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The Historical Clean SweepNew South Wales has secured the first whitewash in Women's State of Origin since the series shifted to three matches in 2024, after grinding out a 12-4 victory over Queensland on the Gold Coast in game three. The scoreline flattered the home side, who were clearly second best against the shield holders, and have now lost back-to-back series. But they hung with the Blues until Jayme Fressard's try with 17 minutes to go which proved to be the match-winner.The Decisive MomentThe Blues' fifth-tackle spread looked to be going nowhere, but when the imperious Isabelle Kelly off-loaded to her winger, Fressard capitalised on the Maroons' tired defense. She surged down the inside, slicing up the Queenslanders and sliding across to trigger the Blues' celebrations. The winger told Channel Nine she wanted to make up for an earlier missed opportunity. "I'd seen a few Queenslanders and a big space, and I thought, you know, just back yourself, you've got the speed, so I wasn't bombing that one," Fressard said.Series Statistics and PerformanceThe series result represented an unfortunate opening to the Origin coaching career of Queensland's Nathan Cross, who was brought in this year to replace Tahnee Norris. Despite the 3-0 result, the Maroons were in each contest, and the combined margin across the three matches was just 17 points. Instead, the sweep was another endorsement for John Strange, who has now won five of six matches in the series.Impact on Women's Rugby LeagueEven after Fressard's try pushed the lead to eight, the Blues still had work to do. With seven minutes to go, the Maroons had three successive sets on the Blues line, and both Blues wingers – Fressard and Jaime Chapman – prevented the Maroons from turning grubbers into tries. Though her fellow Blues forward Yasmin Meakes won the player of the series award, lock Olivia Kernick had a night to remember, topping counts for tackles (33) and run metres (199).Future Outlook for Both TeamsDespite the result, the Maroons can have cause for optimism. Five-eighth Chantay Kiria-Ratu only became more confident in her first Origin series, and on Thursday her ball-playing and running began to match her already elite kicking and defense. NSW dominated the first half but took 26 minutes to find the opening try, with Kelly – named player of the match on Thursday – crossing after Southwell ran deep into the Maroons' retreating goalline defense.

The LeadViolet Grohl, daughter of Foo Fighters' Dave Grohl, releases her debut album "Be Sweet to Me" at just 20 years old, showcasing impressive alt-rock credentials despite her young age.The Alt-Rock DebutThe album features tracks like "595," a scuzzy, slasher-inspired alt-rock single that feels made for 90s MTV. Grohl's music combines elements of Veruca Salt and Queens of the Stone Age, with arch, deadpan verses giving way to big, bluesy, intentionally sleazy choruses finished with blown-out guitar and squealing feedback.The Family LegacyDespite her young age, Grohl has significant rock'n'roll credentials. She fronted a rare Nirvana reunion at just 13 years old, with her coolly authoritative vocals making it more symbolic than a mere family favor. Her father connected her with producer Justin Raisen, who has worked with artists like Kim Gordon, Yeah Yeah Yeahs, and Sky Ferreira.The Critical ReceptionWhile the review praises tracks like "Cool Buzz" for its persuasive combination of ska-inspired guitar and hardcore drums, and "Often Others" for its seething, sour, and groovy nature, it also notes that the album's nostalgia is sometimes too reverent and predictable. Tracks like "Last Day I Loved You" and "Plastic Couch" come off like stage makeup rather than real war paint, according to the reviewer.The Future OutlookGrohl shows promise as a genuine talent in the alt-rock scene, but the review suggests her hungry threats need sharper fangs. As she continues to develop her sound beyond her family connections, she may establish herself as a formidable force in rock music.

