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The LeadJeremy Coney recalls the 1986 New Zealand cricket team's historic series win in England, highlighting how they turned England captain Mike Gatting's "Ilford Seconds" insult into motivation. This semi-professional team of teachers, laborers, and even a gravedigger became the first New Zealand side to win a Test series in England.The Underdog SpiritThe New Zealand team, consisting of only three professional players, embraced the "Ilford Seconds" nickname after Gatting's remark that batting against them was like facing a "World XI at one end and Ilford Second XI at the other." Rather than being demoralized, the team ordered T-shirts with "Ilford Seconds" emblazoned on the front and used the insult as motivation throughout the tour.The Team CompositionWith players ranging from teachers and laborers to John Bracewell, a gravedigger from Dunedin, the New Zealand team was a far cry from the professional outfits of their opponents. Despite their unprofessional status on paper, they had already achieved historic victories against Australia at home and away, demonstrating their capabilities.The Turning PointThe series turned on an incident involving England's Phil Edmonds and a distracting wristwatch. After Martin Crowe successfully asked Edmonds to remove his watch, Jeremy Coney playfully asked the umpire to have Edmonds put it back on, claiming the "translucent patch on his wrist was dazzling him." This incident exemplified the team's ability to maintain focus while enjoying the game.The LegacyForty years later, Jeremy Coney reflects on how the team's "bloody hard" and "bloody well" approach to cricket defied expectations. The team's victory remains a significant moment in New Zealand cricket history, showcasing how a group of determined amateurs could overcome professional opposition through heart, skill, and team spirit.

The War Economy: A Billionaire’s Perspective from the FrontlineUkraine is reeling from its heaviest aerial raid in months, with at least 25 people killed in the night sky. In the aftermath, Rinat Akhmetov, the country's wealthiest oligarch and owner of Shakhtar Donetsk, gives a rare interview from a location outside Kyiv. This conversation marks the 90th anniversary of the club and the 30th year of Akhmetov's leadership, offering a unique insight into how the war has reshaped his personal and professional life.From Coal Traders to Champions: The Akhmetov StrategyAkhmetov’s rise from a child in 1970s Donbas to the owner of one of eastern Europe’s most influential football clubs is a story of calculated risk and strategic foresight. His journey began not in football, but in the volatile economy of the 1990s.The Proximity of Danger: Akhmetov was five seconds away from death when his business partner and predecessor, Akhat Bragin, was killed in a stadium explosion in 1995. This tragedy left the club abandoned, with players earning as little as $200 or $300 a month.Industrial Expansion: Leveraging the collapse of the Soviet Union, Akhmetov moved from trading coke and coal to acquiring cheap stakes in metallurgy plants. He revitalized the Yenakiieve plant, where workers previously earned $45 a month, transforming it into a globally competitive enterprise.Breaking the Mold: To break Dynamo Kyiv's dominance, Akhmetov hired foreign managers like Nevio Scala and Mircea Lucescu. He argued that a patriot is someone who works for Ukraine's benefit, regardless of origin, a philosophy that yielded 22 trophies over 12 years.The Financial Toll of Occupation and the Iron and Steelworks of AzovstalThe conflict in Donbas has been devastating for Akhmetov’s industrial empire. Since the occupation began in 2014, his businesses have suffered severe losses. The Azovstal iron and steelworks became a global symbol of Ukraine's resilience during the 2022 siege, though it came at a massive cost to the local economy.Shakhtar was forced to flee their home, losing the Donbas Arena—a stadium that once held 40,000 to 50,000 fans—to the occupying forces. The club's relocation to Lviv and Poland turned them into a powerful ambassador for the Ukrainian state, using the Conference League semi-finals to keep the world's attention on the war.Shakhtar as a Symbol of Ukrainian ResilienceAkhmetov reveals that Shakhtar has always been pro-Ukrainian, evidenced by their 2007 decision to use the Ukrainian spelling of their name over the Russian one. However, the full-scale invasion has crystallized this identity. The club is now viewed globally as a symbol of the fight for independence, sovereignty, and freedom.The Road to Donbas: A Promise Kept and BrokenFor years, Akhmetov maintained a moral imperative: he vowed not to attend another game until Shakhtar returned to their beloved Donbas Arena. This promise was broken last month when he returned for the Conference League quarter-final following the death of his long-time manager, Mircea Lucescu. The spontaneous decision was driven by emotion, as the players' applause during the warm-up moved him to tears. It marks a significant moment in the club's history, signaling a potential return to the region that birthed them, even as the war continues.

