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The Lead: Roni Horn's Artistic JourneyAt 70 years old, renowned artist Roni Horn presents "Seizure of Hope," her first solo exhibition in London in a decade at the prestigious Hauser and Wirth gallery. The exhibition features 76 graphite drawings exploring the complex emotion of being "paralysed with hope," a phrase that has become central to Horn's recent work. This comes after a notable incident where Horn was removed from a flight due to a dispute with a flight attendant, an experience that reflects her androgynous identity and quiet rebellion against authority in today's world.The Exhibition: Visualizing ParadoxStepping into the gallery on Savile Row, visitors encounter 76 drawings rendered in "very, very soft" graphite pencil with wax pencil, each repeating the handwritten phrase "I am paralysed with hope." The installation is deliberately arranged with uneven gaps between frames, creating spaces where meaning slips and falters. Horn describes these works as capturing "an endless silent scream feeling," born from her experience of losing friends and observing how "the last thing to go is hope" during illness.The exhibition also includes a solid cast glass sculpture resembling a large ice cube, titled "What Happens to the Hole When the Cheese is Gone?"—a reference to Bertolt Brecht. This piece, made by pouring molten glass into a mould that hardens slowly over months, embodies Horn's fascination with ambiguity and the in-between states of existence.Artistic Philosophy: Embracing AmbiguityHorn's work consistently explores themes of mirroring, doubling, and repetition. She deliberately avoids direct answers, embracing ambiguity as a core artistic principle. Her approach is described as "serenely anti-authoritarian, revelling in the absurd and the contradictory." The unpindownable nature of her work, which spans photography, drawing, sculpture, and film, gives it vitality and presence without ostentation.The phrase "I am paralysed with hope" first captured Horn's attention around the time of "the political downfall of America" and has since appeared in multiple works, including her conceptual diary LOG created during lockdown and her 2023 exhibition at Centro Botin. The smudged, varied handwriting in the drawings reflects Horn's self-described "atrocious" handwriting that once required multiple signatures for banking purposes.Cultural Context: Art in Turbulent TimesHorn's work resonates particularly strongly in contemporary society, where contradictions and uncertainties abound. Her exploration of hope as both paralyzing and enduring speaks to the collective experience of living through political and social upheaval. The artist's experience of being removed from a flight due to a seemingly minor incident underscores the tensions present in today's world, particularly for those who don't fit conventional expectations.The exhibition's title, "Seizure of Hope," suggests both a capture and a taking of hope—a complex relationship that Horn explores through her repetitive, meditative drawings. This approach to hope as something that persists even in darkness offers a nuanced perspective on human resilience in challenging times.Future Directions: The Persistence of HopeAs Horn continues to create work that embraces ambiguity and contradiction, her exploration of hope appears likely to remain central to her artistic practice. The artist's commitment to staying "in the unknown and the in-between" suggests future works that will continue to challenge viewers' expectations and offer spaces for reflection on the complexities of human experience.The exhibition at Hauser and Wirth represents not just a showcase of Horn's current work but a continuation of her decades-long exploration of material, form, and meaning. As she approaches her eighth decade, Horn shows no signs of diminishing her artistic ambition or her willingness to confront difficult emotions and ideas through her distinctive visual language.

The PlanThe Socceroos are stepping into the unknown as much as any side with a new crop of eye-catching attacking talents playing alongside a more experienced midfield and defensive core. Qualification for a sixth consecutive World Cup was sealed without needing to tread carefully through the playoffs for the first time since 2014, but only after a change of direction when Tony Popovic replaced Graham Arnold as the head coach.The CoachTony Popovic coaches like he played as a hard-nosed defender in his 58 matches for the Socceroos, including being part of the renowned 2006 World Cup squad. The 52-year-old values substance over style, but finds a way to make it work with a coaching record that includes two A-League premierships and an Asian Champions League crown.Star PlayerThe Socceroos lack star power, but Nestory Irankunda is their human highlight reel. The 20-year-old attacker launches rockets from outside the area, beats defenders with pace and has a bag full of tricks.One to WatchJordan Bos has become a darling among the most ardent Socceroos fans. He could soon bring himself to the attention of the country. The 23-year-old has lit up the Eredivisie in his first season with Feyenoord, becoming the first Australian to win a player of the month award in the Netherlands’ top flight.Unsung HeroAlessandro Circati flies under the radar with a role at centre-back, but the 22-year-old has quickly emerged as one of the most important pieces of Popovic’s Socceroos puzzle. His physicality sets the tone while his composure calms the nerves – while also having the skill and polish on the ball that helps turn defence into attack.