The Guardian’s review of Pressure argues that the film’s competent cast cannot overcome a thin script and a repetitive structure, leaving it destined for a modest box‑office showing and a quick move to streaming.What “Pressure” Attempts to Capture: A WWII Meteorology ThrillerPressure centers on the final days before the Allied invasion of Normandy in June 1944, dramatizing the clash between chief meteorologist James Stagg (played by Andrew Scott) and American forecaster Irving Krick (Chris Messina). The narrative frames the historic operation as a high‑stakes weather‑forecasting battle, with Brendan Fraser portraying General Dwight Eisenhower, anxiously checking a weather app for the decisive storm.Release Schedule and Market PositioningThe film’s rollout is staggered across key territories, reflecting a modest commercial strategy:29 May 2026 – United States cinemas9 September 2026 – United Kingdom cinemas29 October 2026 – Australian cinemasThese dates suggest a focus on theatrical windows before the film likely migrates to streaming platforms, a path common for mid‑budget historical dramas.Why the Film Falters with Audiences and CriticsAccording to the review, the film’s shortcomings stem from:Repetitive character dynamics that recycle the same confrontations between Eisenhower, Stagg, and Krick.A visual palette dominated by “cool blues” and military‑jacket greens that feels formulaic.Insufficient exploration of the meteorological science that drives the plot, leaving the “nerdy” aspect under‑developed.Attempts to broaden scope with invasion montages that clash with the intended “pressure‑cooker” intimacy.While performances from Scott and Fraser are praised—Scott’s “gentle seething” and Fraser’s “fun” portrayal—their work is constrained by the script’s limited depth.Outlook: Streaming Prospects and LegacyThe review predicts that Pressure will likely enjoy a brief theatrical presence before becoming “arm‑chair nap material” on streaming services. Its niche appeal to “weather dads” and “history dads” may generate modest viewership, but the film is unlikely to achieve lasting cultural impact or become a reference point for WWII cinema.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Comeback from the BrinkJames Tedesco delivered a performance that transcended mere athleticism, delivering a last-minute try that secured a famous State of Origin victory for New South Wales. The match narrative was defined by a stunning reversal of fortune, where a team trailing by two converted tries at halftime mounted a relentless comeback to snatch victory from the jaws of defeat. The 33-year-old fullback, often written off as a fading star following a coaching change at his club, stepped up when the pressure was greatest, rising above the physical exhaustion of the drizzling night to plant the ball over the line.Statistical Shifts in MomentumThe game was a study in statistical volatility, characterized by a pivotal turning point that altered the trajectory of the series. The match data highlights the dramatic shift in momentum:Halftime Deficit: New South Wales entered the break trailing 20-6, seemingly outplayed by a young, electric Queensland side.The Turning Point: The contest was fundamentally altered when Kalyn Ponga was sent off in the 57th minute for a high tackle on Tolu Koula, becoming only the seventh player in Origin history to receive a red card.Crowd Impact: The near-80,000-strong crowd witnessed a full spectrum of emotions, from early silence to a roaring finale as the Blues capitalized on the man advantage.Redefining the "Evergreen" FullbackThis victory serves as a powerful rebuttal to the narrative that Tedesco’s era had passed. Despite losing his club job last year and being viewed as a peripheral figure in the initial squad selection, the veteran fullback demonstrated an uncanny ability to perform on the biggest stage. His duel with young gun Hamiso Tabuai-Fidow encapsulated the match; it was a test of technique and willpower where the experience of the veteran prevailed over the raw speed of the rookie. Tedesco’s ability to regather the ball after a collision and elude defenders highlights a football IQ that remains elite.Series Trajectory and LegacyThe implications of this win extend beyond a single game; it signals a potential shift in the balance of power for the remainder of the series. For New South Wales, the psychological boost of overcoming a 14-point deficit with a man down cannot be overstated. For Tedesco, this performance cements his legacy as a clutch player capable of delivering monuments to the game when his team needs him most. The Blues have momentum, and their veteran leader has proven he still has plenty to give.

