmly in the Arab conscience. For many Palestinians, including the author of this piece, her voice was a constant in an ever-shifting landscape. She began reporting on pivotal events in Palestine even before the author was born, documenting the second Intifada and the battle for Jenin in 2002. In 2005, she made history as the first Arab journalist to gain access to Ashqelon prison to interview Palestinian prisoners held there for years.During the 2014 war on Gaza, her presence on screen projected hope and resilience despite the anguish she conveyed about the situation. Shireen was loved and respected by all Palestinians, regardless of their faith or political affiliation, for her courage, moral clarity, and unwavering commitment to making Palestinian voices heard.The Assassination That Changed EverythingOn May 11, 2022, the shocking news of Shireen Abu Akleh's killing arrived. Footage showed her lying on the ground, with journalist Shatha Hanaysha by her side, as someone behind the camera desperately shouted for an ambulance. Israeli fire hampered rescue efforts, leaving Shireen bleeding on the ground as colleagues were unable to pull her to safety.The assassination in broad daylight of one of Palestine's top journalists was not just a shocking crime. It was a harbinger of what was to come. A year and a half later, Israel began a campaign of systematic targeting of Palestinian journalists in Gaza. As of today, at least 260 media workers have been killed, with Israel now recognized as the "biggest killer of journalists."A New Generation of Journalists EmergesDespite the assassinations of Shireen and other journalists—including Anas al-Sharif, Fadi al-Wahidi and Mariam Abu Daqqa—there has been no silencing effect. Instead, their deaths have motivated young people to pick up the camera, the microphone, and the pen to continue their work.The author, who was studying English literature before Shireen's killing, shifted their focus from literary fiction to the real world. They realized that while literature preserves culture, journalism defends present truth. This realization led them to enroll in journalism classes and develop new skills, even as the genocide in Gaza made journalism a deadly profession.Bearing Witness in the Face of AtrocityAs a resident of Gaza City, the author became a firsthand witness to the horrors that rained down on the north. They survived numerous Israeli attacks and were forced to flee with their family multiple times. They began journaling about the experience of genocide, often thinking of what Shireen would have said in the face of such atrocities.Remembering Shireen's words—"I chose journalism to be close to the people. It might not be easy to change reality, but at least I was able to bring that voice to the world."—the author started writing about the situation in northern Gaza, documenting the harrowing details of life and death they had witnessed through several sieges and a famine.The Siege of Silence and Breaking ThroughDue to internet blackouts, the author could not connect to the rest of the world for an extended period. After a temporary truce in January 2025 restored some connectivity, they published their first piece, "Surviving war in north Gaza," documenting the untold details of life and death they had witnessed.While this achievement brought pride and satisfaction, it also brought fear for the author's family, who worried that they too could become targets. Nevertheless, the author continued writing even as Israel was killing journalists weekly and the world failed to stop it.The Torch Continues to BurnToday, despite supposed "ceasefires," the murders of journalists have not ceased. Just last month, Israel killed Mohammed Wishah, who worked as a correspondent for Al Jazeera Mubasher. Yet, there are still so many young Palestinians who insist on writing, documenting, and screaming through their words in the face of horror and injustice.They have picked up the torch from Shireen, and they carry it forward. As the author states, "Palestine will not be silenced." Despite the extreme danger, a new generation of Palestinian journalists continues to bear witness to their reality, ensuring that the world cannot ignore their truth.

The Bafta Win That Reignited BBC ControversyThe makers of the documentary Gaza: Doctors Under Attack, which was dropped by the BBC, have won the Bafta TV Awards in the current affairs category. The filmmakers used their acceptance speech to directly criticize the broadcaster, renewing controversy over the BBC's decision to shelve the project before it was later aired by Channel 4.Documentary Details and Filmmakers' CriticismThe documentary, which features firsthand accounts from Palestinian health workers in Gaza, was honored at London's Royal Festival Hall nearly a year after the BBC declined to broadcast it, citing concerns over partiality.Accepting the award, executive producer Ben de Pear thanked the journalists behind the film before directly addressing the BBC, which aired the Bafta ceremony on BBC One with a delay of more than two hours: "Finally, just a question for the BBC: Given you dropped our film, will you drop us from the Bafta screening later tonight?"Journalist and presenter Ramita Navai also criticised the broadcaster during her speech, citing findings from the documentary's investigation into attacks on Gaza's healthcare system."These are the findings of our investigation that the BBC paid for but refused to show," Navai said. "But we refuse to be silenced and censored. We thank Channel 4 for showing this film."Navai said more than 1,700 Palestinian doctors and healthcare workers have been killed and more than 400 have been detained during Israel's genocidal war on Palestinians in Gaza. She dedicated the award to Palestinian medical workers being held in Israeli prisons.BBC's Response and Editing of RemarksAccording to British media reports, the BBC edited portions of Navai's remarks from its televised broadcast after consultations with its compliance team.Background on the Documentary's ProductionThe BBC originally commissioned the documentary from the independent production company Basement Films more than a year ago but delayed its release while conducting a review into another Gaza-related documentary, Gaza: How To Survive a War Zone.The broadcaster later decided not to air Gaza: Doctors Under Attack, saying the film risked creating "a perception of partiality that would not meet the high standards that the public rightly expect of the BBC".The corporation also said impartiality remained "a core principle of BBC News".The film was subsequently acquired and broadcast by Channel 4 in July.Speaking backstage after the Bafta win, de Pear praised Gazan journalists Jaber Badwan and Osana Al Ashi, who contributed footage to the documentary, saying the team "woke up every day wondering if the two journalists on the ground were still alive".Implications for Media Coverage of ConflictsThe incident highlights ongoing tensions between media organizations and filmmakers covering the Israeli-Palestinian conflict, particularly regarding perceptions of impartiality. The Bafta win and public criticism may prompt greater scrutiny of how broadcasters balance journalistic standards with the responsibility to report on sensitive geopolitical issues.Future Outlook for Documentary FilmmakingThis case may encourage more independent filmmakers to seek alternative platforms when mainstream broadcasters decline to air their work. The recognition from Bafta could also embolden journalists to challenge editorial decisions more publicly, potentially leading to greater transparency in how news organizations handle controversial content.