Olly Murs Steps Into the Unknown for Soccer AidOlly Murs recently completed a brutal 400km journey from Old Trafford in Manchester to the London Stadium by running, cycling and rowing – and raised £830,000 for Unicef. On Sunday, he will take part in the 20th annual Soccer Aid match, along with Jill Scott, Tom Hiddleston, Wayne Rooney, Jermain Defoe, Owen Cooper and Angry Ginge.Under the VinesPressing concerns: the first season of this breezy wine-making daytime drama saw chalk-and-cheese step-cousins Louis (Charles Edwards) and Daisy (Rebecca Gibney) grow close after jointly inheriting a kaput New Zealand vineyard. But as this second run begins, Louis seems set on heading back to London with his ex.Gardeners' WorldWith summer making an early appearance, now is the time to embrace Monty Don’s colourful, bold flowers. Only got a patio to play with? Rekha Mistry has big plans for a small space. And Carol Klein is discovering the science of what happens to a seed from the very moment it is sown.Hunting Britain’s Fugitives: DispatchesHow many people are at large in the UK, guilty of serious crimes, but on the run and easily evading the authorities? Lawbreakers may think justice will never catch up with them, but some are less successful at escaping the attentions of reporter Matt Shea, who takes it upon himself to track them down and, in spite of the potential threat of violence, confront them.PoniesAmerican widows Bea (Emilia Clarke) and Twila (Haley Lu Richardson) have made an impactful debut as spies in Moscow in 1977: they’ve burned down a pub. How can they top that? A confident comedy drama fleshes out its two protagonists by giving Bea a new mission that requires her to toughen up, while Twila benefits from letting her guard down.Smoggie QueensLike a more chaotic, camper Beautiful People, the series ends with a bang as the gang, through flashbacks, recount a cheating scandal that happened during the final of the Mr Teesside competition. Expect several unreliable narrators, fake chest hair and “Detective Sexy” (AKA Dickie wearing fake breasts and a Sherlock cap).Film choiceFuze (David Mackenzie, 2025), 6.15am, 12.10pm, 8pm, Sky Cinema Premiere. Two of the bookies’ favourites to be the next James Bond go head to head in David Mackenzie’s tense, rug-pulling thriller. Aaron Taylor-Johnson stars as no-nonsense army bomb disposal major Will Tranter, called to defuse a second world war bomb in central London.

The Unseen Menace: Drones Erode Public Confidence in ColombiaResidents across Colombia are reporting a new source of anxiety as unauthorized drones infiltrate airspace, creating a sense of vulnerability that transcends traditional security threats. The phenomenon, characterized by the auditory sensation of drones before their visual confirmation, has sparked a debate on the adequacy of current surveillance infrastructure.The Auditory Precedent: The 'Hear Before See' PhenomenonThe core of the crisis lies in the unique sensory experience reported by citizens. Unlike traditional aircraft or even visible drones, these incursions are described as audible first, creating a psychological barrier of uncertainty. This suggests a shift in how unauthorized aerial vehicles are being deployed, potentially utilizing stealth technology or operating in low-altitude, hard-to-detect corridors that bypass standard radar.The Psychological Toll: Measuring the Impact of FearThe 'fear' mentioned in the title serves as the primary data point for this security breach. The anxiety is not merely about the noise but the unknown intent of the operators. This psychological impact disrupts community cohesion and erodes trust in local authorities' ability to maintain order and safety within the airspace.A Security Vacuum: The Strain on Law EnforcementThe inability to detect these devices visually before they are heard indicates a significant gap in Colombia's defense capabilities. Law enforcement agencies are currently struggling to intercept these low-altitude threats, creating a security vacuum that could be exploited for smuggling, surveillance, or other illicit activities.The Future of Aerial Defense: Adapting to the New RealityLooking ahead, the Colombian government will likely be forced to accelerate the deployment of advanced counter-drone systems and acoustic detection technologies. The 'hear before see' reality necessitates a shift from visual-centric surveillance to multi-sensory monitoring to restore public confidence and secure the skies.

