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The Rise of AI-Generated Hate OperationsScroll through any Facebook feed in Britain and, between the baby announcements and petty neighbourhood beefs, you're likely to come across an account with a union jack profile picture and a vague, generic name like Britain Today. These accounts – and there are hundreds, possibly thousands of them – present themselves as the work of British patriots. In one typical, AI-generated video, a middle-aged man claims his local cafe "has stopped serving pork, bacon and sausages just to avoid offending people". Another post from the same account includes a sepia-tinted set of images of Victorian London, mourning a time when the city "was English, first-world and beautiful". Alongside this type of reactionary nostalgia, it's not unusual to see memes that call Islam a "cancer", decry Muslims praying in public as an "invasion of the west" or promote the "great replacement theory".The Financial Incentives Behind AI Hate ContentFor the past seven months, I have been investigating who is really behind pages like these. The answer, it turns out, is often young, entrepreneurial men from south Asia. They tend to have zero interest in UK politics, but the content they create often boosts far-right talking points in Britain and contributes to the increasingly hostile atmosphere for immigrants and British Muslims. They're part of a booming cottage industry producing commercial AI slop.The financial incentives for creating this kind of content are huge, particularly for creators in the global south. At the Bureau of Investigative Journalism, we looked in detail at two very successful "sloperations" targeting British audiences from Pakistan and Sri Lanka. They make money from the online ads that Meta places next to high-performing content. Meta shares a proportion of the ad revenue with the creators and also makes direct payments to creators to reward posts that receive a lot of engagement.Once you hone your algorithmic rage bait, there's very good money to be made from slop. The Pakistani creator, a devout Muslim who we are not naming for his own safety, told us he makes $1,500 (£1,119) a month from one of his pages alone; Geeth Sooriyapura, the Sri Lankan creator, claimed to have made $300,000 over the course of his Facebook career. We weren't able to verify these figures, but both men were certainly making many times the average income in their countries.The Economic Impact of AI-Generated PropagandaTheir success represents the seductive promise of "passive income" culture, a pervasive modern gospel that says you should quit your job and make easy money online. The proponents of this philosophy also often sell courses as an additional revenue stream: Sooriyapura claimed that 2,500 people, mainly other Sri Lankans, have graduated from his content academy.Rightwing propaganda and Islamophobia are, of course, not new. But two key structural factors have made it particularly pervasive on social media.The Technological and Policy EnablersFirst, the wide availability of generative AI tools. These are used at every stage of the content creation process: to brainstorm ideas, to write captions and, most importantly, to create compelling images and videos. This is particularly helpful if, like the Pakistani creator, you do not speak English well. In one video we reviewed from Sooriyapura's Facebook course, he told his students that AI-generated videos can help political content go viral up to 10 times faster.Second is Meta's retreat from content moderation. Over the past couple of years, the major social platforms have made mass redundancies on the trust and safety teams that monitored and took down harmful content. This was partly motivated by pressure from the Trump administration, which believed that platforms had engaged in heavy-handed censorship of content during the Biden presidency.Social media companies justify the moderation job cuts by pointing to their use of AI to find harmful content more efficiently. But our reporting shows there is masses of deeply offensive content on there which anyone could find in a few minutes, if they bothered to look.The Future of Online Hate Speech and Platform AccountabilityAfter we spoke to the Pakistani creator, he said it was a "good thing" we had informed him about the nature of his posts and he deleted many of them. Sooriyapura told us that he did not encourage his students to "spread violence" and that he just educates "people on Facebook monetisation and audience-targeting".The Pakistani creator didn't cover his tracks particularly well. It took me a couple of hours and a little help from Osint Industries, a platform that collates information on social media accounts, to definitively confirm that the person who ran the Islamophobic slop account also had personal accounts in his own name sharing verses from the Qur'an. These are actions that Meta easily could have taken itself. But why would it spend good money implementing its own policies when there is so little political or regulatory pressure to do so?When we contacted Meta in both these cases, it took down many of their pages and sent a one-line statement: "We have clear community standards that prohibit hate speech, harassment, harmful misinformation and inauthentic behaviour and we have removed these accounts for violating our policies." I've been a tech journalist long enough to have been through this process with Meta and other social platforms many times before. The Sri Lanka network is, depressingly, back up and running, having faced minimal consequences after a bit of downtime.Meta can, and should, be doing more to take these kinds of accounts down. But as long as its core product is an algorithmic feed that financially rewards content that provokes extreme emotions, others will always appear in its place.

