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The Lead: Spain's Coaching Philosophy Finally Gains Recognition As Spain prepares for the World Cup, national team coach Luis de la Fuente reflects on the journey that took him from teaching in the Spanish federation's classrooms to leading his country to European Championship glory. The coach who never played for the senior national team has overseen a generation of Spanish football that has produced some of the world's most successful coaches and players. The Coaching Classroom: Where Spain's Football Leaders Are Born On the ground floor of the Spanish football federation's headquarters in Las Rozas are two classrooms covered with photos of everyone who has played for la selección. More than 800 men are there, but Luis de la Fuente's picture is missing—his international playing career only took him as far as the under-21s. This is where he taught; it is also, he says, where he learned, his pupils not alone in going on to big things. De la Fuente spent three years teaching at the federation from 2017, while also coaching Spain's under-19s and under-21s. He taught two subjects on the federation's Uefa pro licence coaching course: the evolution of football and team building. In his classes sat future coaching greats including Lionel Scaloni, Xabi Alonso, Xavi Hernández, and Raúl—names that would go on to shape football at the highest levels. The Global Impact of Spanish Coaches From Spain it was not only Fabián Ruiz, David Raya and Martín Zubimendi who were in Budapest recently but also the managers: Luis Enrique, De la Fuente's predecessor, and Mikel Arteta. The week before, Unai Emery lifted the Europa League. Pep Guardiola bade farewell as perhaps the most influential coach the Premier League has had. And Xabi Alonso has been appointed at Chelsea, Andoni Iraola at Liverpool. "This is a process that goes back a long time; at last it seems people are starting to appreciate it," De la Fuente says. "That appreciation should have happened ages ago. With trophies, it becomes more visible but the development, the way it is structured and conducted, the work done by coaching schools at regional and national federations, was always an example to everyone." The Philosophy of Teaching Football "It would be easy to now say Scaloni stood out but it is true that there were some who had something a bit different," De la Fuente reflects. "That restlessness, how they would challenge you: 'I don't see it.' Scaloni debated everything, argued. We're similar too, a parallel in our paths. He starts at the under-20s, then made his way into the senior squad and won it all. He had to, we both did: it was win, win, win, win, because if we hadn't..." Within six years teacher and pupil would be European and South American champions respectively. Those successes should have brought a class reunion at the Finalissima in Qatar but war forced postponement. "Two don't play if one doesn't want to; we were mad keen to play," De la Fuente says. "It was a pity. I don't think politics will be a problem this summer: football is something that can bring people together of all creeds, ideologies, races and religions." The Future: Spain's World Cup Ambitions "Who would have thought it?" De la Fuente asks, reflecting on his journey to the senior national team. His first big senior job came past 60, having worked in Spain's youth structure for a decade. Scaloni, 40 when thrust into the seniors, hadn't worked at a club. "Life provides these moments. And nothing was given to us for free. It's all through work, work and more work..." "In the end, sporting success is fleeting. But I remember my teachers... So when I had the chance to work at the RFEF [federation], I thought: it's my job to shape people." With Spain heading to the World Cup as one of the favorites, De la Fuente's philosophy of developing both players and coaches continues to bear fruit on the world stage.

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Lead: PSG's Champions Victory and Liverpool's Managerial ChangeIn a dramatic week for European football, Paris Saint-Germain emerged victorious in the Champions League final against Arsenal on penalties, securing their second consecutive title. Meanwhile, Liverpool stunned the football world by parting ways with manager Arne Slot just twelve months after their Premier League triumph.The Event Details: Champions League Final Drama and Liverpool's DecisionThe Champions League final lived up to its billing as a tactical battle between Arsenal's defensive approach and PSG's formidable attacking prowess. The match ended in a penalty shootout after a tightly contested encounter, with Arsenal's Gabriel Magalhaes missing the crucial spot-kick that would have given his team the advantage.At Liverpool, the decision to sack Arne Slot came amid reports that he had lost the dressing room. The move, while surprising, was reportedly influenced by the availability of Andoni Iraola, with Liverpool opting for a change in leadership despite Slot's recent success.The Impact Analysis: Reactions to Major Football DevelopmentsPSG's back-to-back Champions League victories solidify their position as Europe's dominant force, raising questions about the balance of power in European football. Arsenal's defensive approach, described by some as 'bus-parking of the highest order,' has sparked debate about tactics against elite opposition.Liverpool's decision to sack Slot reflects the ruthless nature of modern football management, where even recent success doesn't guarantee job security. The timing of the move, with potential replacements already identified, suggests a long-term strategy rather than a reaction to short-term results.The Prediction: Future Implications for Teams InvolvedFor PSG, this Champions League victory could mark the beginning of a new era of dominance, with their core squad potentially remaining intact for future campaigns. Arsenal, meanwhile, may need to address their approach in big matches if they are to bridge the gap to Europe's elite.Liverpool's search for a new manager will intensify, with Andoni Iraola emerging as a leading candidate. The club will be keen to maintain their competitive edge while implementing a new philosophy, ensuring they remain contenders in both domestic and European competitions.