The Lead: A Disturbing Body-Swap Horror Arthur Harari's film "The Unknown" is a doomy, murky and intriguing supernatural noir mystery that explores themes of identity and self through a bizarre body-swap narrative. Adapted from a graphic novel he wrote with his brother Lucas, the film presents a deeply unsettling experience that blends horror with existential questions about our relationship with our own bodies. The Event Details: A Complex Supernatural Narrative The film follows David Zimmerman, a photographer in his late 30s who documents the changes in his hometown over the past century. After a New Year's Eve party where he encounters a woman named Eve (played by Léa Seydoux) whom he photographed months earlier, they have sex in a squalid basement. David wakes up the next day to find he is now in Eve's body. The narrative becomes increasingly complex as it reveals that a supernatural entity is transferring consciousness between bodies through sexual encounters, creating a chain of identity swaps that challenges the very concept of self. The Impact Analysis: Identity Crisis in Horror "The Unknown" stands out in the horror genre for its philosophical approach to identity rather than relying on traditional scares. The film draws comparisons to classics like "Blow-Up," "The Man Who Haunted Himself," and "It Follows," but distinguishes itself through its exploration of gender identity and the profound unknowability of our own bodies. The film's dark, toxic atmosphere and characters' expressions of misery and fear create an immersive experience that questions the stability of identity itself. The Prediction: A Divisive but Memorable Cannes Entry As a Cannes Film Festival entry, "The Unknown" is likely to generate significant discussion among critics and audiences alike. While the film's premise is compelling, the review suggests it may be flawed by its narrative conclusion. Despite this, its unique approach to body horror and existential themes ensures it will be remembered as one of the more distinctive entries in this year's festival. The film's exploration of identity transfer may resonate particularly in an era when questions about gender and self are increasingly prominent in cultural discourse.

The Lead: Trump's Nine-Hour Prayer Rally on National MallThe administration of United States President Donald Trump has hosted a nine-hour prayer event on the National Mall in Washington, DC, as part of its efforts to commemorate the country's 250th anniversary. Sunday's event, called "Rededicate 250: A National Jubilee of Prayer, Praise and Thanksgiving," took place from 9am to 6pm Eastern US time (13:00 to 22:00 GMT) with the stated aim of marking "rededication of our country as One Nation to God."The Event Details: A Celebration of Faith and Political AlignmentThe event featured performers, pastors and civil rights leaders, as well as Trump's Republican allies, among them Senator Tim Scott of South Carolina. "Our rights don't come from the government," Scott told the crowd. "No, our rights come from God, the king of kings." Members of the Trump administration, including the president himself, recorded video messages that were broadcast from the stage.Trump's video showed him seated behind the Resolute Desk in the White House, reciting a speech from the Book of Chronicles that God gave to King Solomon, promising protection to his followers and destruction to those who forsake him. Secretary of State Marco Rubio, meanwhile, used his video to describe the US as a country uniquely shaped by the "Christian idea.""Before the Christian West, most societies – and civilisations, for that matter – thought in stagnant cycles: the flooding of the Nile, the return of the rains, the cycle of the harvest. History for them was a wheel to nowhere," Rubio said. "But our faith calls us outwards into the limitless darkness of the unknown. It tells us to go forth and preach the gospel to the world as a witness unto all nations and to the ends of the earth."The Data Analysis: Shifting Religious Attitudes in AmericaA survey from the Pew Research Center released last week found a slight uptick in the number of US adults who believe Christianity should be named as the country's official religion. Seventeen percent now share that view, up from 13 percent in 2024. That said, Pew researchers noted that a majority of Americans, roughly 54 percent, still believe in the separation of church and state.About 52 percent also said that "conservative Christians have gone too far in trying to push their religious values in the government and public schools."The Impact Analysis: Blurring Lines Between Church and StateThe event was not without controversy. Critics pointed out that only one speaker, a rabbi, was non-Christian. Some religious leaders rejected the event as a political stunt, rather than a sincere testament to faith.Paul Raushenbush, a reverend and president of the Interfaith Alliance, posted on social media that his objections did not stem from an "antipathy towards religion". Rather, he said his faith compels him to cherish the "rich tapestry of beliefs" that come together in the US."Rededicate 250 is a betrayal of America's founding values guaranteed in the First Amendment – which made clear that there shall be no establishment of religion by the government and that each one of us should be free to live out our beliefs in our own way," Raushenbush wrote.Traditionally, the Establishment Clause of the US Constitution has been interpreted as prohibiting the government from establishing or imposing religious beliefs on its citizens. But critics argue the Trump administration has blurred the separation between church and state, including by having regular prayer services at the Department of Defense.Trump, however, has accused the federal government of "anti-Christian bias". He launched a task force last year to root out the purported discrimination.The Prediction: Evangelical Base and Constitutional InterpretationEvangelical Christians form a pillar in Trump's right-wing base of support. The demographic is a powerful force during election seasons in the US, and Trump has sought to rally Christian voters ahead of major votes. Their views could reshape how the US Constitution is interpreted, particularly regarding the separation of church and state.As the country approaches its 250th anniversary, the debate over religious expression in public life is likely to intensify. With Trump positioning himself as a champion of religious conservatives, future policies and judicial appointments may further test the boundaries established by the First Amendment.