The Dystopian Vision of 2028 Los AngelesBrimming with indelible images, Charlotte Zhang's brilliant debut locates the roots of a dystopian future in the here and now. Set around the 2028 Summer Olympics, the film imagines a Los Angeles gripped by paranoia and conspiracies; and a livestock disease has led to a ban on all meat production, leaving the main source of protein distribution – powdered insects – in the control of a megacorporation called Ootheca Inc. Ironically enough, a cockroach infestation has taken over several local neighbourhoods, making Ootheca's monopolising greed even more insidious.A Human Story of Survival Amid Corporate ControlAll of this might sound pretty out there, yet the heart of Tycoon is a deeply human story of survival. Both hustlers up for any challenge, Lito (Miguel Padilla-Juarez) and Jay (Jon Lawrence Reyes) take advantage of the widespread chaos to embark on a series of petty crimes, including breaking into an Ootheca trailer to steal boxes of the precious protein powder. Their escapades are dynamically rendered on a variety of formats including handheld DV camera and Super 8, as well as Xerox art. But compared to other film-makers who favour this DIY style, Zhang is beautifully attentive to blocking and composition. Scenes of house parties, twilight rides against the setting sun, or high-rev street drifting harmonise into a stunning city symphony, in which a visual rhythm gradually emerges from disorder.Political Implications in a Corporate-Dominated WorldBeneath the seemingly casual tone of the visuals, there are also serious political implications. As Latino men living in a time of state-sanctioned racial violence, Lito and Jay are enfolded in economic precarity and constant surveillance. That they choose to game the system rather than waiting to be squashed by it – like Ootheca's crushed insects – is wonderfully empowering. Zhang occasionally makes explicit these political allusions by way of text intertitles, which sometimes feel a little awkward; still, when is a better time to deliver a manifesto than in one's first film?Where to Experience This Visionary DebutTycoon is at the ICA, London from 22 May.

WHO announced that an emergency committee will convene later Tuesday to evaluate the rapidly worsening Ebola outbreak in the Democratic Republic of the Congo (DRC) as the death toll rises to 131 among 513 suspected cases. WHO Schedules Emergency Committee to Address Escalating Ebola Outbreak Director General Tedros Adhanom Ghebreyesus told the World Health Assembly that he is “deeply concerned about the scale and speed of the epidemic.” The committee, composed of international experts, will provide technical advice to the WHO chief. Death Toll Climbs to 131 Amid 513 Suspected Cases 131 estimated deaths (up from 91 previously reported) 513 suspected cases (up from 350) Fatality rate of the Bundibugyo strain can reach up to 50% Regional Spread and Lack of Countermeasures Heighten Global Concern The outbreak’s epicenter is in the Ituri province on the border with Uganda and South Sudan, and the virus has already been detected up to 200 km from ground zero, including spill‑over into neighbouring provinces. No approved vaccine exists for the Bundibugyo strain, though the Merck‑produced Ervebo vaccine for the Zaire strain shows some protective evidence in animal studies. Six tons of personal protective equipment and medical supplies are arriving in the DRC, supplementing an earlier shipment of 12 tons. What the Next Weeks May Hold for the DRC Outbreak The emergency committee will discuss possible vaccine deployment, including the potential use of Ervebo, and other containment measures. International assistance is already mobilising, with Germany preparing to treat a U.S. citizen infected in the DRC and the WHO coordinating supply deliveries.

