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MPs in the UK have rejected a proposal to ban under-16s from using social media for the second time, as the Prime Minister summoned tech bosses to demand tougher action on internet safety. The House of Commons sided with the government against a Lords amendment to the children's wellbeing and schools bill that imposed a new age limit on using social media platforms. The vote, which was 256 to 150, a majority of 106, against the change, marks a significant setback for campaigners who have been pushing for greater urgency in tackling online harms. The government is now pushing ahead with its own consultation into an under-16s ban and potential restrictions on social media platforms, which closes next month. The consultation will consider raising the age limit on social media from 13 to 16 and addressing the addictive nature of social media platforms by restricting features such as infinite scrolling. The Prime Minister, Keir Starmer, is set to meet senior leaders at social media companies, including TikTok, X, YouTube, Snapchat, and Meta, to demand swifter progress on internet safety. Campaigners and bereaved parents have urged the government to take tougher action to protect children online. Esther Ghey, mother of the murdered teenager Brianna Ghey, said the government consultation was 'delaying' action against online harms. 'We know that social media is addictive, we know about the things young people are accessing online,' she said. The Molly Rose Foundation, an internet safety charity, said the solution was not a ban but a commitment to strengthening the Online Safety Act. 'It's time to look beyond this false sense of safety and for the Prime Minister to decisively commit to strengthening regulation to make unsafe and addictive design a thing of the past,' said Andy Burrows, MRF's chief executive.

A Parisian software engineer, Ari Hodara, has won a €1m Picasso painting in a charity raffle. The painting, 'Head of a Woman', was created by Pablo Picasso in 1941 and is part of the artist's collection.Hodara purchased a €100 ticket for the '1 Picasso for €100' lottery, which aimed to raise funds for Alzheimer's research. He was informed of his win via a video call from Christie's auction house in Paris and initially questioned whether it was a hoax.The raffle, organized by French television producer Péri Cochin, sold 120,000 tickets, generating €12m in revenue. Of this amount, €1m will be donated to the Opera Gallery, which owned the painting.The painting, 'Head of a Woman', is a portrait of Picasso's longtime muse and partner, Dora Maar. It was painted in the same studio where Picasso created his 1937 masterpiece, Guernica.This is the third iteration of the Picasso raffle, which has raised over €10m for cultural and humanitarian causes in previous years.

Ron Timehin's photograph, taken at Labadi, a popular tourist resort in Accra, Ghana, offers a unique glimpse into the lives of the local community. The image features five Ghanaians, a ruined farm building, and an elegant horse, which adds a touch of majesty to the scene. Timehin aimed to capture the community's daily life, traditions, and cultural heritage in a collaborative way, allowing the subjects to present themselves as they wanted to be seen. The photograph showcases the community's pride and resilience, highlighting their strong sense of identity and connection to their heritage. The community, centered on fishing, is known for its strong sense of unity and mutual support. Timehin was drawn to the way they look after each other and take pride in their community. The photograph also features a Ghanaian flag, symbolizing national pride and cultural identity. Timehin's project began when he was approached by a charity called My Runway Group, which organizes cultural exchange programs. The project allowed him to document the community and share some culture between the UK and Ghana. His work has been shortlisted for the Sony World Photography Awards 2026, and an exhibition of his images will be held at Somerset House in London.

The ongoing conflict in Sudan has led to a staggering number of births, with 5.6 million children born since the start of the war in April 2023. This translates to 5,000 children a day being born in a country where millions are struggling to survive on just one meal a day.Save the Children has warned that these children are born in overcrowded shelters, under-equipped or damaged health facilities, or while their families are on the move. The charity's country director for Sudan, Mohamed Abdiladif, emphasized that children have a right to receive care and protection, even in conflict.The conflict, which began on April 15, 2023, has killed tens of thousands of people, displaced 12 million, and spawned the world's worst humanitarian crisis, according to the United Nations. Both sides have been accused of war crimes and crimes against humanity, while the RSF has been implicated in atrocities in the vast Darfur region.The healthcare system in Sudan has been pushed to the edge, with widespread violence and attacks on civilian infrastructure straining the country's already fragile healthcare system. The rate of maternal deaths during childbirth has increased by more than 12 percent, from 263 maternal deaths per 100,000 live births in 2022 to 295 per 100,000 in 2025.Save the Children has called for all parties involved in the conflict to ensure the protection of civilians and allow access to reach families in urgent need of assistance.