Lead: Why Uncertainty Matters More Than EverIn a world where answers are a click away, Simone Stolzoff finds that intolerance for uncertainty fuels anxiety, indecision, and even political polarisation. His new book How to Not Know argues that learning to sit with the unknown is a skill we can cultivate, not a flaw to fix. Stolzoff’s Personal Cross‑Roads and the Birth of a BookWhile working as a journalist in New York, Stolzoff was offered a design role in San Francisco, forcing him to choose between two attractive career paths.The decision triggered an "existential loop" that highlighted his own intolerance for uncertainty.Choosing the design job sparked a multi‑year exploration of uncertainty, culminating in the book How to Not Know: The Value of Uncertainty in a World That Demands Answers. Rising Global Uncertainty Metrics and Their Psychological TollStanford economist Nicholas Bloom notes that the five highest global‑uncertainty readings have occurred in the past five years, a trend coinciding with the proliferation of smartphones and instant information. Research cited in the interview links this decline in tolerance to:Constant exposure to real‑time news feeds.An expectation that answers should be immediately available.Increased anxiety and a tendency to catastrophise. Impact: From Personal Angst to Societal PolarisationThe interview connects personal uncertainty intolerance to larger social issues:Political polarisation: Quick judgments based on incomplete information reinforce echo chambers.Mental‑health burden: Chronic worry about unknown outcomes drives anxiety and depressive symptoms.Decision paralysis: Over‑analysis of everyday choices (e.g., streaming content) reduces satisfaction. Future Outlook: Building a More Resilient Relationship with the UnknownStolzoff proposes three practical pathways:Exposure: Deliberately engage with ambiguous situations to desensitise the fight‑or‑flight response.Embodied regulation: Use breathing, movement, or mindfulness to shift from a reactive brain to an analytical one.Values‑aligned action: Make decisions that reflect personal values rather than seeking perfect certainty. By treating uncertainty as a source of possibility rather than threat, individuals can improve mental health, enhance creativity, and contribute to a more nuanced public discourse.

Pentagon Releases 162 UFO Files Following Trump DirectiveThe U.S. Department of Defense made public 162 previously classified documents on unidentified flying objects after a direct request from President Donald Trump. The dossier pulls together material from the FBI, NASA, and the U.S. Department of State, offering the first large‑scale glimpse into the government’s historic UFO investigations.Key Revelations Inside the Declassified PacketsReports span from the 1940s Cold War era to recent 2020‑2025 sightings.Several files contain radar logs and pilot testimonies that were never previously disclosed.NASA’s involvement is limited to satellite imagery analyses, not direct UFO research.The State Department documents focus on diplomatic communications about foreign sightings.While the content is largely procedural, a handful of entries describe unexplained aerial phenomena that defy conventional explanations.Political Fallout and Public ReactionConspiracy theorists have seized on the release, flooding social platforms with speculation about extraterrestrial cover‑ups. Simultaneously, critics argue the timing—just weeks before the midterm election cycle—suggests a calculated distraction to shift attention from domestic policy battles.Implications for National Security and PolicyAnalysts note that the files, though not confirming alien technology, underscore gaps in inter‑agency data sharing on aerial anomalies. The declassification may pressure lawmakers to formalize a permanent oversight committee, ensuring future sightings are evaluated with consistent standards.Looking Ahead: Transparency vs. Narrative ControlExperts predict two parallel tracks: increased public demand for full transparency on UFO investigations, and a governmental push to frame the narrative within national‑security parameters. Upcoming congressional hearings are likely to reference the newly released documents, setting the stage for a prolonged debate over how much of the unknown should remain classified.

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.