The Rise of a Genre-Defying Artist Ecca Vandal, the Australian punk-rap sensation, has been making waves in the music industry with her unique sound and authentic approach to artistry. After a four-year hiatus from the public eye, she returns with her second album, "Looking For People to Unfollow," a project that showcases her evolution as an artist while staying true to her genre-blending roots. The album represents her search for genuine connection in an increasingly digital world, featuring a powerful voice equally at home on hip-hop hooks and punk howls. The Making of "Looking For People to Unfollow" The album's creation was a journey of artistic rediscovery. Vandal and her partner Richie Buxton began working on the project in their Melbourne apartment before moving to Buxton's parents' garage to avoid noise complaints and, more importantly, to disconnect from the internet. This intentional isolation allowed Vandal to explore her most raw lyrical self, channeling emotions and experiences as a woman of color against the backdrop of global events like the murder of George Floyd. The album's core theme is a "search for true connection" and "trying to fight against the faux-sincerity of the online world." Career Milestones and Industry Recognition Vandal's ascent has been marked by significant milestones. After releasing standout singles like "Cruising to Self Soothe" and "Bleed But Never Die," she received a DM from Limp Bizkit's Fred Durst inviting her to tour in early 2025. This opportunity led her to leave Australia for the first time, taking a significant risk on her career. The tour resulted in vocal support from artists including Shirley Manson, SZA, Travis Barker, and Paramore's Hayley Williams, culminating in her Coachella debut in April 2026. Her journey has also included memorable encounters with industry legends like Flea, with whom she shared tea in Los Angeles, and Tony Hawk, who gifted her a signed skateboard inspired by her music. Cultural Identity and Musical Authenticity Born in South Africa to Sri Lankan parents who fled civil war, Vandal's multicultural background deeply influences her artistry. Growing up as "the only Brown kid" in Melbourne, she found belonging through music, studying jazz at the Victorian College of the Arts. Her Sri Lankan identity is subtly woven into her work, including her wearing a saree in the "Bleed But Never Die" video. Despite her parents' initial concerns about her financial survival as a musician, Vandal has carved out a unique space in the industry, refusing to be confined to a single genre despite industry pressure to "pick a lane." The Future of Genre-Bending Music As Vandal continues to gain international recognition, her approach to music offers a refreshing counterpoint to the industry's increasing focus on short, viral content. By celebrating "long form" in an era of 15-second snippets, she's challenging listeners to engage more deeply with artistic expression. With her powerful voice, genre-defying style, and commitment to authentic storytelling, Ecca Vandal represents a new generation of artists who are redefining success on their own terms. As she navigates the complexities of fame while staying true to her artistic vision, her journey suggests that the future of music may lie in embracing diversity and authenticity over commercial categorization.

The Lead: A Disturbing Body-Swap Horror Arthur Harari's film "The Unknown" is a doomy, murky and intriguing supernatural noir mystery that explores themes of identity and self through a bizarre body-swap narrative. Adapted from a graphic novel he wrote with his brother Lucas, the film presents a deeply unsettling experience that blends horror with existential questions about our relationship with our own bodies. The Event Details: A Complex Supernatural Narrative The film follows David Zimmerman, a photographer in his late 30s who documents the changes in his hometown over the past century. After a New Year's Eve party where he encounters a woman named Eve (played by Léa Seydoux) whom he photographed months earlier, they have sex in a squalid basement. David wakes up the next day to find he is now in Eve's body. The narrative becomes increasingly complex as it reveals that a supernatural entity is transferring consciousness between bodies through sexual encounters, creating a chain of identity swaps that challenges the very concept of self. The Impact Analysis: Identity Crisis in Horror "The Unknown" stands out in the horror genre for its philosophical approach to identity rather than relying on traditional scares. The film draws comparisons to classics like "Blow-Up," "The Man Who Haunted Himself," and "It Follows," but distinguishes itself through its exploration of gender identity and the profound unknowability of our own bodies. The film's dark, toxic atmosphere and characters' expressions of misery and fear create an immersive experience that questions the stability of identity itself. The Prediction: A Divisive but Memorable Cannes Entry As a Cannes Film Festival entry, "The Unknown" is likely to generate significant discussion among critics and audiences alike. While the film's premise is compelling, the review suggests it may be flawed by its narrative conclusion. Despite this, its unique approach to body horror and existential themes ensures it will be remembered as one of the more distinctive entries in this year's festival. The film's exploration of identity transfer may resonate particularly in an era when questions about gender and self are increasingly prominent in cultural discourse.

