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The Rise of Sound Baths in Wellness Culture In an era where digital detoxes and mindfulness practices have become mainstream, a new wellness trend has emerged: sound baths. These experiences, where participants pay to lie on mats while practitioners play singing bowls, chimes, and gongs, have seen online interest rise exponentially in the last decade. From Sydney Harbour settings to high-end wellness clubs with surround-sound chambers, the industry is capitalizing on claims that these sonic experiences can "soothe and calm your nervous system" with sounds that "penetrate every cell in your body." But as this trend grows, questions arise about whether these expensive experiences deliver on their promises. The Science Behind Sound and Relaxation "There's a rich field of music psychology that's all about the impacts of different types of sounds on human psychology and human physiology," explains Dr Vince Polito, a senior lecturer in psychological sciences at Macquarie University. Experts suggest that while specific frequencies may not have the mystical healing properties claimed by practitioners, the experience can still be beneficial. Dr Sandra Garrido, a senior research fellow at the University of Sydney's school of psychology, notes that "like anything in the wellness space, its benefits can definitely be talked up." The effects of sound or music on wellbeing largely relate to how we perceive and interpret those sounds, rather than specific types or frequencies. Research Evidence on Sound Meditation Studies on sound baths and similar practices offer some insight into their potential benefits. A 2016 observational study found that people who participated in a meditation session involving Tibetan singing bowls reported feeling less tension, anger and fatigue afterward. Another randomized controlled trial in breast cancer patients linked Tibetan sound meditation to improved cognitive function and mental health. However, researchers note that mindfulness meditation itself has been independently linked to improvements in anxiety, depression and insomnia, making it difficult to isolate the specific effects of sound. Sound Baths vs. Music Therapy While sound baths have gained popularity in wellness circles, they differ significantly from music therapy, a regulated profession with a long history of therapeutic use. "There are long histories of using music and sound in therapeutic ways," says Dr Amanda Krause, a senior lecturer in psychology and president of the Australian Music and Psychology Society. Music therapists work with a range of clients in schools and hospitals, using music listening or production to improve psychological and physical health. Unlike sound bath practitioners, music therapists are registered professionals with standardized training and ethical guidelines. The Social Connection Factor One potential benefit of sound baths that researchers acknowledge is the social aspect of the experience. "Historically, throughout most of human history... music has been about social connection," Garrido explains. "It's only in the last 100 years or so that we've had the capacity to go home and listen to music on our own in an isolating kind of way." The communal experience of a sound bath can create a sense of connection that's increasingly rare in our digital, often isolated lives. "Communally listening to music in the experience of a sound bath can be a 'helpful, healthy thing,'" Garrido adds. The Future of Sound Wellness As the wellness industry continues to evolve, sound baths may find their place alongside other mindfulness practices, though perhaps not as the "miracle cure" some marketing suggests. "I've been to them myself," Garrido admits. "I enjoy them, they can be relaxing, it's a nice experience – but I wouldn't pay too much money for it." The future of sound wellness likely involves a more balanced approach that acknowledges both the potential benefits of focused listening and the importance of not overclaiming what the science can support. As with many wellness trends, the key may be finding practices that work for individuals without requiring expensive or mystical explanations.

The Revival of Motion Gaming For a wonderful moment in the noughties, video games became a truly universal pursuit. The Nintendo Wii flew off the shelves, inspiring a wave of competitors such as the Xbox Kinect camera that encouraged people to play games by moving their bodies. But the tide turned: outside of still-niche VR gaming and the odd controller-waggler on the Switch, motion-controlled gaming has barely been seen for more than a decade. Nex Playground Enters the Scene Now, 20 years later, a new console is aiming to get the whole family flailing in front of the TV once again: the Nex Playground. Launching in the UK later this month, the first thing that struck me about this family-friendly device is just how tiny it is. The size of two and a half Rubik’s Cubes taped together, this impressively unintrusive device swaps cumbersome controllers for camera-controlled minigames, putting you and your family directly in the game. The Technology Behind Nex Playground Using a wide-angle lens and AI-powered tracking tech, the Nex Playground offers over 50 games that track players’ bodies as they leap, flail and dance about the living room. It’s not hard to see the appeal. Physically leaping through puddles in Peppa Pig: Jump and Jiggle, dancing in time to Rick Astley on Starri and slicing up watermelons with my hands in the perennial hit Fruit Ninja, I’m impressed by how seamlessly – and accurately – the tech works. Market Performance and Pricing The Playground retails at £269 ($299) – significantly less than any other games console at the moment. But it comes with just five free games. The rest of its library is locked behind an eye-watering £90 annual subscription. In the US, where it launched in 2023, the Playground has sold over a million units, even outselling Microsoft’s Xbox consoles during 2025’s Black Friday week. Safety and Future Plans Nex appears to be taking great care to earn families’ trust. None of the camera data from Nex play sessions is saved – either offline or online – meaning that families can happily embarrass themselves without worrying that an omniscient tech firm is tracking their every movement. Online multiplayer is coming to Playground soon, via parent-controlled “playdates”, and Lee hopes that this will also help older relatives stay connected with their families. The Future of Family Gaming Game publishers who’ve previously made games for Kinect and VR are already coming to Nex, Kang says. Child-focused brands such as Hasbro, DreamWorks and Mattel have already licensed games for it, perhaps seeing it as a safer alternative to social media and smartphone platforms – a view that most parents are likely to share. The most family-friendly dedicated games console currently available, Nintendo’s Switch 2, recently raised its price to £395.99, with new games at £50+ each; a lot of families are looking for a more affordable option. Nex Playground launches in the UK on 22 June.

