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The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

The PlanMarcelo Bielsa has left his indelible mark on this Uruguay team. His 4-3-3 system is built for direct football, allowing his side to press their opponents high up the field and chase the ball at all times.The CoachAfter the 5-1 humbling by the US, Marcelo Bielsa was seen as the man responsible. Upon their return to Montevideo, Bielsa called a press conference to say he was not resigning, that he had “strength” to continue and admitted he was questioned by his players for his “behaviour”.Star PlayerFederico Valverde. The captain of Real Madrid arrives at this World Cup at his peak; at the age of 27 he is among the best in the world and is starting to be the leader Uruguayans hope can inspire their country to the later stages of the tournament.One to WatchMaximiliano Araújo started his career as a right-back, but earned his first move abroad, to Puebla in Mexico, thanks to his qualities as a winger.Unsung HeroFederico Viñas. The Real Oviedo striker could get his chance to shine due to the dip in form of Núñez, Bielsa’s main goal threat.Probable Starting XI

The Road to Glory: Spain's 2026 World Cup Ambitions Spain is one of the big favorites in North America this summer, and the squad that Luis de la Fuente has picked has only reinforced that. He has a well-balanced and competitive group that believes in the sort of football that has already yielded great success. The European champions are dreaming of stitching a second star above their crest. The Key Players Much of the media focus has inevitably fallen on Barcelona's Lamine Yamal, whose imagination, creativity, and personality has transformed the Spain frontline into a real force. His partner in crime, Nico Williams, has hit form in the final weeks of the season at Athletic Bilbao. The two wingers were a revelation at Euro 2024, injecting freshness into a team that still dominates the ball. Group Stage Fixtures 15 June v Cape Verde, Atlanta (noon local, 5pm BST, 16 June 2am AEST) 21 June v Saudi Arabia, Atlanta (noon local, 5pm BST, 22 June 2am AEST) 26 June v Uruguay, Guadalajara (6pm local, 27 June 1am BST, 27 June 10am AEST) The Coach: Luis de la Fuente Luis de la Fuente has turned Spain into a fiercely competitive and united team. His style of play combines the traditional possession-based game of recent decades with a greater directness and tactical flexibility. The former under-21 coach is known for his communication and man-management skills, creating a healthy and competitive environment within the group. Star Player: Lamine Yamal Lamine Yamal will be the centre of attention at his first World Cup. The teenager will celebrate his 19th birthday on 13 July, the day before the semi-finals get under way, and yet his immense talent means he will carry the hopes of a nation on his shoulders. Cheeky and creative, the winger plays like he's just having a kickabout with his mates but has become a natural leader within the national team already. Unsung Hero: Eric García Eric García rarely makes the headlines. The former Manchester City player has quietly gone about his business at Barcelona, becoming a key figure for Hansi Flick thanks to his intelligence, positioning, and composure when bringing the ball out from the back. The 25-year-old has grown in maturity and is an organiser, often dictating play from centre-back or even midfield.

Cobolli's Unexpected Path to the Final Italy's Flavio Cobolli said he was 'sad and happy at the same time' after reaching his first Grand Slam final at the French Open on Friday, following the last-minute withdrawal due to illness of his last-four opponent and compatriot Matteo Arnaldi. Arnaldi's Sudden Withdrawal Just more than 20 minutes before Cobolli and Arnaldi were due to take to Court Philippe Chatrier, tournament organisers announced that the 104th-ranked Italian had been forced to pull out with a 'virus'. Arnaldi had spent the most amount of time on court for a player en route to a Grand Slam semifinal. He began to feel unwell during the night after practice on Thursday, experiencing stomach issues and vomiting. Cobolli's Reaction and Tribute Cobolli paid tribute to a tearful Arnaldi, calling him 'a big inspiration for all of us' and 'an amazing player and amazing professional'. Cobolli will meet Alexander Zverev in Sunday's final, which will produce a new major champion, after the German second seed earlier moved past Jakub Mensik in the other semi-final. The Road Ahead Cobolli, the 24-year-old 10th seed, will go into the weekend's final with plenty of rest after his quarterfinal victory over Canadian fourth seed Felix Auger-Aliassime on Wednesday. 'Maybe having almost four days off is a lot, so you lose the rhythm,' he said. 'Now, I got practice again. I think I will be ready, for sure, for the final, but I also know that I will be fresh, for sure.'

