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The Future of Warfare: AI-Powered Drones Should the AI-powered drones of the future have a licence to kill? The question is becoming ever more pressing as governments and the defence industry acknowledge that drone systems will play an increasingly crucial role in future warfare. The Moral Dilemma of Autonomous Weapons With drones being deployed in huge numbers in the Ukraine war and AI being used to assist bombing missions in the Iran conflict, there is an expectation among some observers that weapons will have to operate with increased operational autonomy, which means they will need something approximating a moral framework. Expert Opinions on AI and Morality Last year Mustafa Suleyman, chief executive of Microsoft’s AI arm and a co-founder of the UK-based DeepMind, was unequivocal about the issue of machines making moral decisions. He said: “AIs cannot be people – or moral beings.” David Omand, the former head of the UK spy agency, GCHQ, believes AI can create a “moral” configuration for unmanned weapons. The UK armed forces minister, Al Carns, told the Financial Times recently there must be an option to “take the human out of the loop” in decision-making. The Challenges of Programming Morality Zee Talat, an academic specialising in machine learning at the University of Edinburgh’s school of informatics, argues that large language models – the technology that underpins modern generative AI systems such as chatbots – are fundamentally incapable of moral decision-making. “If you have a machine that’s probabilistic by nature it will veer towards the most likely answer in a situation. Do we think that morality follows probabilistic notions?” The Debate on Autonomous Weapons Governance Jessica Dorsey, an assistant professor of international law at Utrecht University in the Netherlands, raises concerns about determining whose morality the drone is following, given the United Nations is still trying to achieve a global consensus on autonomous weapons governance. “War is filled with so many variables and it is a given that things will go wrong. And when that happens at AI-like speed, it is difficult to unravel.” The Future of AI-Powered Drones Some experts argue that giving drones greater autonomy, and programming rules of engagement and morality into them, will be a necessity if other nation states continue to develop and deploy similar technology at pace. Nicholas Wright, a neuroscientist and author of Warhead, a book on the human brain and war, says: “For any military to compete effectively against other high-end militaries it is going to need a large amount of systems that will be required to take decisions on their own.” Olaf Hichwa, the co-founder of Neros, a US drone startup, believes that drones will not replace human decision-makers, but enhance the abilities of their human pilots.

The Intersection of AI and Classical Music The disquiet and distrust surrounding artificial intelligence among artists and creatives remain real and consequential, and the language used by leading arts commentators is often apocalyptic: AI will decimate the arts, it is evil, it is the devil. Like many emerging technologies, AI has been driven by the corporations at the forefront of its creation. Introduced to the public at a rapid rate and continuously evolving, machine learning has become closely entwined with fear, antipathy and foreboding. The RBO/SHIFT Festival: Exploring AI in Opera The upcoming RBO/SHIFT festival at the Royal Opera House aims to interrogate all sides of this fast-evolving landscape to enable artists, performers, creatives and audiences to think deeply and widely about where we are now, and where we may be tomorrow. Machine learning represents a seismic shift, both in society and in the arts, and we need storytellers, artists, teachers and thinkers in this space to help determine the direction of that shift and help us navigate this unfamiliar territory. The Data Analysis: Understanding AI's Impact on Opera Opera is a particularly good place from which to examine technology. It synthesises multiple art forms – music, visual arts, architecture, poetry, dance, theatre and film – making it both niche and remarkably broad. Opera has also always engaged with technology. From its emergence around 1600, opera makers embraced the latest inventions: pyrotechnics, automata, flying machinery and trapdoors. Later came electric lighting, film, digital media and advanced acoustics. The Impact Analysis: Collaboration and Creativity Having spent the past year discussing AI with makers, coders, researchers, composers and performers, I am not sure it is possible for this technology to decimate the arts. The most written-about aspect of machine learning – generative AI creating images, words and music – is, in many ways, the least interesting. There have been operas created with and by AI for decades by researchers and musicians, yet these have had little impact on the creation of new work more broadly. The Prediction: A Future of Collaboration AI appears to have emerged suddenly, but in reality it is part of a continual expansion of technology that has unfolded over centuries. It is also a space in which differing artistic and imaginative voices are essential. RBO/SHIFT asks two questions: what can AI do for creatives, and what can creatives do for the world in the age of AI? As our interaction with machines becomes ever more prevalent, it may be that, rather than decimating the arts, AI will lead us to value them even more highly, protect and preserve them.