The Launch of Ferrari's First Electric Vehicle Ferrari's share price has dropped after it revealed a long-awaited first electric vehicle, with a minimalist look created by the former Apple design chief Jony Ive that departs from the Italian manufacturer's petrol sportscars. Ferrari Luce: Design and Specifications The Luce, starting at $640,000 (£477,000), has a range of 329 miles (530km) thanks to its battery capacity of 122 kilowatt hours, the company said, with four motors that can accelerate from 0 to 100km/h in 2.5 seconds, with a top speed of more than 310km/h (193mph). Market Reaction and Investor Sentiment The launch was hotly anticipated, given the world's most valuable sportscar maker's totemic status among car and Formula One racing fans. However, the Luce's saloon-like design immediately proved divisive, with some analysts questioning whether it lived up to Ferrari's sportscar heritage. Ferrari's share price dropped by as much as 8% in morning trading on Tuesday in Milan, before recovering to a 6% decline. The carmaker, which produces all its cars in Maranello, northern Italy, was valued at €56bn (£48bn) before the launch. The Impact of Jony Ive's Design The Luce was developed in partnership with LoveFrom, the studio founded by Ive after his long career at Apple, during which he led the design of products including the iPhone, MacBook and Apple Watch. Others said they believed it diverged too far from the blueprint that has made Ferrari one of the most profitable carmakers in the world. The Luce looks like a “mix between a Honda Accord EV and Tesla 3”, wrote Pierre-Olivier Essig, the head of research at AIR Capital, in a note for clients reported by Bloomberg. Ferrari's Future Plans Ferrari, founded in 1939, said the car's design was “simplified and rationalised in service of the driving experience”, and emphasised that was creating an “entirely new Ferrari”. The company last year scaled back its ambitions to shift from petrol to electric. It is aiming to have a 2030 lineup of 40% internal combustion engine models, 40% hybrids and 20% fully-electric.

Ferrari launched the Luce, its first fully electric vehicle, priced at €550,000 and capable of 0‑100 km/h in 2.5 seconds. The debut, attended by Italy’s president and the pope, triggered an 8 % plunge in the company’s share price and a wave of criticism over its radical design and four‑door layout.The Luce Unveiled: Ferrari’s First Fully Electric Super‑SedanThe Luce, pronounced “loo‑chey”, features an electric motor on each wheel, a skateboard chassis and a five‑seat saloon body – a stark departure from Ferrari’s traditional two‑door sports cars. Design was led by former Apple chief design officer Jony Ive in partnership with Marc Newson, delivering a minimalist aesthetic that many observers compare to the mass‑market Nissan Leaf.Price: €550,000 (£476,000)0‑100 km/h: 2.5 secondsFour doors, five seatsMotors: one per wheelShare‑price Shock: 8% Drop Signals Investor ConcernFollowing the launch, Ferrari’s share price fell 8 %, reflecting investor unease about the brand’s move away from its heritage‑focused, high‑performance niche. The steep price tag and limited production volume raise questions about the model’s contribution to revenue growth.Design Controversy and Cultural Backlash in ItalyCritics, including former Ferrari chief Luca di Montezemolo and transport minister Matteo Salvini, slammed the Luce’s pastel‑blue styling and its departure from iconic Ferrari cues. Social‑media outrage linked the design to “reactionary” opposition to EVs, echoing past backlash against Jaguar’s electric rebrand.What Lies Ahead for Ferrari’s EV Strategy?CEO Benedetto Vigna has described the Luce as intentionally “polarising” and aims to attract ultra‑wealthy buyers beyond the core enthusiast base. Success will depend on whether the brand can translate the novelty into sustained demand while preserving its heritage image.