The Context of a Warm-Up MatchLet's be honest with ourselves and each other: this really doesn't matter that much. Not only is it a World Cup warm-up game, contested by two teams trying out a few things and making sure nobody pulls up lame, it's also a World Cup warm-up game between England and New Zealand … and history suggests those two nations aren't much of a match.Current Form and Tournament ExpectationsBut first up, consider the state of play as is. England will go into the tournament as third-favourites to win, behind just Spain and France and ahead of five-time winners Brazil and reigning champions Argentina. New Zealand meanwhile made it to the finals having beaten Tahiti, Vanuatu, Samoa, Fiji and New Caledonia in qualifying, to the cumulative score of 29-1, and have subsequently lost eight of their last ten matches, the latest an embarrassing 4-0 defeat by Haiti. Their only win during that sequence was an admittedly good-looking 4-1 victory over Chile … who went down to ten men after 27 minutes.Historical DominanceAnd then there's our good old friend The Past. England and New Zealand have officially met twice previously, both matches held within the space of five days in the summer of 1991. Graham Taylor's team won both games, 1-0 and 2-0, Gary Lineker, Stuart Pearce and David Hirst doing the damage. There were another six unofficial games in the sixties: between June 1961 and June 1969, England won every one of them, running up an aggregate score of 35-2.Match Preview and ExpectationsSo, y'know. But then England's last two outings weren't that impressive – a 1-1 draw with Uruguay and a 1-0 defeat to Japan, both at Wembley – so it's probably best for everyone not to get too far ahead of themselves. Yet despite the generally tepid nature of pre-tournament warm-ups, and with all their concomitant line-up experiments and substitutions, this game tonight should be a shoo-in for Thomas Tuchel's team. Hey, if they don't win, the internet won't explode … but it may start gently rocking and convulsing with mirth. Not that anyone should be too euphoric/embarrassed. Because let's be honest with ourselves and each other: this really doesn't matter that much. Kick-off is at 9pm BST. It's on!

Saturday marks the 100‑day milestone of the war that the United States and Israel began against Iran, yet the conflict has become a political liability for President Donald Trump and the Republican Party as public opposition deepens. The 100‑Day Milestone of the US‑Israel Iran War The campaign started on February 28 with air strikes that killed Supreme Leader Ali Khamenei and dozens of officials, followed by Iranian missile and drone retaliation and a shutdown of the Strait of Hormuz. A truce was announced on April 6, but skirmishes and a naval blockade persist, keeping the war in a “no war, no peace” limbo. Polling Numbers Reveal Deepening Domestic Opposition Only 16 % of U.S. voters believe the United States is winning or has won the war (University of Maryland Critical Issues Poll). A majority—58 %—disapprove of Trump's handling of the conflict (Institute for Global Affairs poll). Only 24 % say the war makes the United States safer. 33 % of Republicans view the war’s impact as more negative than positive, versus 12 % who see it as more positive. 79 % of respondents say the war has affected the cost of living in the United States. Political Fallout for Trump Ahead of the Midterms The erosion of public support is translating into electoral risk. Democrats are targeting control of Congress in the November midterms, a shift that could block Trump's agenda and expose him to impeachment threats if the war’s economic fallout worsens. Analysts note that the war has moved from a foreign‑policy issue to a “pocket‑book” concern, directly influencing voter sentiment on inflation and energy prices. What the Next Weeks Could Mean for Trump and the GOP If the war continues without a diplomatic breakthrough, the Republican Party may face a “turning point” as even older, traditionally hawkish voters grow restless. Trump has downplayed domestic concerns, claiming he “doesn’t care about the midterms,” but political strategists warn that sustained economic pain from higher oil prices could swing swing‑state voters toward Democrats. Conversely, a rapid de‑escalation or a perceived victory could restore some of the president’s waning credibility before voters head to the polls.