Samsung has launched the Galaxy S26 Ultra, a premium handset that couples a massive 6.9‑inch QHD+ screen with a first‑of‑its‑kind privacy mode that dramatically reduces side‑view visibility. The device targets power users and business professionals who demand both top‑tier performance and on‑the‑go data protection. The Ultra’s Privacy‑First Display Takes Center Stage The new privacy screen works by narrowing the OLED’s viewing cone, making content unreadable unless viewed straight on. Users can toggle the feature via quick settings, choose between two intensity levels, or apply it selectively to banking apps, lock‑screen entry, or notification panels. While it won’t block someone directly over the shoulder, it effectively shields the screen from peripheral glances—a capability previously limited to business laptops. Pricing, Specs and the Numbers Behind the Flagship Price: £1,279 (€1,449 / $1,299 / A$2,199) Main screen: 6.9‑in QHD+ Dynamic AMOLED 2X, 500 ppi, 120 Hz Processor: Qualcomm Snapdragon 8 Elite Gen 5 for Galaxy RAM: 12 GB or 16 GB Storage options: 256 GB, 512 GB, 1 TB Camera array: 200 MP + 50 MP (0.6×) + 10 MP (3×) + 50 MP (5×); 12 MP front Battery & charging: 5,000 mAh, fast‑charging up to 45 W, wireless charging Connectivity: 5G, Wi‑Fi 7, USB‑C, NFC, Bluetooth 6, UWB, GNSS Build: Aluminium frame, IP68 water‑resistance, 214 g weight, 7.9 mm thickness Software: One UI 8.5 (Android 16) with integrated generative AI, including Gemini, Bixby, Perplexity, and the new “Now Nudge” assistant How the New Privacy Screen Could Shift Mobile Security Expectations The introduction of a hardware‑level privacy mode signals a broader industry move toward on‑device data protection. Competitors may feel pressure to adopt similar angle‑restriction technologies or develop software overlays, especially as remote‑work and mobile banking become ubiquitous. For enterprises, the feature offers a low‑cost mitigation against visual data leakage without additional accessories. What’s Next for Samsung’s Ultra Line and Competitors? Samsung’s commitment to software updates until February 2033 positions the S26 Ultra as one of the longest‑supported Android devices, potentially raising the bar for post‑sale service longevity. The mixed reception of its AI tools—solid transcription and image editing but uneven chatbot performance—suggests Samsung will double‑down on AI refinement for the next generation. Rival manufacturers are likely to respond with either deeper AI integration or alternative privacy solutions, intensifying the flagship arms race for 2027.

MP Jess Asato Takes Legal Action Against xAI Over Grok‑Generated ImagesA Labour MP has lodged a high‑court claim in London accusing Elon Musk’s AI company of facilitating the creation of fake sexualised pictures and a video of her without consent.Grok’s Image‑Generation Feature Misused to Produce Non‑Consensual ContentTool involved: Grok, the generative AI model developed by xAI.Alleged outputs: a photo of Asato in a bikini and a video depicting her being chloroformed and prepared for sexual assault.Trigger: Asato publicly condemned the spread of such AI‑generated images on X earlier in the year.Legal Claims and Potential Liability for xAIClaims: breach of data‑protection law and misuse of private information.Venue: High Court in London, filed in January 2026.Parallel case: a similar lawsuit in New York by Ashley St Clair, mother of one of Musk’s children, over under‑age explicit images.Implications for AI Regulation and Platform Responsibility in the UKThe UK government threatened action against X in January 2026 after Grok generated large volumes of sexualised imagery.Ofcom launched an inquiry into the platform’s handling of AI‑generated non‑consensual content.Musk’s initial response was to restrict the feature to paying users, then to shut down Grok’s ability to edit real‑person photos.What This Test Case Could Mean for Future AI SafeguardsPotential precedent: courts may hold AI developers accountable for how their tools are deployed by users.Regulatory outlook: likely push for mandatory safeguards, stricter data‑protection compliance, and clearer liability frameworks.Industry impact: AI firms may need to embed consent checks and content‑filtering mechanisms before public release.

