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The Lead: Biotech Barbie's Mission to Edit Human DNA Cathy Tie, a Canadian entrepreneur known as "Biotech Barbie," is pursuing a controversial mission to genetically modify embryos to prevent hereditary diseases, following in the footsteps of her ex-husband He Jiankui, who served prison time for creating the world's first gene-edited babies. Despite global bans on germline gene editing for reproductive purposes, Tie aims to conduct this work openly with regulatory approval and venture capital funding. The Technical Breakthrough: Gene Editing Made Accessible Since the invention of the Crispr-Cas9 gene editing tool in 2012, the technical process of altering DNA has become relatively straightforward. "The hardest thing about genetically engineering a baby is getting permission to do it; the technical part is not particularly complicated," the article explains. The process is compared to using "find, copy, cut and paste functions on a computer" and doesn't require extensive expertise in molecular biology. Germline gene editing—altering eggs, sperm, or early embryos—is particularly significant because changes are passed down to future generations, potentially altering human evolution permanently. This is why such procedures are banned in the UK, US, and China, with international agreement against research that could result in gene-edited babies. The Financial Landscape: Billionaires Investing in Genetic Engineering Money is flowing into human genetic engineering, with some of the world's richest men investing in companies pursuing similar goals. Preventive, a gene editing startup launched in October 2025 with the aim of "preventing disease before birth," has attracted investment from OpenAI's Sam Altman, his husband Oliver Mulherin, and Coinbase CEO Brian Armstrong. Armstrong has coined the term "the Gattaca stack"—referencing the dystopian film about a genetically engineered society—which includes technologies for "disease prevention, or enhancement" of babies. This suggests a growing interest not just in preventing diseases but in enhancing human traits. Preimplantation genetic testing (PGT), already common in the US fertility treatments, allows parents to "choose the embryo that best matches what you want," with companies like Nucleus Genomics advertising on subways with the tagline "Have your best baby." The Global Impact: A New Biological Arms Race? "There's a big geopolitical component to this," Tie states, referring to the growing interest in genetic engineering. China, where Tie was banned from entering, has already demonstrated what gene editing can do—Chinese researchers made the first edits to human embryos in 2015, and Tie's ex-husband He Jiankui created the first gene-edited babies, twin girls known as Lulu and Nana. Since his release from prison in 2022, He has become an unlikely social media star with close to 150,000 followers on X, making unrepentant posts about "designer babies" being "inevitable." Meanwhile, China's biotechnology ambitions have expanded, with Premier Li Qiang announcing new regulations emphasizing "the need to promote innovative development" and "accelerate R&D; and commercialization." In response to China's announcement, Tie posted: "Welcome to the dawn of the biological arms race." The Future Outlook: Inevitable Genetic Modification "Biology is a double-edged sword – it can be used for good, to heal people, or it can be used for bad," Tie explains. "Stopping this research will only drive bad actors to do it secretively. There is no way to stop this. This is inevitable. The only way to proceed is to do it openly and transparently." Tie named her first human gene-editing company the Manhattan Project, drawing a parallel between the nucleus of the atom and the nucleus of the cell. "In the 20th century, we understood the nucleus of the atom very well, and we learned some very difficult lessons via weapons and wars," she says. "I don't want to see the same happen with the second nucleus." Despite her declared commitment to openness, much of Tie's work remains shrouded in secrecy. Her first company, the Manhattan Project, has since shut down due to what she calls a "fundamental mistake" in choosing a co-founder. She has since launched Origin Genomics, continuing her pursuit of genetic modification of embryos.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