The Visa Breakthrough Iran's World Cup players have been granted visas to enter the United States, a White House official told Reuters on Friday, just 10 days before their first match in Los Angeles. This development comes as a relief to the team, which had been facing uncertainty over their participation in the tournament. Background and Diplomatic Tensions Abolfazl Pasandideh, Iran's ambassador to Mexico, had said late Thursday that the squad had still not received their US visas. However, the White House official confirmed that the visas were granted overnight. This breakthrough allows Iran to participate in the World Cup, which is a significant event for the country's football fans. Logistical Adjustments Iran negotiated a last-minute move of the team's base from Arizona to Tijuana in Mexico due to visa issues and a growing feeling in Iran that the squad's presence in the US should be kept to a minimum. They are scheduled to land in Tijuana early Sunday morning. Upcoming Matches Iran are due to play their first Group G match on 15 June against New Zealand in Los Angeles, where they will then face Belgium on 21 June before taking on Egypt in Seattle on 26 June. Diplomatic Considerations The US has never formally said it did not want the Iran team to stay on its territory, ambassador Pasandideh said. However, secretary of state Marco Rubio told lawmakers Tuesday that the US would not allow Iran to include in their World Cup delegation individuals linked to the Islamic Revolutionary Guard Corps, a powerful branch of the Iranian armed forces. Several players in the Iran squad have completed mandatory military service with the group.

The Standstill on the Front Lines Ukraine's ability to impede the flow of Russian supplies and personnel to the front lines has grown in recent days, from the southern regions of Zaporizhia and Kherson to the eastern front, and has forced the Russian army to a standstill, according to battlefield analysis. Ukraine's Deep Strikes Ukraine has continued to strike refineries and munitions factories deep inside Russia, weakening its war effort. On May 30, it destroyed a ballistic missile launcher and two Tupolev-142 long-range strategic bombers at the Taganrog airbase on the Sea of Azov. On Sunday, it hit the Saratov and Rostov oil refineries, followed by the Ilsky refinery, one of Russia's largest, and the Novoshakhtinsky refinery on Tuesday. The Ballistic Missile Threat Russia produces 120 ballistic missiles a month, Zelenskyy told the Ukraine-NATO Council, twice as many as the Patriot interceptors the United States produces. However, Ukraine intercepted 91.7 percent of the drones and 90.6 percent of the cruise missiles, but only 27 percent of the ballistic missiles, according to its Air Force. Zelenskyy's Open Letter Zelenskyy invited Putin to face-to-face talks, saying that Russia's resources are significantly dwindling and that it won't have enough money and political power to continue buying the loyalty of Russians. He also wrote that ballistics is the last Russian argument in the war. Russia's Deteriorating Situation The Institute for the Study of War, a Washington-based think tank, recently assessed that Russia had made a net gain of just 104 square kilometres (40 square miles) this year. In the past week, it said it had used new evidence to reassess those gains at 40.64sq km (15sq miles), including December 2025, judging that many of the areas previously thought to be Russian-controlled were merely infiltrated and contested.