The Vatican's Digital Turn: Pope Leo XIV's First Encyclical on AIIn a groundbreaking move that signals a significant shift in the intersection of faith and technology, Pope Leo XIV is preparing to release his first major papal document addressing the rapid ascent of artificial intelligence. The encyclical, titled Magnifica Humanitas (Magnificent Humanity), represents the Vatican's attempt to provide moral guidance in an era defined by digital transformation.Historic Collaboration: The 'Magnifica Humanitas' LaunchThe presentation of this document is set for 25 May at the Vatican, marking a departure from tradition. For the first time, the encyclical will be launched during a public event attended by Christopher Olah, the co-founder of Anthropic, a leading US-based AI firm currently embroiled in a high-profile lawsuit with the Trump administration over federal agency use of AI.Document Title: Magnifica Humanitas (Magnificent Humanity)Sign Date: 15 MayKey Attendees: Pope Leo XIV, Christopher Olah, theologians Anna Rowlands and Léocadie LushomboA 135-Year Parallel: From the Industrial to the Digital RevolutionThe timing of the document is deeply symbolic. Signed on 15 May, exactly 135 years after his namesake Pope Leo XIII signed the seminal Rerum Novarum, the new encyclical mirrors the historical response to the Industrial Revolution. While Leo XIII addressed the challenges of capitalism and workers' rights, Leo XIV is addressing the challenges of the technological revolution.Redefining AI Ethics Through a Moral LensThe encyclical is expected to move beyond simple warnings, aiming to offer 'workable answers' to modern challenges. Key themes include:The protection of workers' rights in an automated economy.A strong stance against the use of AI in warfare, specifically advocating for a ban on lethal autonomous weapons.Ensuring technological advancements do not override human dignity.Shaping Global AI RegulationThis strategic move by the Vatican—featuring lay speakers and the Pope in person—suggests a new era of engagement with the tech industry. By inviting figures like Christopher Olah, the Church is signaling a willingness to collaborate with industry leaders rather than simply critique them. This document is poised to become a critical reference point in the global debate on AI safety, regulation, and the ethical boundaries of machine intelligence.

The Legal Threshold: From Violations to Atrocity CrimesThe United Nations has escalated its rhetoric against Israel, issuing a stark warning that the military campaign in Gaza may constitute acts of genocide and ethnic cleansing. A comprehensive report by the UN Human Rights Office, published in May 2025, concluded that Israel has committed "serious violations of international humanitarian law, which in many cases may have amounted to war crimes and other atrocity crimes." The report specifically highlights the targeting of civilians and the destruction of infrastructure as key factors in this legal assessment.Quantifying the Tragedy: Casualties and EscalationMass Casualties: The Gaza Ministry of Health reports nearly 73,000 people killed in the enclave since the conflict began.Historical Context: The war was triggered by the October 7, 2023 attacks by Hamas, which resulted in approximately 1,200 deaths and the capture of 240 hostages.Post-Ceasefire Violence: Despite a ceasefire in October 2023, bombardment of the Gaza Strip has accelerated by 35% since the Iran ceasefire was struck last month.West Bank Instability: Violent raids by settlers and the military in the West Bank have been increasing, with community kitchen workers among the latest victims.The Collapse of the Ceasefire and the Cycle of ImpunityThe UN report reveals that the ceasefire has failed to bring about "meaningful accountability" or a "fundamental reckoning with the underlying driver – the protracted occupation." UN High Commissioner for Human Rights Volker Turk called for Israel to prevent genocide, ensure the return of displaced Palestinians, and end its "unlawful presence" in the territory. Simultaneously, the UN condemned Hamas for abuses and indiscriminate firing. The analysis suggests that without addressing the root causes of the occupation, the cycle of violence and the lack of justice for victims will continue unabated.Long-Term Geopolitical Fallout and the Search for JusticeThe trajectory described in the report points toward a deepening humanitarian crisis that could have lasting geopolitical repercussions. The UN warns that Israel's practice of undermining the "fabric of Palestinian life" while consolidating annexation represents a "deeply troubling trajectory." As international pressure mounts and legal accusations become more severe, the prospect of achieving justice for victims appears increasingly distant, potentially fueling further cycles of retaliation and instability in the region.