The Enhanced Games: A Doping-Filled Spectacle in Las Vegas I woke up in Las Vegas on Monday to an avalanche of messages from people across elite sport asking about the Enhanced Games. Some wanted to know what it was really like. Most, though, wanted to dance on its grave. So much for the organisers' promises that we would witness multiple world records. So much for their ridiculous claim to be the "Super Bowl of athletics, swimming and weightlifting!" Hubris meet nemesis. The Reality of Performance-Enhanced Competition Perhaps the most farcical moment came just before the women's 100m final. Only one athlete in the modest field had ever broken 11 seconds. But that didn't stop the announcer floating the idea that Florence Griffith Joyner's world record of 10.49sec might be under threat. "Are we going to witness history?" she asked. "Let's hope so." Of course we weren't. Tristan Evelyn, who was competing as a drug-free athlete, won in 11.26sec – a time that would have barely made it out of the first round of the 2024 Olympics. The Financial Temptation: Why Athletes Are Being Lured When I spoke to its chair, Christian Angermayer, on Sunday night he revealed the plan for next year was to invite fitness influencers to race alongside elite athletes. A legends section may also follow, he reckoned. Shortly afterwards, the Australian swim coach Brett Hawke revealed that his phone had been buzzing with elite stars wanting to sign up. Can you blame them? Hunter Armstrong competed clean and walked away with $250,000 (£186,000). That's 12½ times what gold at the World Aquatics championships pays. While World Athletics offers significantly more – the winner of each event in its Ultimate Championships will get $150,000 – Angermayer believes he can also lure big track stars over. The Cultural Divide: Puritans in Babylon Most of the time I felt like a puritan in Babylon. I didn't see the Michael Jackson lookalike, who has had plastic surgery to look uncannily like him and turned up at the aftershow party. But I did see dozens of fitness influencers going round filming each other, showing off their abs, and asking each other which protocol they were on. And hear predictions that there would be a pill that would give you all the benefits of easy exercise in zone 2. It felt like a trip to the Upside Down. The Marketing Machine: More Than Just a Sports Event Before I arrived in Vegas, I thought the Enhanced Games people were grifters. Now I think it is more accurate to say they are evangelicals. They truly believe these drugs have changed their lives. And they want others to enjoy them, albeit while burning a few hundred dollars a month. Some also believe that the Enhanced Games is a Trojan horse to sell drugs such as testosterone and human growth hormone. I don't quite agree. Because organisers are not exactly being shy here. The horse is rolling towards Troy draped in a large advert for testosterone cream and peptides. The Inevitable Collapse: Why the Enhanced Games Will Fail Ultimately, though, I believe the Enhanced Games will fail. Not next year. But probably over the next five. Why? Because while its movers and shakers are rich and smart, they don't come across as caring deeply about sport. They don't seem to understand its whims and irrationalities, its rivalries and narratives, its traditions and its heart. You can't pay a mortgage with morals, but you also can't build a lasting sporting movement on money alone.

Relief After a Night of Unfulfilled PromisesThe event, billed as a radical redefinition of human performance, ended with organisers expressing relief rather than triumph. After five hours of competition, only a single unofficial record was set and the spectacle fell short of its lofty expectations.One Unofficial Record Amidst a Doping‑Heavy Line‑upGreek swimmer Kristian Gkolomeev swam the men’s 50m freestyle in 20.81sec, marginally faster (0.08s) than the official world record held by Cameron McEvoy. The time will not be ratified because Gkolomeev wore a prohibited skinsuit and was under the influence of performance‑enhancing drugs.While the majority of the 42 athletes were on banned substances—testosterone esters (90.5%), human growth hormone (78.6%), stimulants (61.9%) and EPO (40.5%)—three clean competitors claimed victories: Fred Kerley (men’s 100m), Tristan Evelyn (women’s 100m, 11.25sec) and Hunter Armstrong (men’s 50m backstroke).Prize Money, Viewership, and Doping Stats at a Glance$250,000 awarded to each of the three clean winners.$375,000 earned by Ben Proud and his partner Emily Barclay after their swimming victories.Approximately 250,000 live viewers streamed the event on YouTube.Doping composition displayed on the giant screen: testosterone esters 90.5%, HGH 78.6%, stimulants 61.9%, EPO 40.5%.What the Enhanced Games Reveal About the Future of Competitive SportThe spectacle highlighted a stark divide between the allure of lucrative, drug‑enhanced competition and the enduring appeal of clean sport. While the event attracted biotech investors and fitness influencers, the failure to deliver multiple records and the visible struggles of athletes like Thor Bjornsson underscored the limits of pharmacological enhancement.Clean athletes’ victories and their substantial prize money suggest a potential market for “drug‑free” categories within a largely doped framework, raising questions about regulatory oversight and the ethical boundaries of future competitions.Looking Ahead: How the Enhanced Games May Evolve in 2027CEO Max Martin has pledged a bigger, better edition next year, promising more records and broader mainstream acceptance. Anticipated developments include stricter verification of record‑breaking performances, expanded prize pools, and intensified marketing to both the biotech community and mainstream sports fans.However, increased scrutiny from anti‑doping agencies and public backlash could force the organisers to balance spectacle with legitimacy, possibly integrating separate “clean” divisions or more transparent drug‑testing protocols.