The Historic SpaceX ValuationElon Musk's rocket company SpaceX is targeting a valuation of nearly $1.77 trillion in its blockbuster initial public offering (IPO), paving the way for the largest stock market debut in history. In a filing with the US Securities and Exchange Commission, SpaceX announced plans to sell 555.6 million shares at $135 apiece, raising approximately $75 billion.Market Position and Financial ImpactThe eye-popping valuation would make SpaceX the world's seventh-largest company by market capitalization, ahead of Musk's electric vehicle maker Tesla and social media giant Meta, and just behind Taiwanese chipmaker TSMC. This would eclipse energy giant Saudi Aramco's 2019 debut, which raised $26 billion at a valuation of $1.7 trillion.Despite the public listing, Musk will retain effective control of SpaceX with more than 82% of voting rights, the result of a dual-class stock structure that grants certain shares 10 votes instead of one.Industry Transformation and Investor ConfidenceSpaceX's listing will be a test of investors' confidence in Musk's vision, which has yet to translate into profits at the company. SpaceX reported a net loss of $4.9 billion on revenue of $18.7 billion in 2025, followed by a $4.3 billion loss in the first quarter of this year.Despite SpaceX's lack of profitability, market sentiment is strong, with buyers of investment products linked to the listing pricing the company's end-of-first-day market capitalization at $2.2 trillion. The Tesla parallel is perhaps worth drawing: It debuted in 2010 as a loss-making company and largely tracked the S&P; 500 for years, only breaking away decisively once it turned profitable for the first time in Q1 2013.Future Outlook and Market ImplicationsSpaceX's debut is the first of three mega-IPOs expected this year, along with AI startups OpenAI and Anthropic. The listings are poised to add trillions of dollars in value to the US stock market, which is already hovering at record highs on the back of the AI boom.Founded by Musk in 2002, SpaceX is best known for designing and launching rockets, spacecraft and reusable launch vehicles on behalf of NASA and private companies. The company also provides internet services and artificial intelligence models through its Starlink and xAI divisions.Musk has outlined lofty ambitions for SpaceX, including to establish a "self-sustaining" city on Mars, "make life multiplanetary", and "extend the light of consciousness to the stars." With SpaceX, there is a risk that cash flows will be used to send hundreds of thousands of people to Mars, at a loss, according to Jay R Ritter, an emeritus professor at the University of Florida who specialises in IPOs.

The Ultimate Literary RankingThe Guardian has unveiled its annual list of readers' top 100 novels of all time, an interactive compilation that reflects the collective literary preferences of thousands of readers worldwide. This democratic approach to literary ranking stands in contrast to more traditional critics' lists, offering a unique perspective on which works have truly resonated with general readers.Interactive ExperienceThe list features an interactive format that allows readers to explore the rankings, discover new works, and perhaps even challenge their own literary preferences. This engagement with the list represents a modern approach to literary criticism that values reader participation and accessibility.Classic Literature's Enduring AppealWhile the complete rankings aren't visible in the provided content, similar lists typically show a strong preference for classic literature. Authors who frequently appear in such rankings often include Jane Austen, Charles Dickens, F. Scott Fitzgerald, and other masters of the novel form whose works have stood the test of time.Cultural SignificanceSuch lists serve as cultural touchstones, reflecting not only literary merit but also the social and historical contexts that make certain works resonate with readers across generations. They can spark renewed interest in older works and introduce readers to classics they might otherwise have missed.The Future of Literary RankingsAs reading habits continue to evolve in the digital age, these reader-generated lists will likely become even more influential. They represent a democratization of literary criticism, giving voice to readers rather than just critics and academics, and may shape publishing trends and educational curricula in the years to come.