The Lead Voidance is a British sci-fi film that, despite its ambitious aspirations, feels constrained by its limited budget and scope. The movie attempts to blend elements of action, mystery, and sci-fi, but ultimately falls short. The Event Details The film follows Alana Toro (played by Zoe Cunningham), a mumsy anti-terror agent who receives orders from a hologrammatic James Cosmo to track down a troublesome rebel group. Her mission becomes complicated when she enters a bar for interstellar truckers, where she encounters a skeleton crew of patrons and a convoluted murder mystery. The Data Analysis No specific data or statistics are provided in the review, but the film's budget limitations are noted as a significant constraint. The Impact Analysis The film's impact is largely limited by its clunky expositional dialogue and flawed time-loop concept. The review notes that the setup entails 'deeply clunky expositional dialogue' and that the time-loop conceit 'just doesn't work.' The Prediction The review concludes that Voidance is a quirky, if flawed, British sci-fi film that will be available on digital platforms from May 25. Despite some inventive elements, such as its grimy set design and costume, the film's problems ultimately detract from the viewing experience.

The Paradox of the Ceasefire: Violence Amidst DiplomacyA stark contradiction has emerged in the Middle East as Israel agreed to a 45-day ceasefire extension with Hezbollah in Washington, yet continued military operations in southern and eastern Lebanon. On Sunday, Israeli air attacks targeted the municipalities of Tayr Felsay, Tayr Debba, Az-Zrariyah, and Jebchit, resulting in at least five deaths and more than a dozen injuries, according to the Lebanese Health Ministry. The Israeli military simultaneously issued forced displacement orders for residents in villages such as Sohmor, Roumine, and Naqoura, effectively turning the agreed-upon truce into a period of intensified military activity.Prime Minister Benjamin Netanyahu defended the escalation, stating at a cabinet meeting that Israel was "holding territory, clearing territory, protecting Israel’s communities, but also fighting an enemy that is trying to outsmart us." This sentiment was echoed by Al Jazeera’s reporting from Tyre, where the correspondent noted that "as the ceasefire comes into place, we have seen the exact opposite happening with Israel intensifying its attacks."Humanitarian and Economic Collapse in Southern LebanonThe conflict has pushed Lebanon toward a catastrophic humanitarian and economic breakdown. Since the war resumed on March 2, the Lebanese Health Ministry reports that at least 2,988 people have been killed and 9,210 injured in Israeli attacks across the country. The humanitarian toll is severe, with more than 1.2 million people forced to flee their homes between March and April alone.Economically, the nation is facing ruin. Bassem El-Bawab, head of the Lebanese Business Association, revealed that the country has suffered over $25bn in direct and indirect losses since the war began in 2024. Reconstruction costs are projected at $12bn, with El-Bawab warning that the total could rise if hostilities persist. He further highlighted that Lebanon is losing approximately $30m daily in indirect economic damage, alongside the physical destruction of infrastructure.Hezbollah's Rejection of Direct NegotiationsThe political landscape remains deeply fractured, particularly regarding the ceasefire agreement. While Lebanon’s state-run National News Agency (NNA) reported that the extension aims to facilitate a US-facilitated security track starting May 29, Hezbollah has firmly rejected the premise of direct negotiations. Hezbollah legislator Hussein Hajj Hassan argued that the talks have led to a "dead-end path" resulting in "one concession after another." He specifically rejected the issue of disarming the resistance, stating that authorities were creating "very big predicaments" for the country.Washington's Fragile Mediation StrategyThe current instability underscores the precarious nature of US diplomacy in the region. The third round of talks in Washington concluded with a 45-day extension, marking the first direct meeting between Lebanon and Israel in decades. However, with the original accord never fully observed and Hezbollah opposing direct engagement, the path forward remains unclear. The next round of talks is scheduled for June 2 and 3 in Washington, but the recent violence suggests that trust is non-existent and military realities are dictating the terms of engagement.