The Life and Legacy of Anthony Head Anthony Head, the actor best-known for playing Rupert Giles in Buffy the Vampire Slayer, has died aged 72. He passed away peacefully of complications due to pneumonia, surrounded by his family, according to a statement from his daughters Emily and Daisy Head. Early Life and Career Born in Camden, London, Head was raised by artistic parents. His father was a documentary film-maker who founded Verity Films, while his mother was an actor who played Madame Maigret in the 60s BBC crime drama Maigret. His brother was also an actor, best known for his lead role in 1971's Sunday Bloody Sunday. Notable Roles Played Rupert Giles in Buffy the Vampire Slayer Had a recurring role in Little Britain Appeared in the BBC production of Merlin Played roles in films such as The Iron Lady and The Inbetweeners Movie Played Rupert Mannion in Ted Lasso Tributes and Legacy Head's daughters paid tribute to him, saying: "It has been, and forever will be, an honour and a privilege to be his daughters, and to have witnessed first-hand the impact both he and his work have had on so many." They added: "We know how dearly he will be missed by friends, colleagues and fans of the shows he was in – he loved his job very much and he always considered himself incredibly lucky to have been able to work alongside such exceptionally talented people, in such wonderful productions, across a career that spanned several decades."

The Road to the French Open Final Alexander Zverev moved to within one match of a long-awaited first grand slam title as he defeated the Czech 26th seed Jakub Mensik 7-5, 6-2, 3-6, 6-3 to reach the French Open final for the second time in his career. Zverev's Journey to the Final Zverev, the second seed and ATP No 3, will contest his fourth career grand slam final on Sunday. The German player lost his first grand slam final at the 2020 US Open in a fifth set tie-break against Dominic Thiem having led by two sets and served for the match in the fifth. He was then defeated by Carlos Alcaraz here in 2024 and Jannik Sinner in the 2025 Australian Open final. The Match Against Mensik Mensik is a generational talent who will likely compete in the latter rounds of grand slam draws for many years to come. Alongside one of the most destructive serves in the game, the Czech has an impressively complete game; he is an excellent mover with great feel, net play and a sweet two-handed backhand. The Impact of the Win From the moment Sinner, the No 1 and heavy favourite, and the 24-time champion Novak Djokovic were bounced out of this tournament, all eyes shifted to Zverev. He has won titles at all other levels, including Masters 1000 titles, the ATP Finals and an Olympic gold medal, but in the most important moments of the majors has often been punished for his lack of courage. The Future Outlook At the same time that the men’s draw has been a site of total carnage, top seeds falling in the early rounds and the remaining players battling through energy-sapping marathon matches just to hang on, Zverev has used his wealth of experience to take care of business and maintain his momentum. His focus has rarely wavered over the past 12 days. He knows more than anyone that this is an opportunity he cannot afford to miss, one that may never come again, and it seems increasingly likely that he will take it.

The Road to the Final Alexander Zverev moved to the verge of a long-awaited first Grand Slam title as the second seed saw off Jakub Mensik in four sets to reach his second French Open final. The German will face either 10th seed Flavio Cobolli or his fellow Italian Matteo Arnaldi on Sunday after securing a 7-5, 6-2, 3-6, 6-3 victory over Mensik on Friday. Zverev's Journey to Success Zverev has endured several near misses at major tournaments, with three previous final defeats, including against Carlos Alcaraz at Roland Garros two years ago. “This is a Grand Slam, it’s best of five, things are going to happen, opponents are going to play better. I managed it,” said Zverev. “I hope to play another great match on Sunday.” The Match Analysis The world number three was playing in his 11th Grand Slam semi-final and his experience showed against Czech youngster Mensik. The 20-year-old, in the last four of a major for the first time, tired as the match went on as his previous exertions in Paris, including two five-set matches, took their toll. The Impact of Experience Zverev has dealt well with the pressure of being the tournament favourite since the early exits of Jannik Sinner and Novak Djokovic, in the second and third rounds respectively. He will face one last test of his mental strength on Court Philippe Chatrier in two days’ time, but should at least be fresh physically after reaching the final having only lost two sets in six matches. The Future Outlook “Pure emptiness, there’s absolutely nothing in my head,” insisted a smiling Zverev in his on-court interview. “We’re athletes, very few of us have anything in our heads. Sometimes it’s easier to be stupid and not to think too much.”