The Lead: AI Film Breakthrough at TribecaNext week, a groundbreaking 75-minute drama about the brutal crackdown in Iran on anti-government protesters will premiere at the Tribeca film festival in New York. Titled Dreams of Violets, this film represents a historic milestone as the first fully AI-generated live action feature accepted at a major film festival. Directed by Iranian-British filmmaker Ash Koosha, the project was completed in less than six months at a cost of under $2,000—dramatically less than traditional production methods would require.The Technical Breakthrough: AI as a Creative ToolEvery image and character in Dreams of Violets is AI-generated, with Koosha creating characters by describing their physical appearances using people he has known as references. The director explains that using AI was necessary for security reasons: "Because of the security issue, it would not be safe for the characters to even remotely resemble someone" in Iran. While the script wasn't AI-generated, Koosha used the chatbot Claude to improve language and structure his thoughts. The director emphasizes that AI allows filmmakers to "multiply your imagination until something hits the right spot," as they can change direction at any point without costly reshoots.The Financial Impact: Democratizing Film ProductionThe economic implications of AI filmmaking are profound. Koosha states that Dreams of Violets would be "100% impossible" to bring to screen traditionally, noting that "If you wanted to do it in CGI, it would cost millions." This dramatic cost reduction—under $2,000 versus potentially millions—removes significant barriers for independent filmmakers. The director also highlights how AI enables rapid production, allowing films to be made "at the speed of news itself," which would be impossible with traditional methods requiring years of development and financing.The Industry Transformation: Shifting Power in FilmmakingKoosha sees AI as a democratizing force in the film industry, potentially leveling the playing field between independent and studio filmmakers. "An indie film-maker mind is often a lot more fresh and creative than an industrial film-maker mind," he argues. "In my view most stories that are told with $100m should be told through the lens of an indie film-maker." This technological shift could create a "new space" separate from traditional filmmaking, allowing emerging talents to create compelling content without needing to prove themselves to established gatekeepers.The Future Outlook: AI's Expanding Role in CinemaThe film industry is beginning to grapple with AI's potential. While some directors like Steven Soderbergh and Gareth Edwards embrace AI as a "genius" tool, others like Guillermo del Toro reject it outright. Koosha himself takes a measured approach: "I'm not selling AI. I'm just trying to use a tool to tell a story." Looking ahead, he plans to create characters using actual people's faces, with actors potentially taking a share in the financial gain through licensing. As AI technology continues to evolve, we may see more filmmakers using it to create "impossible movies"—ambitious projects that would require budgets of "$300m" and "doesn't happen on this planet" through traditional means.

The Lead The new reality show 'The Vardys' has been panned as very bad and very boring, disappointing fans of Leicester City's Jamie Vardy and those interested in the 'Wagatha Christie' libel case. The Reality Check The three-part reality show, which aired on ITV1 and is now available on ITVX, follows the lives of Jamie Vardy and his wife Rebekah Vardy as they move to Italy. However, the show fails to deliver on its promises, instead focusing on mundane tasks like packing up a house and moving to Italy. The Content Critique For fans of Jamie Vardy, the show doesn't provide much insight into his life as a footballer. Leicester fans won't get much of Jamie or any footage they haven't seen before. And much of what is shown in the first two episodes is to do with the troughs of his early days at the Italian club Cremonese – injury, stress, failing to dazzle in his debut, failing to score many goals thereafter – rather than his glory days at home. The Wagatha Christie Factor For fans of the 2022 legal case (also known as “The Scousetrap”, for Coleen is Liverpudlian, and “Roodunnit?” because the whole thing played out in private, then on social media and then in court like the neatest mystery novel you ever read), here is pretty much everything Rebekah has to say about the private, public and court verdict that she did exactly what she was claiming Rooney had wrongly accused her of: “Never, ever, ever will I apologise for something I didn’t do. Hell will freeze over before I do that. “I’m not going to carry on living in the past. I’m so fucking tired of it,” says Rebekah, on a show almost certainly commissioned because of what happened in the past and in the hope that she would discuss it in great detail. The Verdict The show is a slow, slow grind through the minutiae of packing up a house and moving a family to Italy once Jamie takes his leave of Leicester City and signs with the then Serie A Cremonese. Watching people move house, try to find school places for five children (the oldest of the Vardys’ six is staying in England), moan about getting visas and finding a house to rent is about as interesting as listening to people describe their dreams.