“You can be the thickest bloke and still think you know more about football than a woman,” declares Jo, a Newcastle supporter, in the opening section of the Away From Home: The Untold Stories of Women Football Fans exhibition. The line sets the tone for a showcase that confronts the stereotype that only men can truly understand the game.Curated by Professor Stacey Pope, a leading sociologist of women’s football, and Durham University’s David Wright, the exhibition occupies the Beacon of Light pop‑up beside Sunderland’s Stadium of Light. It chronicles the presence of women on the terraces of the North‑East since the 1950s, using archival footage, hand‑sewn silk scarves and newly commissioned soundscapes to recreate match‑day rituals.The display is anchored by 22 recorded interviews with Newcastle and Sunderland fans, complemented by a broader research base of 200 interviews conducted over two decades. Pope notes that while the last thirty years have seen a “feminisation of sports fandom,” true gender parity remains elusive.Recent data underscore the exhibition’s relevance. In a survey of 2,000 male fans, three‑quarters expressed overt or covert misogynistic attitudes toward women in football. Moreover, the anti‑racism charity Kick It Out reported that sexist incidents at matches have doubled from the start of the season to the end of February compared with the previous campaign.Beyond statistics, the exhibition explores structural barriers: stadium designs that prioritize male comfort, safety concerns on public transport, and societal expectations that push women out of the stands after marriage or motherhood. As Pope explains, “football is sexist, what do you expect?” – a reality the exhibit seeks to expose and challenge.Visitors can experience mixed‑media installations that blend personal anecdotes with broader themes of loss, renewal, and the collective euphoria of a match. One soundscape, for example, transforms complaints of cold, mud, and hunger into the roar of a crowd as the game begins, illustrating how football has resonated with women for generations.The exhibition runs until the end of the season and is also available online for a wider audience.

International activists are preparing to set sail from northeastern Spain to the Gaza Strip in a massive 70-boat flotilla, aiming to break Israel's devastating naval blockade and deliver much-needed humanitarian aid.The initiative, dubbed the 'Global Resilience Flotilla,' boasts a significant increase in participation, with about 1,000 volunteers from 70 countries taking part in the effort. The vessels, departing from the port of Barcelona, are loaded with food, medicine, school bags, and stationery for Palestinian children.Organisers say the mission is being carried out in coordination with Palestinian civil society organisations, maritime security experts, and prominent international NGOs, including Greenpeace and Open Arms—a charity known for its Mediterranean rescue operations. The flotilla has also received increased backing from the Barcelona municipality.Pablo Castilla, a spokesperson for the flotilla, told reporters in Barcelona that the primary goal is to 'condemn international complicity in the genocide committed by Israel in Gaza, demand accountability, and open a humanitarian corridor by sea and land'.Castilla noted a declining international focus on Gaza due to the ongoing United States-Israel war on Iran and Israeli attacks on Lebanon. He warned that Israel is exploiting this geopolitical shift to tighten its siege, restrict aid, expand settlements, and accelerate the occupation of Palestinian territory.The Gaza Strip, under an Israeli blockade since 2007, has faced an unprecedented humanitarian and health crisis since Israel's genocidal war against Palestinians in Gaza, which began in October 2023 and has killed more than 72,000 Palestinians.The prolonged assault has also devastated infrastructure, including hospitals, and left approximately 1.5 million of the enclave's 2.4 million residents displaced and homeless, amid severe restrictions on fuel and medical supplies.Since 2010, all flotillas attempting to break the Gaza blockade have been intercepted or attacked by Israel in international waters.