Amazon’s New AI Visual Search Feature: An OverviewAmazon revealed that its shopping app will now show AI‑generated product images beneath autocomplete suggestions, aiming to guide users toward more relevant results when their search terms are vague.How AI‑Generated Images Are Integrated Into Search ResultsUsers type a query (e.g., “blue gingham dress”).The system presents several synthetic images representing possible styles.Clicking an image redirects the shopper to a filtered results page that matches the visual cue.The feature builds on Amazon’s existing visual‑search capabilities and its recent AI tools such as review summarization and audio product highlights.Consumer Trust and Potential Misleading EffectsThe approach raises several concerns:Shoppers may assume the displayed images represent actual inventory, leading to disappointment when the exact item isn’t available.Introducing fabricated visuals could erode confidence in Amazon’s product listings.Critics argue that real photographs already exist and should remain the primary reference for buyers.What This Means for Amazon’s AI RoadmapBy layering synthetic visuals onto search, Amazon signals a deeper commitment to AI‑driven retail experiences. Future developments may include:More sophisticated visual‑search widgets across devices.Expanded use of generative AI for personalized style recommendations.Potential regulatory scrutiny over deceptive imagery.

The New Opt-out Option Google has announced compliance with the U.K.'s regulatory requirements, offering publishers a way to opt out of being aggregated into AI search. This move comes after the U.K.'s Competition and Markets Authority (CMA) designated Google as having "strategic market status" last October. How the Opt-out Option Works Publishers will be able to use a new toggle in Google's Search Console, a free service that allows website owners to manage their web presence in Google's search results. Once opted out, the publisher's site will not be shown in Google's generative AI Search features, like AI Overviews, AI Mode, or AI Overviews in Discover. The Data Analysis Google notes that its AI Overviews now have over 2.5 billion monthly active users, and its AI Mode has surpassed one billion monthly users. The company will initially test the opt-out option with a subset of U.K. publishers before rolling it out globally. The Impact Analysis The CMA calls the move to put publishers back in control of how their content is used a "world first," and points out that it will put publishers, including news organizations, into a stronger position to negotiate content deals with Google for use of their content in AI features. The Prediction Google notes that a website's decision to opt out of generative AI search features will not be used as a ranking signal for traditional Google search. The company will present new metrics in its Search Console to hopefully sway publishers who could be considering opting out, including impression metrics and other information about which of their pages appear in AI responses, and in which countries.

The Director's Digital PivotMartin Scorsese's announcement that he has invested in an AI company and uses the technology to create storyboards has triggered a backlash from fellow members of the film industry.The New York Times reported that Scorsese had been appointed in 2025 as a partner and adviser to Black Forest Labs, a German-based venture that specialises in text-to-image generative AI.Scorsese said in a statement to the New York Times: "I'm interested in the intersection of technology and storytelling, and seeing how that can push the bounds of creativity to create deeper and richer experiences for audiences. Remember, cinema is a young medium, only around 125 years old, so we have to be open to how it can evolve."He added: "For 70 years, I've been creating my own storyboards. There's always been this problem of how do you communicate what you see in your head to your cast and crew. There are some things you have to see and feel. Now with this tool, I can share what I'm visualising more clearly and efficiently to my creative team."The Artist's RebellionStoryboard and concept artists responded angrily, with Karla Ortiz, a concept artist on a string of Marvel films including Black Panther, Avengers: Endgame and Avengers: Infinity War saying on social media: "He throws every single storyboard artist he's ever worked with under the bus ... To use his legacy and power for this is just so disgusting."Samuel Deats, director of animated TV series Castlevania, added on social media: "There is absolutely no reason to need AI built on the stolen work of millions of artists to storyboard your vision, have some damn pride and respect your peers."The AI Wave in HollywoodWith this move, Scorsese has joined the swelling ranks of significant film industry figures who are endorsing and utilising AI. Steven Soderbergh used AI generated sequences in his recent documentary John Lennon: The Last Interview while Jurassic World Rebirth director Gareth Edwards described AI as "a fucking genius at helping you". Tribeca film festival co-founder Jane Rosenthal defended plans to screen Dreams of Violets, a fully AI-generated film about protesters in Iran, saying that "it's something that should be seen right now at this time".The Production RevolutionThere is no suggestion, however, that Scorsese is planning to use gen-AI images in a film, but rather as part of the preparatory process. In his statement he said: "I recently tested this out on a scene, and the ability to visualise and immediately share the storyboard was creatively freeing. During the preproduction process, time costs money, and this allowed us to move faster without sacrificing quality or craft."