The Epic Comeback New South Wales have conjured one of the greatest State of Origin comebacks, fighting back from 20-0 down to snatch a 22-20 victory with a minute on the clock. Nathan Cleary was the hero for the home side, scoring a crucial try and kicking three clutch goals to put the Blues one-nil up in their quest to win back the Origin Shield. Queensland's Strong Start Despite claiming underdog status, Billy Slater’s Queensland side came out swinging and scored three converted tries in the first 20 minutes until Cleary, who many critics claim has never mastered the Origin format, steadied the ship and swung the momentum back to the Blues in front of 79,186 delirious fans at Accor Stadium in Sydney. The Turning Point The flashpoint came in the 57th minute. Tolu Koula broke away down the left before Walker snapped his ankles and Ponga slid a shoulder into his head, saving a try but earning a send off. The Blues capitalised straight away. Cleary found Strange on his hip and the rookie spun out of the tackle to slide over only for the Bunker to find an illegal obstruction. The Winning Moment As the rain tumbled down, NSW went for broke. And cometh the hour, cometh Cleary. Head bandaged, the Panthers maestro ran when everyone thought he’d pass and crossed untouched to make it 16-20 with seven minutes left on the clock. Now it was the Maroons who looked blue. They could only watch dumbfounded as recalled veteran James Tedesco, 10 years after his debut Origin series, soared over their beleaguered troops to snatch the match-winning try and clinch an epic triumph.

The Opening Kick‑off and Immediate ImpactKick‑off was scheduled for 8:05 pm AEST at Accor Stadium, Sydney on 27 May 2026. Within minutes, Queensland capitalised on a loose ball after a forced dump‑off by Brian To’o, with Sam Walker diving over for a try at 11:21 BST. Walker’s conversion from the right touchline put the Maroons ahead 6‑0.Queensland’s Re‑shaped XIII and Early TryThe Maroons entered with only seven of the 13 players from the 2025 decider, fielding a backline anchored by Kalyn Ponga and halfback Sam Walker. Key forwards included Thomas Flegler and Max Plath. The starting XV was:1. Kalyn Ponga2. Selwyn Cobbo3. Robert Toia4. Hamiso Tabuai‑Fidow5. Jojo Fifita6. Cameron Munster7. Sam Walker8. Thomas Flegler9. Harry Grant10. Tino Fa’asuamaleaui11. Reuben Cotter12. Kurt Capewell13. Max PlathThe try came after Ponga darted left off the scrum, was dumped by To’o, and the ball was recycled to Walker, who spotted a gap and sprinted to the line.New South Wales’ Revamped Line‑up and Injury ConcernsCoach Laurie Daley made twelve changes, introducing six debutants. Notable inclusions were debutant Ethan Strange (replacing the injured Mitchell Moses) and debutants Tolu Koula and Addin Fonua‑Blake. The Blues’ starting XV was:1. James Tedesco2. Brian To’o3. Stephen Crichton4. Kotoni Staggs5. Tolu Koula6. Ethan Strange7. Nathan Cleary8. Addin Fonua‑Blake9. Reece Robson10. Mitch Barnett11. Hudson Young12. Haumole Olakau’atu13. Isaah Yeo (c)Key absentees included Craig Bellamy (coach), Jai Arrow (MND), Payne Haas, Latrell Mitchell, Tom Dearden and Reece Walsh, all of whom were ruled out by injury or health issues.Strategic Stakes: Why This Game Sets the ToneQueensland entered as defending champions but with a depleted squad, making the early lead crucial for confidence. NSW, despite a talent‑rich roster on paper, face questions over cohesion after extensive changes and the loss of several marquee players. Daley’s coaching record (7 wins from 18 Origin matches) adds pressure to deliver early.Projected Series TrajectoryIf Queensland can maintain defensive solidity and exploit the Blues’ lack of continuity, they could extend their lead in the series. Conversely, a strong comeback by NSW would hinge on the performance of debutants like Ethan Strange and the ability of veterans such as James Tedesco to impose structure. The outcome of Game 1 will likely dictate the tactical adjustments for Games 2 and 3, with the series still very much open.