The Unveiling of Ferrari's First Electric Car For passionate enthusiasts, Ferraris are not merely cars but works of art. The emotion stirred by their classic red curves is, they say, akin to standing before a Michelangelo sculpture, while the sound of the engine revving evokes a sensation comparable to listening to the music of Giuseppe Verdi or Giacomo Puccini. The Design of the Luce EV The Italian carmaker's first fully electric car, the Luce EV, unveiled this week, left many fans aghast. "I don't dispute the fact that it's electric – that's a generational step that needs to be taken," said Fabio Barone, the president of the Italy-based Passione Rossa Ferrari owners' club. "But the design was a total shock – it has shaken the very foundations of our legendary Ferrari." The Market Reaction The initial financial market reaction suggested investors had a clear view: Ferrari stock plunged 8.4% in Milan trading on Tuesday and US-listed shares fell 5.3%. On Thursday the share price staged something of a recovery, regaining 3.5%. The Impact on Ferrari's Brand The backlash "may not matter for the investment case" for Ferrari. Most analysts suggest it will produce fewer than 1,000 of the cars, so "Ferrari only needs to capture a small number of open-minded wealthy buyers". The Future of Ferrari's Electric Cars Ferrari's chief executive, Benedetto Vigna, said the car was garnering interest from potential buyers. During an event in Modena, Vigna dismissed the critics, telling reporters that people were writing to say they liked the Luce and were placing orders.

Summer Arrival Brings Noctilucent Clouds to the Night SkyAs the northern‑hemisphere summer settles in, a rare high‑altitude spectacle lights up the western twilight: noctilucent clouds, or “night‑shining” clouds, glow with an electric‑blue hue just after sunset.High‑Altitude Glows at the Edge of SpaceThese formations sit at roughly 80 km above the surface—virtually the edge of space—making them the highest known clouds in Earth’s atmosphere. They become visible about half an hour after sunset, when the lower atmosphere is in shadow but the thin upper layer still reflects sunlight.Numbers Behind the PhenomenonTypical altitude: 80 kmFirst documented sighting: 1885Key historical event coinciding with appearance: 1885 Krakatoa eruptionSouthern‑hemisphere season start: around OctoberResearchers note that no recorded observations exist before 1885, despite the clouds’ striking visibility, prompting theories that they may be linked to industrial aerosols emerging in the late 19th century.Why Noctilucent Clouds Matter for Climate ScienceThe clouds serve as a natural laboratory for studying upper‑atmospheric processes. Possible drivers include:Industrial pollutants providing nucleation sites for ice crystals.Volcanic eruptions (e.g., Krakatoa) injecting particles into the mesosphere.Climate‑induced increases in water vapour reaching higher altitudes.Because their brightness and frequency respond to subtle changes in mesospheric temperature and composition, noctilucent clouds are increasingly viewed as a proxy for monitoring climate‑related shifts.Future Outlook: Monitoring Upper‑Atmosphere ChangesScientists plan to combine satellite lidar measurements with ground‑based observations to track seasonal trends and assess whether cloud frequency intensifies under a warming climate. Continued study will help determine if noctilucent clouds can act as an early‑warning indicator for broader atmospheric transformations.