The Thrilling Finish Felix Rosenqvist swung to the outside of David Malukas, then found a way past the Team Penske driver to win the closest Indianapolis 500 in history by a margin of 0.0233 seconds on Sunday. The Event Details Malukas looked as if he was in position to win when he passed race leader Marcus Armstrong off the final restart with one lap to go while Meyer Shank Racing teammates Rosenqvist and Armstrong battled wheel to wheel down the back straightaway and through the fourth and final turn. But Rosenqvist had just enough power to pull away from Armstrong and snake behind Malukas before making the decisive outside pass in the final 50 feet. The Previous Record The closest previous finish came in 1992 when Al Unser Jr. beat Scott Goodyear across the yard of bricks by 0.043 seconds. The Impact Analysis The wild finish began with a red flag that came out with seven laps to go because of a scary crash involving Indy 500 rookie Caio Collet. Flames billowed out of the side of his car as it skidded to a stop in the grass. When racing resumed after a 10-minute delay, Armstrong and Malukas sped past the top two cars – Rosenqvist and Pato O’Ward. The Prediction Rosenqvist's win marks a significant moment in his career, coming in the same month he became a father. Malukas, a 24-year-old American, was consoled by his father in pit lane after the race.

The Premier League Finale Burnley came from behind to make sure the ignominy of finishing bottom of the Premier League went to Wolves as the two relegated sides fought out a 1-1 draw at Turf Moor. Wolves Take Early Lead Wolves started on the front foot and were ahead after in the fifth minute. Mateus Mané’s misdirected corner was retrieved by Ladislav Krejci and his header struck the outstretched arm of Florentino. The referee, Andrew Kitchen’ needed to take a look on the pitchside monitor after being summoned by the video assistant referee and after he pointed to the spot, up stepped Adam Armstrong to send Clarets goalkeeper Max Weiss the wrong way. Burnley Equalizes Burnley drew level in the 48th minute when Zian Flemming swapped passes with Lesley Ugochukwu on the edge of the box and fired a crisp shot just inside Sá's right-hand post. It was the Dutchman’s 11th Premier League goal of the season and sixth in his last 11 appearances. The Impact of the Draw This was a battle for pride – plus around $2.6million extra in merit payments – and Rob Edwards’ side took an early lead through Adam Armstrong's penalty, but Mike Jackson saw his team produce a spirited second-half display in which Zian Flemming equalise after the break. The Prediction The draw means Wolves finished bottom of the Premier League, a disappointing end to the season for the team. The match was a close one, with both teams creating chances but ultimately settling for a draw.

The Musical Journey of a Grammy Winner Grammy-winning musician Jon Batiste recently shared his deeply personal playlist, offering fans a rare glimpse into the musical influences that have shaped his extraordinary career. The renowned artist, known for his vibrant performances as bandleader on The Late Show with Stephen Colbert, revealed songs that have marked significant moments in his life—from his earliest musical memories to his philosophical approach to music appreciation. Family Roots and Early Musical Education Batiste's musical foundation was built at home, where his father introduced him to Clarence Carter's "Strokin'" at a young age, despite its adult content. His Uncle Thomas played a crucial role in his musical development, sending jazz recordings of legendary artists like Oscar Peterson, Milt Jackson, Louis Armstrong, and Ray Charles, alongside spiritual sermons that connected music with faith. Formative Purchases and Career Highlights The musician's first record purchases from Blockbuster's used CD bin reveal his early eclectic taste: Michael Jackson's Dangerous, Björk's Vespertine, Erykah Badu's Mama's Gun, and Common's Like Water for Chocolate. These selections foreshadowed the genre-blending approach that would later define his career. His time on The Late Show, where he performed nightly from 2015 to 2022, exposed him to countless musical experiences, though some songs like Steely Dan's "Reelin' in the Years" became too familiar due to repetition. Life-Changing Musical Moments Among the most profound influences in Batiste's musical life is "When the Saints Go Marching In," which he performed at his grandmother's funeral in Louisiana, the same resting place as Mahalia Jackson. This experience transformed his relationship with music, elevating it beyond entertainment to a deeply personal and spiritual connection. Similarly, Bach's "Air on the G String" evokes powerful emotions for Batiste, who has performed it in various contexts from formal concerts to late-night subway busking in New York. Unexpected Tastes and Musical Philosophy Batiste rejects the concept of "song shaming," embracing a wide musical spectrum that surprises even his closest followers. He cites punk band Amyl and the Sniffers' "Giddy Up" as a current favorite, appreciating the "kinetic energy that feels like avant garde jazz" in punk music. This openness to diverse genres reflects his belief in music's universal language and his commitment to artistic exploration beyond conventional boundaries. Daily Rituals and Future Performances The musician's morning routine includes an alarm playlist featuring Coldplay's "Don't Panic," Art Tatum and Louis Armstrong's "Body and Soul," and Armstrong's "What a Wonderful World." Looking ahead, Batiste will perform at Koko in London from June 24-28, continuing to share his musical vision with audiences worldwide. His funeral choice of "When the Saints Come Marching In" underscores the enduring significance of this piece in his personal and professional life.