The French Open Semi-Final ShowdownThe French Open 2026 has reached its dramatic semi-final stage with a fascinating matchup between Alexander Zverev and Jakub Mensik. With the absence of tournament favorites Jannik Sinner and Carlos Alcaraz, Zverev sees this as his best opportunity to finally break through and claim his first grand slam title, ending his reputation as the best male player without a major championship.Zverev's Path to the Semi-FinalsThe 2024 runner-up has navigated his way to his 11th grand slam semi-final with remarkable efficiency, dropping only one set en route. Zverev has been playing with the freedom of a man who knows he doesn't have to face his usual tormentors, Sinner and Alcaraz, who both exited the tournament early. This has allowed him to approach the semi-finals with less pressure than expected, though he'll need to overcome his past grand slam scars when facing the talented Czech.The Rising Star: Jakub Mensik's Remarkable JourneyAt just 20 years old, Jakub Mensik has emerged as one of the stories of the tournament. The Czech player with the huge serve has proven his metropolis by defeating notable players including Alex de Minaur and Andrey Rublev. His most impressive performance came in the quarter-finals where he brilliantly neutralized the nuclear forehand of fellow rising star Joao Fonseca. While raw and unproven at this stage of a slam, Mensik represents Zverev's biggest challenge to date.Italian Tennis History in the MakingThis French Open has witnessed a historic development with three Italian players reaching the semi-finals for the first time in a major tournament. Flavio Cobolli and Matteo Arnaldi join Mensik in the last four, creating the first ever all-Italian men's semi-final at a grand slam. Arnaldi has set records by spending the most time on court in grand slam history to reach the last four, while Cobolli has been channelling his inner Rafa, even using the 14-time champion's favorite shower cubicle after every match in a superstitious nod to success.Championship Outlook and Future ImplicationsWith Sinner long gone from his home slam, this wildest and weirdest of French Opens could yet end with an Italian champion. The semi-finals feature a fascinating contrast between experience (Zverev) and youth (Mensik), along with the historic Italian matchup. Should Zverev overcome Mensik, he would face either Cobolli or Arnaldi, potentially becoming the first German French Open champion since Boris Becker in 1986. Regardless of the outcome, this tournament has reshaped the men's tennis landscape, proving that the duopoly of Sinner and Alcaraz is far from unbreakable.

The LeadThis week's top picks for TV include a mix of classic films and recent releases. From Pixar's latest to classic Hammer horrors, there's something for everyone. Pick of the Week: Hoppers“We’re all in this together.” It may seem an obvious eco message to be pushing at the kids who will flock to watch the latest Pixar animation. But when it’s done as charmingly as in Daniel Chong’s sci-fi comedy adventure, you’d be hard-pressed not to cheer along with the film’s endangered animals. Mabel (voiced by Piper Curda) is our teenage human guide to a biodiverse nook of woods and water near Beaverton. But when a proposed freeway causes the wildlife to scatter, she “hops” her mind into a robotic beaver (invented by her biology teacher) so she can track them down and save their glade. Crammed with neat gags, relatable villains and a shark assassin named Diane, it’s cute propaganda. Out now, Disney+ The Curse of FrankensteinThe first in what would be a distinguished line of colourful “Hammer horrors”, Terence Fisher’s 1957 adaptation of Mary Shelley’s novel still packs a punch. Unable to copy the pathos-tinged Boris Karloff look, the film-makers fashioned a creature with a grey, clammy pallor and irredeembly violent tendencies. He doesn’t even turn up until halfway, but luckily Peter Cushing – in his first movie starring role – commands the screen as the hubristic Baron Frankenstein, a monomaniac diving gleefully off the ethical deep end. Saturday 6 June, 9.05pm, Talking Pictures TV VermiglioThe simple, traditional life of an Italian mountain community butts up against the frictions exposed by the second world war in Maura Delpero’s sensitive, beautiful drama. Tommaso Ragno wields his forbidding white moustache well as local teacher, and father of eight, Cesare. He is harbouring two army deserters: his nephew and the lad’s Sicilian friend Pietro. But then his eldest daughter Lucia falls for Pietro, disturbing the family’s balance of power and stress-testing parental and gender norms to the brink of collapse. Saturday 6 June, 9.20pm, BBC Four The Beautiful GameFor better or worse, out come the footie films for the World Cup. Thea Sharrock’s quirky comedy is one of the niftier ones. Based on a true story, it revolves round the Homeless World Cup. Bill Nighy is his usual wryly comic self as Mal, the manager of the England squad – young men all with tragic backstories – as they head to the tournament in Rome. Mal’s secret weapon is Vinny (Micheal Ward), who nearly made it as a pro but is now a bundle of resentment. The social issues are only touched on, but the “no I in team” moral is loud and clear. Sunday 7 June, 3.35pm, Channel 4 NomadlandChloé Zhao’s moving 2020 drama is one of those rare Oscar winners that feels like an instant classic. It is a portrait of America’s “nomads” – mostly middle-aged loners whose home is their RVs, as they seek out seasonal work and form temporary communities. Acting among an array of real-life travellers, Frances McDormand is a case study in less is more as widow Fern, who heads out into the wide vistas of her nation to discover if this is a meaningful life or merely existing. Sunday 7 June, 1am, Channel 4 The ChoralTODO