A Surrealist Masterpiece Emerges from the Depths of Psychiatric ConfinementA recently discovered painting by the surrealist artist Leonora Carrington, made during her confinement in a Spanish psychiatric hospital during the second world war, will go on public display for the first time in London this summer. Known as Villa Pilar, the work was painted in 1940 while Carrington was a patient at sanatorium Morales in Santander, after fleeing Nazi-occupied France following the arrest of her partner, the German artist Max Ernst.The Unveiling of a Hidden Masterpiece from a Turbulent PeriodCarrington suffered a psychological breakdown in Madrid and was admitted to the institution, where she underwent traumatic psychiatric treatments that she later described in her memoir Down Below. But encouraged by her psychiatrist, Dr Luis Morales, Carrington sketched each day, and created two paintings, Down Below and Villa Pilar, which depict the psychiatric hospital as a symbolic underworld. Carrington described her "down below" period as an experience akin to "being dead."A Life Marked by Rebellion and Artistic InnovationBorn into a wealthy Lancashire family in 1917, Carrington rebelled early against the expectations placed on upper-class women. She studied at the Chelsea School of Art before meeting Ernst at a dinner party in London in 1937, when she was 20 and he was 46. The two began a relationship that scandalised their respective social circles and moved together to Saint-Martin-d'Ardèche in the south of France, where they lived and worked until the German invasion.She found kindred artistic spirits in renowned surrealists like André Breton, Salvador Dalí, and Man Ray, who, like her, were fascinated by dreams, the subconscious and the occult. When she eventually settled in Mexico in the 1940s, she became one of the country's most celebrated artists and part of an influential community of women creatives working outside the male-dominated European surrealist movement – alongside figures including the Spanish painter Remedios Varo and the photographer Kati Horna.Carrington was later embraced as a feminist icon, and she always resisted attempts to reduce her to her gender, once remarking: "I didn't have time to be anyone's muse ... I was too busy rebelling against my family and learning to be an artist." She died in Mexico City in 2011, aged 94.The Rediscovery and Symbolic Meaning of Villa PilarCarrington gave Villa Pilar to Dr Morales when she left the sanatorium, and it remained in his family for decades. It was only rediscovered during research for the exhibition by the Faro Santander team, who persuaded the Morales family to loan it publicly for the first time.Vanessa Boni, curator of the exhibition, said Carrington created the work as "a parting gift" to thank Morales for helping her recovery, despite the "brutal" treatments she endured, including cardiazol injections. "As we know from her memoir, it was really traumatic," she said. "Dr Morales kept the painting his entire life, and when he passed away, it was handed down to his daughter."The work depicts the hospital as being populated by hybrid human-animal figures moving through vivid green gardens – imagery that would become central to Carrington's later practice. "It speaks to ideas of inner transformation, metamorphosis and otherness," Boni said. "Both paintings are set in a verdant green landscape, including a green sky, which was a symbolic colour for her."A Transatlantic Exhibition JourneyVilla Pilar will join the exhibition Leonora Carrington – the Symptomatic Surreal at the Freud museum, where Sigmund Freud spent the final year of his life after escaping Nazi-occupied Vienna. To mark the unveiling, the exhibition has been extended until 10 August before travelling to Faro Santander, a new arts centre in the northern Spanish city, in September.Daniel Vega Pérez de Arlucea, director of Faro Santander, said: "This is not simply a matter of showcasing the work of one of the most important surrealist artists, but of recognising and revisiting a chapter of her life deeply rooted in this city."After leaving Santander, Carrington travelled through Lisbon and New York before settling in Mexico, where she became one of the leading figures of surrealism. In 2024, one of her paintings was auctioned for £22.5m, a record for a UK-born female artist.While in New York, Carrington gave her Santander sketchbooks to the surrealist collector Julien Levy, whose collection was sold at auction and dispersed into private collections in 2004. This exhibition marks the first attempts since then to bring the contents together for a major public display.