FA Cup Semi-Finals: Manchester City vs SouthamptonSaturday 5.15pm BBC One, iPlayer, TNT Sports 1 Venue WembleyReferee Craig Pawson This season G23 Y67 R3 3.04 cards/gameManchester CitySubs from Donnarumma, Bettinelli, Lewis, Khusanov, O'Reilly, Alleyne, Guéhi, Kovacic, Silva, Cherki, Doku, Semenyo, Phillips, McAidoo, Gray, MukasaDoubtful NoneInjured Dias (hamstring, May), Gvardiol (fractured tibia, May), Rodri (groin, unknown)Suspended NoneForm LWWWWW Leading scorer Haaland 35SouthamptonSubs from Long, Stephens, Jelert, Kayi-Sanda, Quarshie, Traore, Romeu, Fellows, Archer, Edozie, Sesay, Bragg, Williams, O'Brien-Whitmarsh, Larin, Robinson, Oyekunle, DibagaDoubtful Stephens (calf)Injured Roerslev (knee, unknown), McCarthy (wrist, unknown)Suspended Downes (first of three), Manning (one match)Form WWWWWD Leading scorer Armstrong 11Stats from all competitionsFA Cup Semi-Finals: Chelsea vs LeedsSunday 3pm TNT Sports 1 Venue WembleyReferee Jarred Gillett This season G23 Y88 R1 3.87 cards/gameChelseaSubs from Jörgensen, James, Badiashile, Fofana, Sarr, Adarabioyo, Lavia, Essugo, Delap, Garnacho, Guiu, Mheuka, Merrick, Sharman-Lowe, AcheampongDoubtful Jorgensen (hip), Palmer (hamstring), James (hamstring), João Pedro (thigh)Injured Colwill (knee, 24 May), Gittens (hamstring, 9 May), Estêvão (hamstring, unknown)Suspended Mudryk (indefinite)Form LLWLLL Leading scorer Pedro 19LeedsSubs from Perri, Bornauw, Byram, Longstaff, Gruev, Buonanotte, Piroe, Nmecha, GnontoDoubtful NoneInjured Stach (ankle, 1 May), Rodon (ankle, 1 May), James (adductor, 1 May)Suspended NoneForm DDDWWD Leading scorer Calvert-Lewin 12Stats from all competitionsPremier League: Fulham vs Aston VillaSaturday 12.30pm TNT Sports 1 Venue Craven CottageReferee Michael Oliver This season G25 Y75 R2 3.08 cards/gameFulhamSubs from Lecomte, Diop, Cuenca, Robinson, Berge, Reed, King, Jiménez, Chukwueze, Kusi-AsareDoubtful NoneInjured Iwobi (hamstring, May), Kevin (metatarsal, May), Tete (foot, May)Suspended NoneForm WLDWLD Leading scorer Wilson 10Aston VillaSubs from Bizot, Proctor, García, Mings, Lindelöf, Bogarde, Digne, Elliott, Buendía, Douglas Luiz, Sancho, Alysson, Bailey, AbrahamDoubtful NoneInjured Kamara (knee, Jun)Suspended NoneForm LLLWDW Leading scorer Watkins 11

Eamonn Holmes, the 66‑year‑old presenter of GB News’s breakfast programme, is recovering in hospital after suffering a stroke last week.A GB News spokesperson confirmed that the Northern Irish broadcaster is responding well to treatment and has requested privacy while focusing on his recovery. The network added that “his colleagues and everyone at GB News wish him a speedy recovery and look forward to welcoming him back when he is ready.”In Holmes’s absence, the channel said that Alex Armstrong will co‑anchor the morning slot alongside Ellie Costello for the coming week.Holmes, who previously fronted ITV’s This Morning and co‑presented with his former wife Ruth Langsford for 14 years, has a documented history of serious health issues. He has undergone spinal surgery, a double hip replacement, and endured multiple falls, including a live on‑air incident when a studio chair collapsed.Speaking about that on‑air fall, Holmes recalled, “It was a bit of a shock for me because I’d had a fall in my bathroom two weeks earlier that hospitalised me, and it hit me again right in the back.” He described the aftermath as “really, really sore.”His health struggles have also impacted his personal life. In 2022, Holmes told the Sun that chronic pain and mobility problems strained his marriage to Langsford, and he later disclosed a dislocated pelvis in 2021 that led to three slipped discs.Holmes is now in a relationship with 44‑year‑old counsellor Katie Alexander. The pair were photographed together at a recent event, with Holmes using a wheelchair.GB News chief executive Angelos Frangopoulos expressed support, stating, “Eamonn is a loved member of the GB News family, and we’re with him every step of the way as he recovers.”