Lead: Auckland FC lifts the A-League Men trophy in a historic showdown Auckland FC secured their first league championship by defeating Sydney FC 1‑0 at Go Media Stadium, witnessed by a record‑breaking 28,374 fans. Auckland FC Secures First A-League Men Crown with 1‑0 Victory The decisive moment arrived in the 60th minute when club‑first signing Cameron Howieson slotted home the only goal, giving the Black Knights a 1‑0 lead that they defended for the remainder of the match. Key tactical notes: Both sides entered as the league’s most defensively solid teams, with Sydney conceding the fewest goals in the regular season. Auckland’s physical press neutralised Sydney’s possession‑based approach, limiting the Sky Blues to a single shot in the first half. Goalkeeper Harrison Devenish‑Meares earned the highest broadcast rating at halftime, underscoring his impact. Attendance Figures and Goal Statistics Highlight Growing Interest Record crowd: 28,374 spectators – the highest ever for an A‑League final in New Zealand. First‑time host: Auckland became the inaugural New Zealand club to stage the grand final. Goal tally: 1 goal (Howieson, 60') – the match featured limited clear‑cut chances, reflecting the defensive emphasis. Golden Boot holder Sam Cosgrove was effectively contained by Auckland’s centre‑backs. Implications for New Zealand Football and the A‑League Landscape The victory cements Auckland FC’s rapid rise, having won the premiership plate in their debut season and now adding the championship. It also underscores the expanding appetite for professional football across the Tasman, demonstrated by the sell‑out crowd. Coach Steve Corica became the first manager to claim three A‑League titles, further enhancing his legacy and highlighting the competitive edge of experienced Australian coaches in the trans‑national league. Future Outlook: Auckland’s Momentum and Sydney’s Rebuilding Path Looking ahead, Auckland FC is poised to leverage this triumph to attract higher‑profile talent and solidify its brand in both New Zealand and the broader A‑League market. Conversely, Sydney FC faces a rebuilding phase under newly appointed coach Patrick Kisnorbo, who will look to translate the recent unbeaten run into a more potent attacking setup for the next season.

The LeadAs we celebrate Miles Davis's centenary, his 1957 film soundtrack "Ascenseur pour l'Échafaud" is being repackaged with restored audio, offering a fresh look at the jazz legend's innovative approach to film scoring and improvisation. This mostly improvised soundtrack, created over one night in a Paris studio, showcases Davis's unique harmonic openness that would later influence his masterpiece "Kind of Blue."The Creative Process Behind the SoundtrackComposed by Davis from little more than a handful of chords, this music was mostly improvised straight to a screen showing budding New Wave director Louis Malle's crime thriller "Ascenseur pour l'Échafaud" (Lift to the Scaffold), over one long night in a Paris studio in December 1957. His fine local quartet included expat New York bebop drummer Kenny Clarke, and their harmonic openness created a spacey, ethereal soundworld for a story following two lovers who think they've committed the perfect murder of an inconvenient husband, and the mishaps, farces, ecstasies and fears that populate the long night of their undoing.The Musical Landscape of NoirDreamily sensual sounds mirror misplaced hopes; there are car-chase scurries (Miles's fast-bop horn virtuosity was formidable in this period), desolately bluesy accompaniments to actor Jeanne Moreau's confused wandering in search of her partner, bar-room clamour in the trumpet/tenor-sax counterpoint between Miles and saxist Barney Wilen – but all the music stands alone, without images. A quiet slow-burn, but simmering with all of Miles Davis's timelessly extraordinary light and heat.Jazz Tributes and Contemporary ConnectionsThis month marks Miles's centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the "Picasso of jazz" for the many styles he explored. Alongside the reissue of "Ascenseur pour l'Échafaud," other artists are paying tribute: Norwegian guitarist Hedvig Mollestad's power-trio Weejuns nods to Miles Davis' 1969 "Bitches Brew" with "Bitches Blues"; guitarist Jeff Parker unveils fascinating ways of emerging from minimalism to lyricism; and Jason Miles, a former Miles Davis keyboardist, revisits that groove-centric era in his own personal way.The Legacy of ImprovisationWhen Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player began playing homages to Miles' voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music. The reissue of "Ascenseur pour l'Échafaud" continues this legacy, showing how Davis's approach to improvisation and harmonic openness continues to influence musicians today.