The Rise of a New Spanish Tennis StarSpain is at it again. Just when tennis enthusiasts thought the Spanish dominance in men's tennis might be waning after Rafael Nadal's retirement, a new sensation has emerged. Rafael Jodar, the 19-year-old from Madrid, has completed a meteoric rise from being ranked around No. 700 in the world to becoming a seeded player at the French Open in just over a year. This unprecedented ascent has thrust him into the grand slam-winning conversation, adding to Spain's embarrassment of riches in men's tennis.The Jodar Phenomenon: From College Courts to Grand Slam ContenderJodar's journey is remarkable. A year ago, he was completing his freshman year at the University of Virginia, ranked outside the top 700. After winning several ATP Challenger titles, he decided to turn pro and forgo his final three years of college eligibility. He won his first main-level ATP match at this year's Australian Open, and now, after an almost unprecedented rise up the rankings, the 19-year-old will be among the 32 seeds when the French Open commences.Ironically, Jodar has stolen the mantle of the "next future champion" hype away from Brazilian João Fonseca, also 19, who was committed to play college tennis at Virginia with Jodar but instead decided to turn pro. One can only wonder if that college team, had it materialized, would have been among the best ever.Spain's Tennis Dynasty: Three Decades of DominanceTo have yet another player thrust into the grand slam-winning conversation adds to the utter embarrassment of riches Spain has enjoyed for more than three decades. Starting with Sergi Bruguera's back-to-back French Open titles in 1993 and 1994, Spanish men have enjoyed a nearly uninterrupted run of dominance with six different players winning grand slams.Consider this timeline of Spanish tennis excellence:1993-1994: Sergi Bruguera wins back-to-back French Open titles1998-2003: Carlos Moya wins French Open (1998) and reaches multiple other finals2003-2014: Rafael Nadal wins 14 French Open titles and 22 major championships overall2022-Present: Carlos Alcaraz wins 7 major titles, including his first at the 2022 US Open2026: Rafael Jodar becomes the latest Spanish player to be seeded at a grand slamThe only Open-era analog that comes to mind is Sweden's moment in the sport in the 1970s and 80s, with Björn Borg, Mats Wilander, and Stefan Edberg dominating men's tennis.The Spanish Method: Beyond Clay Court SpecialistsWith his ferocious hitting and aggressive posture constructing points, Jodar continues to put a nail in the coffin of the notion that Spanish players are primarily clay-court specialists. Nadal was unfairly burdened with the "he's great but only on clay" label very early, but his Wimbledon triumph in 2008 proved he could play on all surfaces. Alcaraz burst onto the scene as a fully formed all-court player, and now Jodar appears to be following in their footsteps.So how did Spain become such a powerhouse in the men's game? Many trace the origin story back to the early 1970s. The country's dictator Francisco Franco, inspired by Manolo Santana, the first Spaniard to win a grand slam, ordered the construction of thousands of red clay courts throughout Spain, literally building the infrastructure that laid the groundwork for what was to come.The Six Tenets of Spanish Tennis ExcellenceThough it took a generation, the coaching techniques and training regimens put in place 50 years ago in Spain have now become standard practice for players from around the world. The two coaches who were most instrumental in developing the Spanish brand of men's tennis in the 1980s and early 1990s were Pato Alvarez (now deceased), and Lluis Bruguera (the father of the aforementioned Sergi), who is in his 80s and still coaching.Both based in Barcelona, they developed a style of coaching that Chris Lewit, author of the book "The Secrets of Spanish Tennis," narrowed down to six tenets:Movement, footwork and balanceRacket speed and weapon buildingConsistencyDefensePhysical conditioningThe importance of sufferingThe Philosophy of Suffering: The Spanish Mental EdgeIt is this act of suffering, of fighting through and retaining a positive mental outlook in the midst of the mini-crises that exist in every match, that is the most significant throughline among all the recent Spanish champions. Nadal famously said that "you have to learn how to live with these kind of moments, and also to enjoy this suffering". Alcaraz echoed that with his view that "you have to find the joy in suffering".While Nadal was coached at home in Mallorca with his Uncle Toni and Alcaraz in an academy setting under his former