In a striking paradox, a senior academic from Western Sydney University used generative AI to author an opinion piece advising students against using technology to 'cut corners.' The article, published in the Sydney Morning Herald, has since been retracted for violating the publication's editorial standards.The Irony of the 'Do the Work' Op-EdProf Cath Ellis, the university’s pro-vice chancellor for quality and integrity, penned the piece in response to an article by academic Kylie Moore-Gilbert, who warned that students were essentially being graded on writing the best AI prompts. Ellis countered that students should 'do the work' and avoid outsourcing their thinking. However, subsequent testing using the AI-detector Pangram revealed the op-ed was 100% AI-generated.40,000 Words and a 100% AI Detection RateWhen confronted with the evidence, Western Sydney University defended Ellis's methodology. A spokesperson detailed the process:Ellis uploaded 40,000 words of her original academic materials into a Copilot Large Language Model (LLM).The LLM was used to summarize her knowledge and generate prompts for the early drafts.The university classified this as a 'sophisticated and appropriate use' of AI, arguing that detection tools cannot distinguish between ethical and unethical AI usage.Media Policies Collide with AI RationalizationDespite the university's defense, the incident directly violated the editorial policy of Nine, the parent company of the Sydney Morning Herald. While Nine permits AI for initial research, it strictly prohibits using AI to write stories for publication without clear labeling. SMH editor Jordan Baker confirmed the article was removed, stating the publication was not informed of the AI usage by Ellis or the university, calling the omission 'unacceptable.'The Inevitable Transparency Mandate in JournalismThis incident highlights a growing crisis in media integrity. Recent months have seen similar controversies, including Crikey removing AI-assisted articles and the New York Times severing ties with a freelancer who used AI for a book review. As generative tools become ubiquitous, news organizations will likely be forced to implement zero-tolerance transparency mandates, requiring explicit disclosures for any AI-assisted drafting, regardless of how much original human input was provided to the prompt.

DuckDuckGo Capitalizes on Anti-AI SentimentAs Google continues to push an AI-first agenda, alternative search engine DuckDuckGo is experiencing a massive surge in user adoption. The company is actively leaning into anti-AI sentiment by making its traditional search experience more accessible to users who feel overwhelmed by the rapid integration of generative AI into standard web queries.The Launch of 'No-AI' Browser ExtensionsTo provide a consistent AI-free experience, DuckDuckGo has launched new browser extensions for Chrome and Firefox. These tools allow users to set the dedicated AI-free search page (noai.duckduckgo.com) as their default search engine. Once enabled, the platform guarantees an environment free of AI-assisted answers, chat prompts, and AI-generated images. Users of the standalone DuckDuckGo web browser will also have their AI-free settings preserved, even if they clear their browser history.A Massive Surge in Search Traffic and InstallsThe backlash against Google's recent search overhaul has translated into impressive, quantifiable metrics for DuckDuckGo. Following Google's announcement of its AI-driven search revamp, DuckDuckGo reported significant growth:Web visits to the no-AI search page were up nearly 30% week-over-week.U.S. app installs increased by 18.1% week-over-week.U.S. iOS app installs saw a massive peak of 69.9% week-over-week growth.Traffic to the no-AI page hit a new high-water mark on May 28, 2026, up threefold, and is averaging 84% above baseline.The Market Shift Away from AI-Cluttered ResultsThis shift highlights a growing divide in user preferences. While Google is replacing traditional 10 blue links with interactive AI Overviews and chat modes, a significant portion of the market is actively seeking alternatives. Users are migrating to platforms like DuckDuckGo and Kagi to find uncluttered, traditional search results without having AI forced upon them as a default.The Future of the Alternative Search MarketWhile DuckDuckGo is positioning itself as the premier haven for AI-free search, the company is not entirely abandoning artificial intelligence. It continues to offer its own AI chatbot and subscription services that include access to popular models alongside privacy tools like VPNs. Moving forward, the search market will likely bifurcate, with Google dominating AI-integrated productivity while competitors capture users who prioritize traditional link-based navigation and strict content separation.