The LeadOn a working farm, wildlife has found innovative ways to establish homes in the most unexpected places, from inside farm machinery to within hay bales, demonstrating nature's remarkable adaptability to human environments.Unexpected Wildlife HabitatsThe farmyard has become a sanctuary for various bird species, each finding unique nesting spots among the equipment and structures. Pied and grey wagtails accompany daily wheelbarrow trips to the muck heap, making aerial assaults on insects. Swallows thrive in the environment rich in midges and flies around warm-blooded animals, while mud from regular water bucket sloshing provides material for nest repairs.Hay bales, when opened, reveal surprising residents. Tash, who keeps her shire cross Jack at the farm, recently discovered a robin's nest inside a new hay bale, with the adult bird happily resettling on her eggs. Two years prior, one side of a haystack had to be avoided completely until a tawny owl successfully raised two owlets within it.Farm Machinery as Avian ApartmentsPerhaps most remarkably, a retired reversible five-furrow plough has been transformed into a blue tit nursery. The birds bring caterpillars from field oaks and drop them down a narrow shaft in the hollow steel frame above the landwheel. Inspection reveals a long, thin nest filled with baby blue tits, their yellow clown gapes pressed shut at human presence, safe from woodpecker bills.Other farm machinery has similarly become wildlife habitats. A retired sprayer sitting among nettles houses tree bumblebees in its hollow mechanical arms. Another blue tit nest was discovered in a hole in the cap of a Haybob 300, a contraption that spreads, tedders, and dries cut hay before gathering it for baling.The Fragile Balance of CoexistenceThese observations reveal a delicate relationship between agricultural operations and wildlife. While farmland birds may struggle in open fields, the farmyard provides precarious sanctuaries for certain species. The timing of these nesting cycles is particularly critical, as both broods of tits fledged just ahead of a heatwave that might have suffocated those in the steel plough casing and risked farm accidents with the machinery nests.Future of Wildlife in Agricultural SettingsAs agricultural practices continue to evolve, these unexpected wildlife habitats may become increasingly important for biodiversity. The coexistence of farming operations and wildlife demonstrates how even in human-dominated landscapes, nature finds ways to adapt and thrive. This delicate balance suggests that thoughtful farm management can potentially support wildlife populations while maintaining agricultural productivity.

The PlayStation Strategic ShiftPlayStation's future has looked a little uncertain these past few years. Although the PS5 has sold well and been very profitable, the brand is far from the runaway market leader it was in the PS2 days. Earlier this week, Game File dug into Sony's most recent earnings reports to illustrate how PlayStation has been selling fewer and fewer of its own flagship games since a peak during the pandemic. About 54.1m copies of games either developed or published by Sony were sold in the 2018 financial year; in 2025, it sold 32.1m.The State of Play Event OverviewSo what is Sony going to do in the next few years, as we enter a later stage of the PS5 lifecycle? Will it play safe, or diversify? Perhaps revive some older games for nostalgic millennials? Thanks to a State of Play live-stream last night, we now have some answers. Here's what's on the slate:Marvel's Wolverine: A Violent DepartureCalifornian developer Insomniac's next Marvel adaptation after the somewhat wholesome Spider-Man adventures is an exceptionally violent Wolverine game. Seriously, we see those claws go through about seven people in the first 30 seconds of the demo, before fellow mutant Jean Grey shows up and starts killing people with telekinesis instead. A motorbike chase follows, and a showdown atop a moving vehicle. Truly all the Hollywood-esque action a player could possibly want, if also rather more blood spatter than some of us can take. There was also less 18-rated Marvel action in the form of comic-book-style fighting game Marvel Tokon: Fighting Souls (coming 6 August).Horror Revival with Silent Hill: TownfallThis Silent Hill spin-off, from the Scottish developer Screen Burn, looks excellent. It's a horror game set in a misty town on the east coast of Scotland. Expect: many disgusting creatures that arise from the depths of its characters' worst imaginings. Many eerily abandoned little seaside homes. Many ominous shots of closed doors at the end of hallways. And much creepy radio static.Classic Franchises ReturnCapcom revives another of its classic PlayStation series in this Japanese-mythology action game, in which you slice up demons with a katana. (It will have to work hard to compete with the Nioh games and FromSoftware's Sekiro, which have filled this