A heartfelt tribute has been paid to Dame Jenni Murray, a renowned figure in British radio, known for her exceptional broadcasting skills and generosity of spirit. The author recalls her kindness and guidance when they appeared as a guest on Woman's Hour in the 1990s, discussing their novels on topics such as motherhood and dieting. Dame Jenni shared valuable insights into the art of radio broadcasting, including the importance of not discussing the main topic in the green room to save the best lines for the show. She also emphasized the need to turn off mobile phones before entering the studio, a lesson she occasionally forgot herself, much to the frustration of her producers. Her warm and approachable nature made her a beloved figure, both on and off the air. The author fondly remembers her staying on for a glass of wine in the BBC canteen after shows and her remarkable charity work, particularly with the Young Oncology Unit at the Christie hospital in Manchester. Dame Jenni's infectious humor and big-heartedness inspired others to get involved in charitable initiatives, leading to successful fundraising dinners and a significant impact on the community.

Prince Harry, the youngest son of King Charles III, is facing a defamation lawsuit from Sentebale, the charity he co-founded with Prince Seeiso of Lesotho in honor of Princess Diana. The charity claims that Harry and Mark Dyer, a former trustee, orchestrated a media campaign that caused operational disruption and reputational harm to the organization.The dispute began in 2023 over a new fundraising strategy, leading to Harry and Prince Seeiso stepping down as patrons in March 2025. Sophie Chandauka, the charity's chair, accused Harry of bullying and harassment, but a UK Charity Commission inquiry found no evidence of bullying. The commission did criticize the parties for allowing the internal dispute to become public.Harry's spokesperson has categorically rejected the libel claim, calling it offensive and damaging. The lawsuit, filed in the High Court of England and Wales, seeks the court's intervention, protection, and restitution for the harm caused to Sentebale, its leadership, and strategic partners.

Mom’s mantra – “don’t borrow trouble” – became the compass that steadied Feimster during the uncertain early years of her comedy career. She says the simple advice helped her shift focus from endless worry to actually performing. Growing up, Feimster was captivated by Carol Burnett’s slapstick brilliance, a love sparked by her grandmother’s nightly reruns. The legendary comedian’s on‑ and off‑screen silliness shaped Feimster’s own comedic sensibility. When she was cast as the beaver Nibbles in the upcoming Zootropolis 2, the process was anything but typical. “The script was top‑secret,” she recalls, noting that she entered the recording booth with only a brief scene description from director Jared Bush, never knowing how pivotal her character would become. Feimster also laughs about a nightmare charity gig in a Virginia biker bar, where the stage was literally a wooden crate, the lighting resembled a construction site, and a karaoke machine served as the sound system. “Nobody, including me, enjoyed the show,” she admits. Unlike many performers, she has no elaborate pre‑show rituals. She arrives minutes before the curtain rises, chats with the audience, and treats each performance like a regular day, much to the amusement of co‑host Tom Papa. The relentless travel schedule is a double‑edged sword. Feimster describes the constant touring as exhausting, with the added pressure of having to write fresh material after every special. “You finish one project and must start from scratch,” she says, highlighting the creative churn that fuels her growth. On set with Arnold Schwarzenegger for the film Fubar, Feimster found the experience inspiring. She notes that the legendary actor’s varied career – from bodybuilding champion to governor – made every day on set feel like a master class. Looking ahead, Feimster has wrapped two Netflix comedies: one starring Will Ferrell as a washed‑up pro golfer where she plays his caddie, and another ensemble with Kim Kardashian, Nikki Glaser and Brenda Song. She hints at a future shift toward a more serious, less self‑referential role. Meanwhile, her current stand‑up show “Takin’ Care of Biscuits” continues its North American and European leg, with a stop at London’s Hackney Empire on 3 June and the tour running through 9 August.