coach Juan Carlos Ferrero, the hallmarks of Spanish tennis seamlessly moved from one generation to the next. This focus on the "suffering" and on the point construction has allowed the transition away from the clay-only successes of Bruguera to the all-court prowess that Alcaraz and now Jodar possess.It is this generational hand-off of not just the physical attributes and strategies necessary for triumph but the mental fortitude that is apparent with Jodar. Speaking of Nadal, Jodar said, "He was, I think, the best mentality wise. He never gave up in a match. He stayed there for every moment that the match was bringing him and tried to play his best tennis with the things he was doing throughout those days. I think watching him inspired me when I was younger."Global Influence and the Changing Nature of TennisIf the Spanish method has been such an incredible success then why haven't more countries followed their lead? Many countries and players already have tried. A teenaged Andy Murray became so inspired by the Spanish style that he spent significant time training in Barcelona under the tutelage of Alvarez, and he has spoken of how huge an impact those years in Spain had on his development into a three-time grand slam champion.Jose Higueras, a former Spanish pro who was one of the first players to emerge under the new Spanish system in the 1970s, imported much of the program to the United States when he started working with US pros in the 1990s. He wanted to bring that clay-court attitude to the American style of play, which was usually focused on a big serve and forehand. And it yielded immediate results. Higueras coached Michael Chang to his sole grand slam title at the 1989 French Open and then worked with Jim Courier as the coach played a pivotal role in the last golden era of American tennis.One can implement all the correct protocols and latest methods, but it's all for naught if the attitude and, more importantly, talent isn't there. Some is ingrained; some is just luck. Spain has been blessed with Nadal and Alcaraz, two extraordinary athletic specimens with an unusual combination of strength and reflexes. And in addition to Jodar, 20-year-old Martin Landaluce is another Spaniard on the rise making significant noise.The sport – much to the chagrin of the old-school traditionalists who prefer a serve-and-volley style – has also changed over the last few decades into a slower game with the more homogenous court speeds. Gone are the fast grass courts of years past. Most hard courts have been slowed down, creating the perfect conditions for the Spanish style to thrive.The Future of Spanish Tennis: A Conveyor Belt of ChampionsWhatever the reasons for their dominance, the Spanish conveyor belt of champions shows no sign of slowing down. With Jodar joining the ranks of Nadal and Alcaraz, and with Landaluce also making noise, Spain's tennis dynasty appears set to continue. The Spanish method – emphasizing movement, consistency, defense, physical conditioning, and most importantly, finding joy in suffering – has proven to be a winning formula that has produced multiple generations of champions.As Jodar prepares for his French Open debut as a seeded player, tennis fans around the world will be watching to see if he can continue the Spanish tradition of excellence. One thing is certain: Spain's school of suffering has forged yet another star, and the tennis world will be better for it.

Jannik Sinner broke Novak Djokovic's 2011 record by winning his 32nd straight Masters 1000 match, defeating Andrey Rublev 6‑2, 6‑4 to reach the Italian Open semi‑finals.Sinner's Record‑Breaking Victory Over Rublev at the Italian OpenThe Italian Open quarter‑final saw Sinner dispatch the world No.5 Rublev in straight sets, moving his consecutive Masters 1000 win tally to 32, one more than the previous record.Numbers Behind the 32‑Match Masters StreakConsecutive Masters 1000 wins: 32Match score vs Rublev: 6‑2, 6‑4Rublev's unforced errors: 28 in 18 gamesLast Italian to win Rome: Adriano Panatta (1976)What the Streak Means for Men’s Tennis and Italian FansSinner enters the semi‑finals as the heavy favourite, especially with rival Carlos Alcaraz sidelined by injury. His form revives hopes of an Italian champion for the first time in five decades and adds pressure ahead of the French Open.Looking Ahead: Sinner’s Path to a Historic Rome TitleIn the upcoming semi‑final, Sinner will face either Daniil Medvedev, the 2023 Rome champion, or lucky loser Martin Landaluce. A win would make him the first Italian man to claim the title since Panatta, and could set the stage for a career Grand Slam at Roland Garros.