niche in the two decades Onimusha has been away.) The demo is available to try now.Although this was announced late last year, we've just got our first good look at it. It's a remake of the very first Tomb Raider, and they really mean it – it looks like a new Uncharted game. It's got all the classics: Egyptian tombs, jungle temples, T-Rexes, and Lara Croft looks badass in a modernised version of her classic outfit.Market Competition ContextSony has put out some great homegrown games since the PS5 was released in 2020, from Astro Bot to Ghost of Yōtei, but it has also had some expensive and very public failures and cancellations; PlayStation boss Jim Ryan, who retired in 2024, placed big bets on live-service games and only a few panned out (hello, Helldivers). Sony also seems to have rolled back on releasing its single-player PS5 games on PC after a polite interval of time, suggesting it wants to preserve what advantage and exclusivity it has.Meanwhile, its longtime console rival Xbox may have faded into the background as a sales competitor – the PS5 has outsold the Xbox Series S/X by approximately three to one – but it has become a strong publishing competitor, having bought up tens of development studios alongside Activision and Bethesda. Then there's Nintendo, whose exclusive games for the Switch and Switch 2 consoles have performed significantly better than Sony's over the last decade. (The top-selling Sony-developed PS4 game was Spider-Man, at 22.68m. The top-selling Nintendo-developed Switch game was Mario Kart 8 Deluxe at … 71m.)Strategic Implications for SonyThe State of Play event reveals Sony's strategic approach to the next phase of the PS5 lifecycle. By reviving classic franchises like Onimusha and Tomb Raider while investing in high-profile exclusives like Marvel's Wolverine and horror properties like Silent Hill, Sony appears to be balancing nostalgia with innovation. The company seems to be acknowledging its need to strengthen exclusive content while also diversifying its portfolio beyond live-service games that haven't always met expectations.Future Outlook for PlayStationWith releases spanning from late 2026 into 2027, Sony appears to be building a substantial pipeline of exclusive content designed to maintain PS5 momentum. The emphasis on both established franchises and new intellectual properties suggests a strategy to appeal to multiple segments of the gaming audience. As the console market matures and competition intensifies, Sony's ability to deliver compelling exclusive experiences will be crucial in maintaining its market position against Microsoft's expanded publishing arm and Nintendo's consistently strong first-party offerings.

The Impact of Marjane Satrapi's Work On the morning of June 4, when I heard the news of Marjane Satrapi's death, I was stunned. I simply could not believe it. Although I had met her only a handful of times in person – despite having lived in Paris for 16 years and having contributed to her book Woman, Life, Freedom – I felt a deep connection to her work and legacy. Marjane's Gift for Visual Storytelling Our collaboration on that book took place mostly through email correspondence, but I always held her in the highest regard. I admired her intelligence, her extraordinary sense of humour and, above all, her remarkable gift for visual storytelling. What she achieved through drawings that appeared simple was, in reality, extraordinarily difficult. The black-and-white spaces of her pages, the economy of her lines, the apparent simplicity of her compositions – it all served to convey profoundly human emotions with a clarity that few artists ever attain. As a cartoonist myself, I know how difficult it is to reach that level of expressive precision while making it look effortless. Paving the Way for a Generation Marjane opened the door not only for me, but for many Iranian comic book artists, such as Parsua Bashi, Mansoureh Kamari, Majid Bita and Shaghayegh Moazzami, among others. More broadly, she opened a path for artists from smaller and less visible countries across the world of comics – artists who had personal stories to tell but whose voices were often overlooked. With Persepolis, she gave western publishers the confidence to invest in our work. Many of us owe a part of our careers to the space she created. A Lasting Legacy Once I had absorbed the news of her death, my thoughts turned to Chicken With Plums, my favourite among her books. I remembered its protagonist, Nasser Ali Khan, whose beloved instrument is broken and who decides to remain in bed until death comes for him. In his final days, he even refuses his favourite dish, chicken with plums. Looking back now, the character feels almost like an extension of the author’s own sensitive spirit, perhaps even an unconscious premonition. I find myself thinking of Marjane, of her final days, and of whatever instrument may have been broken within her. And each time I do, my eyes fill with tears.

Lead: A Raw, Rugged Country‑Rock Debut from Jazz Saxophonist Zoh AmbaVeteran free‑jazz saxophonist Zoh Amba steps out of the improvisational realm with ‘Eyes Full’, a country‑rock record that feels both bruised and beautiful. The album opens with the track “OCD”, where a twinkling guitar riff gives way to a chaotic, blustering strum that mirrors the lyrical theme of a boy “diagnosed with ‘dreamin’ all the time’”.From Free Jazz to Country Rock: The Musical PivotAmba’s hometown of Kingsport, Tennessee informs the record’s lyrical landscape, with cryptic postcards recalling childhood memories. While Amba is best known for saxophone virtuosity, the new material showcases a vocal approach as daring as their instrumental work—pushing past breaking points, cracking, whinnying, and squeaking to convey raw emotion.Tracks like “Southern Soil” echo the intensity of indie folk acts such as Bright Eyes and Big Thief, while “Weed Eating” balances feral humour with despair, and “Blueberry Thorn” offers a dusty fiddle that feels as piercing as literal thorns.Why “Eyes Full” Reshapes the Indie Country LandscapeThe album’s blend of gritty guitar work and tender lyricism challenges the conventional boundaries of indie country, suggesting that genre‑fluidity can thrive when an artist brings the same fearless improvisation from jazz to a new sonic field. By marrying experimental aggression with heartfelt storytelling, Amba creates a template for future cross‑genre explorations.Looking Ahead: What This Shift Means for Amba’s Future and the GenreIf “Eyes Full” resonates with listeners, it could open doors for Amba to oscillate between jazz and country‑rock, perhaps even spawning collaborations that further blur genre lines. For the broader indie‑country scene, the record signals that authenticity rooted in personal history can coexist with avant‑garde experimentation, encouraging other artists to take similar bold detours.

The Comeback That Never MaterializedJust over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don't Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling "we love you Lizzo!" – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo's songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: "I'm fighting the case because I know that it's not true."The Album That Never WasBut the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty's American Girls – or the Strokes' American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo's singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – "I need to do shit my way". A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.A Career at a CrossroadsAll of which means that Bitch, her fifth album proper, lands at a deeply peculiar juncture in Lizzo's career. Given that the public apparently don't want her going rock, nor rapping in the style of her 2013 debut Lizzobangers, nor indeed making the kind of music they were buying in their millions three years ago, the question of what they actually do want has presumably hung heavy over its making.Musical Identity CrisisLizzo hasn't come up with a definitive answer. Bitch tries a bit of everything, from pastiching Tame Impala on Happy 2 Be to making clipped new-wave rock decorated with Cure-like guitars on She Stole My Man; Sexy Ladies is a girls-night-out-soundtracking reiteration of the old body positivity message. This scatter-gun approach makes Bitch a disjointed listen.The Subdued ToneMoreover, there's something oddly subdued about its tone, whether it's dabbling in 80s retro – Don't Make Me Love U brings to mind the arena-rousing keyboard hook from Tina Turner's The Best, but renders it into a distant, affectless backing vocal – or delving into jazzy R&B; on Too Nice. The vibraphone-heavy beat on the latter is fantastic, rich in small-hours atmosphere, but the actual song feels nondescript: it only really comes to life in its dying moments, when Lizzo stops singing and starts playing a flute solo. The title track interpolates the chorus from Meredith Brooks' 1997 pop-grunge hit of the same name, but somehow flattens it in the process. Crooned over smooth, G-funky R&B;, it feels stripped of its fiery power, less of a snarl and more of a shrug.Equivocal LyricsThe lyrics often seem similarly equivocal. You don't want for apparent references to Lizzo's recent woes – "I hope it makes you happy to hurt somebody else", "the thing about depression, you think your life is over", "you'd still be working at the mall if it wasn't for me" – but they ultimately feel neither pugilistic nor racked, just confused and sore: "I have feelings too," she sings on piano ballad A Toast.Highlights Amidst the StruggleNot everything here is underwhelming: Whose Hair Is This is a great southern soul pastiche, home to an impressively raw vocal and a snappy plot twist at the end of the lyrics; That Grrrl employs an old-school Chicago house bassline to energising effect. But what's definitely lacking is an unequivocal pop smash, the kind of thing that Lizzo once seemed to be able to write to order.A Changing Cultural LandscapePerhaps that's inevitable. One of the reasons Lizzo hit so big in the first place was that she made pop music that perfectly captured a zeitgeist, and that zeitgeist has moved on: the era of body positivity has been displaced by the era of Ozempic and Mounjaro; the kind of post-pandemic, post-Trump optimism embodied on 2022's About Damn Time now sounds like a transmission from a distant lost age. We're living in a different world now, and Bitch suggests Lizzo has yet to work out how to respond to it: "I'm doing my best," she sings on A Toast, which feels like the most telling lyric of all.